
Minneapolis Institute of Art
The Three Nymphs
Aristide MaillolLinkedCulture matchlcp-b396a7a10880
- Date
- 1930–38
- Medium
- Bronze
- Department
- European Art
- Institution
- Minneapolis Institute of Art
- Object ID
- 795
From the Minneapolis Institute of Art record
Throughout his career, Aristide Maillol drew inspiration from the female form. His Three Nymphs recall the Three Graces of Greek mythology - personifications of grace, charm, and beauty. He also followed classical precedent by showing the three figures clasping hands and dancing. Maillol rejected the roughly textured surfaces favored by such earlier sculptors as Rodin for the smoothly swelling forms of ancient Greek sculpture. Maillol's massive figures convey a classical serenity and repose, which also contrasted with the vigorous intensity and drama of Rodin's or Degas' sculptures. The three women here all share the same sturdy form, yet each has slight facial and physical differences. France, Europe
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- The Ethel Morrison Van Derlip Fund
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