Woman as the Poet Funya No Yasuhide

From the Minneapolis Institute of Art record

Eishi was a member of a samurai family. Perhaps as a result of the protracted peace under Tokugawa rule, he studied painting under the shōgun's court- appointed artist, Kanō Eisen (1696-1731) and eventually was recognized for his own painting accomplishments. Despite this reputable background, Eishi seems to have had a particular interest in designing prints and paintings in the ukiyo-e style, a predilection that caused him to resign his hereditary position. His images of women are admired for their elegance and restraint. He also revived the practice of depicting modern women in the guise of famous poets from Japan's classical past, a theme popular among early ukiyo-e artists. Here he depicts a woman as the 9th century poet Bunya no Yasuhide. She holds a lacquered cap of the type typically worn by courtiers like Yasuhide. His poem, first recorded in the Kokinwakashū of 906, appears above: Wind blown from a mountain Storming around the autumn field That may be why the word storm Consists of the characters of Wind and mountain Asia