Jacques Callot
290 works on LinkedCulture
Works
A Farm
Art Institute of Chicago · c. 1630
A Festival on the Arno, from The Caprices
Art Institute of Chicago · c. 1622
A Gentleman and his Page, from The Caprices
Art Institute of Chicago · c. 1622
A Mother with her Three Children, plate 18 from The Beggars
Art Institute of Chicago · c. 1622
Attack on the Coach, plate eight from The Miseries of War
Art Institute of Chicago · 1633
Bagpipe Player, from Varie Figure Gobbi
Art Institute of Chicago · 1616
Beggar Leaning on a Stick, plate nineteen from The Beggars
Art Institute of Chicago · c. 1622
Beggar on Crutches and Wearing a Hat, seen from Back, plate five from The Beggars
Art Institute of Chicago · c. 1622
Beggar on Crutches Wearing a Hat, plate four from The Beggars
Art Institute of Chicago · c. 1622
Beggar without Hat or Shoes, plate twelve from The Beggars
Art Institute of Chicago · c. 1622
Bello Sguardo - Coviello, plate 18 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Camping Place of the Gypsies: The Preparation of the Feast
Art Institute of Chicago · n.d.
Capitan Babeo - Cucuba, plate 16 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Capitano Bonbardon - Capitano Grillo, plate 13 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Capitano Cardoni - Maramao, plate 22 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Capitano Cerimonia - Signora Lavinia, plate 3 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Capitano Esgangarato - Capitano Cocodrillo, plate 14 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Capitano Mala Gamba - Capitano Bellavita, plate 15 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Capitan Spessa Monti - Begattino, plate 10 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Captain of the Barons, frontispiece to The Beggars
Art Institute of Chicago · c. 1622
Christ Carrying the Cross, from The Small Passion
Art Institute of Chicago · 1624/31
Christ Crowned with Thorns, from The Small Passion
Art Institute of Chicago · 1624/31
Christ's Entry into Jerusalem, from The New Testament
Art Institute of Chicago · 1635
Christ Washing the Apostles' Feet, from The Large Passion
Art Institute of Chicago · 1618–24
Cicho Sgarra - Collo Francisco, plate 6 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Cripple with a Cap, from Varie Figure Gobbi
Art Institute of Chicago · 1616
Cucorongna - Pernovalla, plate 2 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Death of Judas, plate fourteen from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Dedication to Don Lorenzo de'Medici, from The Caprices
Art Institute of Chicago · c. 1622
Destruction of a Convent, plate six from The Miseries of War
Art Institute of Chicago · 1633
Discovery of the Criminal Soldiers, plate nine from The Miseries of War
Art Institute of Chicago · 1633
Distribution of Rewards, plate eighteen from The Miseries of War
Art Institute of Chicago · 1633
Drill with Drums, plate two from The Military Exercises
Art Institute of Chicago · published 1635
Drill with Halberds, plate three from The Military Exercises
Art Institute of Chicago · published 1635
Drill with Raised Pike, plate six from The Military Exercises
Art Institute of Chicago · published 1635
Drill with the Musket, plate four from The Military Exercises
Art Institute of Chicago · published 1635
Drill with the Musket, plate seven from The Military Exercises
Art Institute of Chicago · published 1635
Drill with Tilted Pikes, plate five from The Military Exercises
Art Institute of Chicago · published 1635
Dying Soldiers by the Roadside, plate sixteen from The Miseries of War
Art Institute of Chicago · 1633
Ecce Homo
Art Institute of Chicago · n.d.
Entry of His Highness on Foot, from The Combat at the Barrier
Art Institute of Chicago · 1627
Entry of His Highness, Representing the Sun, from The Combat at the Barrier
Art Institute of Chicago · 1627
Entry of M. de Couvonage and M. de Chalabre, from The Combat at the Barrier
Art Institute of Chicago · 1627
Entry of M. de Macey, from The Combat at the Barrier
Art Institute of Chicago · 1627
Entry of M. le Comte de Brionne, Grand Chamberlain of His Highness, Representing Jason, from The Combat at the Barrier
Art Institute of Chicago · 1627
Entry of Mm. de Vroncourt, Tyllon, and Marimont, from The Combat at the Barrier
Art Institute of Chicago · 1627
Entry of Monseigneur Henry de Lorraine, Marquis de Moy, under the Name of Pirandre, from The Combat at the Barrier
Art Institute of Chicago · 1627
Entry of the Monseigneur the Prince of Phalsbourg, Defender in the Combat, from The Combat at the Barrier
Art Institute of Chicago · 1627
Firing the Canon, plate twelve from The Military Exercises
Art Institute of Chicago · published 1635
Firing the Musket, plate nine from The Military Exercises
Art Institute of Chicago · published 1635
First Intermezzo of the Veglia of the“Liberation of Tyrsenus and Arnea"
Art Institute of Chicago · 1617, published 1668
Flageolet Player, from Varie Figure Gobbi
Art Institute of Chicago · 1616
Fracischina - Gian Farina, plate 17 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Franca Trippa - Fritellino, plate 23 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Frontispiece, from Balli di Sfessania
Art Institute of Chicago · c. 1622
Frontispiece, from Capricci di varie figure (The Caprices) - The Nancy Set
Art Institute of Chicago · c. 1622
Frontispiece, from Solimano
Art Institute of Chicago · published 1620
Frontispiece, from The Life of the Virgin
Art Institute of Chicago · n.d.
