
Paris Musées
Des preuves!... des preuves!... / 24
Daumier, Honoré, Dessinateur-lithographe, Aubert (Imprimeur, lithographe, éditeur), Imprimeur-lithographe, Aubert (Imprimeur, lithographe, éditeur), Editeur
- Date
- 19e siècle
- Medium
- Lithographie
- Culture
- Francais
- Department
- Musée Carnavalet, Histoire de Paris
- Institution
- Paris Musées
Vingt-quatrième planche de la série Croquis d'expression
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Related across collections
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Plaque photographique de la quatrième page de la lettre dix-huit écrite par Georges Sand
Musée Carnavalet, Histoire de Paris
No. 24: Shionata, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
Art Institute of Chicago
No. 24, Shimada and Kanaya, from the series The Tōkaidō Road, The Fifty-three Stations (Tōkaidō, Gojūsan tsugi no uchi)
Harvard Art Museums

Heilige Rocchus in de gevangenis
Rijksmuseum

In the Pleasure Quarters, No. 3 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban)
Minneapolis Institute of Art
Men? What a thing to propose!, p. 73
Harvard Art Museums

Two Studies for a Crouching Woman
The Metropolitan Museum of Art

´T onschuldige vermaak der kindren, / Is aangenaam en kan niet hindren, / Maar 't schrikverwekkend onbescheid / Is 't dat de jeugd vermaak ontzeid
Rijksmuseum

Near the Go Board, No. 5 from Twelve Bouts in the Way of Love (Shikidō torikumi jūniban)
Minneapolis Institute of Art

Love Revealed, No. 4 from the book Elegant Erotic Mane'emon (Fūryū enshoku Mane'emon), vol. 1
Minneapolis Institute of Art
No. 28: Nagakubo, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
Art Institute of Chicago
No. 28: Nagakubo, from the series "Sixty-nine Stations of the Kisokaido (Kisokaido rokujukyu tsugi no uchi)"
Art Institute of Chicago