Paris Musées
Les Pèlerins d'Emmaüs ; La Disparition du Christ (Lugt 63).
Rembrandt (École de), Dessinateur, Rembrandt (Rembrandt Harmensz Van Rijn, dit), Auteur du modèle, 2LinkedCulture matchlcp-9600430e9362
From the Paris Musées record
LinkedCulture assembled this text from several fields of Paris Musées’s catalogue record, so it is not the museum’s own wording as published. See “How LinkedCulture maps this record” below.
Paris Musées’s catalogue record
- Matériaux et techniques
- Plume (arts graphiques), Lavis de bistre, Gouache†
† LinkedCulture’s stored copy of the museum’s words; separators may differ slightly from the museum’s page.
Taken from LinkedCulture’s stored copy of Paris Musées’s record. A fresh capture of the museum’s own record has not been made for this object yet.
From LinkedCulture
This drawing captures not the meal at Emmaus, but the instant Christ disappears, the very subject that gripped Rembrandt again and again. In pen, bistre wash, and gouache, a standing figure raises his hand across the table while two seated companions recoil in startlement, their forms dissolving into warm brown shadow beside an arched window. From Rembrandt's own circle at the Petit Palais in Paris, the sheet even carries five quickly sketched heads and a dog on its reverse, revealing how his workshop wrestled directly with his most charged biblical ideas.
Written by LinkedCulture for its video on this object. Machine-generated (claude-sonnet-4-6), not yet reviewed by a person. It is not part of the museum’s record.
The authoritative record is held by Paris Musées. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata. The fields above are the museum’s, under its own labels. LinkedCulture’s derived fields are listed separately below and marked as ours.
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How LinkedCulture maps this record
To search objects from different museums together, LinkedCulture reads each museum’s record into a common set of fields. The values below are LinkedCulture’s, under LinkedCulture’s names. They are not Paris Musées’s wording; the museum’s own record is shown above under its own labels.
- Object ID
- 160001055
- Object Type
- Dessin, Arts graphiques, Dessin double face
- Paris Musées field “Type(s) d'objet(s)” · combined from several museum fields
- Paris Musées field “Dénomination(s)” · combined from several museum fields
- Creator
- Rembrandt (École de), Dessinateur, Rembrandt (Rembrandt Harmensz Van Rijn, dit), Auteur du modèle, 2
- Paris Musées field “Auteur(s)” · the first available of several museum fields
- Paris Musées field
fieldCartelAuteur(museum’s label not yet confirmed) · the first available of several museum fields
- Culture
- Francais
- Supplied by LinkedCulture, not by Paris Musées · supplied by LinkedCulture · LinkedCulture supplies the value 'Francais'. Paris Musees has no culture field.
- Medium
- Plume (arts graphiques), Lavis de bistre, Gouache
- Paris Musées field “Matériaux et techniques” · copied as is
- Department
- Petit Palais, musée des Beaux-arts de la Ville de Paris
- Paris Musées field “Institution” · copied as is · The holding museum's name, stored as department.
The museum’s own record has not been captured for this object yet, so the museum fields shown above are limited to values LinkedCulture stored unchanged.
LinkedCulture video
Les Pèlerins d'Emmaüs ; La Disparition du Christ (Lugt 63).
Aug 1, 2026 · Short
Museum recordRelated across collections
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