
Minneapolis Institute of Art
Actor Arashi Sangorō I Performing the Catching the Fox Dance
Torii Kiyonobu
- Date
- c. 1726
- Medium
- Hanging scroll (nikuhitsu), ink and color on paper
- Department
- Asian Art
- Institution
- Minneapolis Institute of Art
Kiyonobu depicts the famous actor Arashi Sangorō I (1687–1739) in the play Tsurigitsune (Catching the Fox) . In traditional Japanese stories, foxes are capable of changing into human form to trick unsuspecting humans. According to this story, an old fox changes into a priest to escape being hunted. He boldly reminds the hunter about the Buddhist commandments against taking life and eating meat, and the ruse seems to work. On the way home, however, the “priest” encounters a baited trap and cannot resist the enticing smell of roasted rat. He transforms back into a fox, takes the food, and is caught. Here, Sangorō performs the transformation dance. He wears a fox mask on the back of his head, allowing him to shift between man and fox simply by turning one way or the other. Asia
The authoritative record is held by Minneapolis Institute of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Minneapolis Institute of Art and other institutions.
The Actors Ichimura Uzaemon IX as a Male Fox Disguised as the Sake Seller Iseya (left) and Nakamura Tomijuro I as a Female Fox Disguised as the Beancake Peddler Hyugaya, in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Kitsune (Heavenly Child - The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777
Art Institute of Chicago

Woman Playing Shamisen (Fox Woman)
Minneapolis Institute of Art
The Actor Arashi Sangoro II as Minamoto no Yoritomo in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770
Art Institute of Chicago
Actor Nakamura Nakazô I as Monk Shunkan in “Outing to Pick Pine Seedlings on the Rat-Day of the New Year” (“Hime Komatsu Ne no Hi Asobi”)
Art Institute of Chicago
The Actor Nakamura Tomijuro I as a Female Fox from Mt. Ubagadake in the Play Chigo Torii Tobiiri Kitsune, Performed at the Ichimura Theater in the Eleventh Month, 1777
Art Institute of Chicago
The Actor Ichikawa Yaozo III as Kusunoki Uraminosuke Disguised as a Male Fox from Tsukamoto (?), in the Play Kumoi no Hana Yoshino no Wakamusha (?), Performed at the Nakamura Theater (?) in the Eleventh Month, 1786 (?)
Art Institute of Chicago
The Actor Nakamura Tomijuro I as the female fox from Mt. Ubagadake in the play "Chigo Torii Tobiiri Kitsune," performed at the Ichimura Theater in the eleventh month, 1777
Art Institute of Chicago
The Actor Nakamura Tomijuro I as a Female Fox from Mt. Ubagadake in the Play Chigo Torii Tobiiri Kitsune, Performed at the Ichimura Theater in the Eleventh Month, 1777
Art Institute of Chicago
The Actors Sawamura Kijuro I as Ikazuchi Shinno, Prince of Thunder (far left), Ichikawa Danjuro V as the Buddhist Deity Fudo (second from left), Nakamura Sukegoro II as Seitaka Doji (second from right), and Bando Mitsugoro I as Kongara Doji (far right), in the Play Fuki Kaete Tsuki mo Yoshiwara (Rethatched Roof: The Moon also Shines Over the Yoshiwara Pleasure District), Performed at the Morita Theater in the Eleventh Month, 1771
Art Institute of Chicago
The Actor Ichikawa Komazo II as Soga no Juro Sukenari Disguised as a Fox Trapper in the Play Kagami-ga-ike Omokage Soga, Performed at the Nakamura Theater in the First Month, 1770
Art Institute of Chicago
The Actors Nakamura Nakazo I as Onmaya Kisanda Dressed as Kakubei the Lion Dancer (Kakubei-jishi) (right) and Segawa Kikunojo III as Shizuka Gozen (left), in the Dance Sequence "Myoto-zake Kawaranu Nakanaka" (Everlasting Harmony of the Marital Cup), from the Second Part of the Play Chigo Torii Tobiiri Kitsune (Heavenly Child—The Fox Leaps Through the Shrine Gate), Performed at the Ichimura Theater in the Eleventh Month, 1777
Art Institute of Chicago
The Dancing Fox
Art Institute of Chicago