
Rijksmuseum
De drie gevangenen
- Date
- c. 1503 - c. 1504
- Medium
- paper
- Culture
- Italy
- Institution
- Rijksmuseum
Venetian Jacopo de’ Barbari worked in Germany, where his great rival was the engraver Albrecht Dürer. He used his characteristic technique of long, parallel lines to superb effect to portray the elegant physique of the young men and the gnarled trees. This puzzling, apparently ancient scene is probably intended to portray man’s vulnerability, confined by the constraints of physical existence and nature.
The authoritative record is held by Rijksmuseum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Open this page
See at Rijksmuseum
Related across collections
Semantically similar works from Rijksmuseum and other institutions.