Frontispiece, from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Frontispiece, from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Frontispiece, from The Military Exercises
Art Institute of Chicago · published 1635
Frontispiece, from The Miseries of War
Art Institute of Chicago · 1633
Frontispiece, from the New Testament
Art Institute of Chicago · 1635
Frontispiece, from Varie Figure Gobbi
Art Institute of Chicago · 1616
Funeral of the Holy Catholic and Royal Majesty Margaret of Austria Queen of Spain (Essequie della Sacra Cattolica e Real Maesta di Margherita d'Austria Regina di Spagna)
Art Institute of Chicago · 1612
Gentleman in a Large Cape, Seen from the Front, from The Caprices
Art Institute of Chicago · c. 1617
Gian Fritello - Ciurlo, plate 7 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Guatsetto - Mestolino, plate 5 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Horse, Seen Three-Quarters From the Rear
Art Institute of Chicago · 1615/17
Horses Running Free, from The Caprices
Art Institute of Chicago · c. 1622
Hunting Birds, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
Jesus Among the Doctors, from The New Testament
Art Institute of Chicago · 1635
Jesus and the Adulterous Woman, from The New Testament
Art Institute of Chicago · 1635
Jesus Before Caiaphas, from The Small Passion
Art Institute of Chicago · 1624/31
Jesus is Pierced with a Lance, from The Small Passion
Art Institute of Chicago · 1624/31
Jesus with the Pharisees, from The New Testament
Art Institute of Chicago · 1635
Judith with the Head of Holofernes
Art Institute of Chicago · n.d.
La Factoria (The Farm), from The Caprices
Art Institute of Chicago · c. 1622
La Ronde (The Round Dance), from The Caprices
Art Institute of Chicago · c. 1622
Loading Merchandise, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
Loading the Canon, plate eleven from The Military Exercises
Art Institute of Chicago · published 1635
Man Playing a Grill as a Violin, from Varie Figure Gobbi
Art Institute of Chicago · 1616
Man Preparing to Draw his Sword, from Varie Figure Gobbi
Art Institute of Chicago · 1616
Martyrdom of Saint Andrew, plate three from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Andrew, plate three from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Barnaby, plate fifteen from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Bartholomew, plate nine from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint James the Major, plate four from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint John, the Major, plate four from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint John, the Minor, plate seven from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Mathias, plate eleven from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Mathias, plate eleven from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Matthew, plate thirteen from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Paul, plate two from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Peter, plate one from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Philippe, plate eight from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Phillip, plate eight from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Simon, plate ten from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Thaddeus, plate twelve from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Thaddeus, plate twelve from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Martyrdom of Saint Thomas, plate six from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
Mary Marries Joseph, from The Life of the Virgin
Art Institute of Chicago · n.d.
Mary Presenting Christ in the Temple, from The Life of the Virgin
Art Institute of Chicago · n.d.
Masked Comedian Playing the Guitar, from Varie Figure Gobbi
Art Institute of Chicago · 1616
Old Woman with Cats, plate 25 from The Beggars
Art Institute of Chicago · c. 1622
Pantalone, from Three Italian Comedians
Art Institute of Chicago · 1618–20
Pasquariello Truonno - Meo Squaquara, plate 20 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Pilate Washing His Hands
Art Institute of Chicago · 1631–1634
Plate Five from La Siège de la Rochelle
Art Institute of Chicago · 1631
Plate Four from La Siège de la Rochelle
Art Institute of Chicago · 1631
Plate Seven from La Siège de la Rochelle
Art Institute of Chicago · 1631
Plate Six from La Siège de la Rochelle
Art Institute of Chicago · 1631
Plate Three from La Siège de la Rochelle
Art Institute of Chicago · 1631
Plate Two from La Siège de la Rochelle
Art Institute of Chicago · 1631
Plundering a Large Farmhouse, plate five from The Miseries of War
Art Institute of Chicago · 1633
Plundering and Burning a Village, plate seven from The Miseries of War
Art Institute of Chicago · 1633
Preparing to Fire the Canon, plate ten from The Military Exercises
Art Institute of Chicago · published 1635
Pulliciniello - Signora Lucretia, plate 9 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Razullo - Cucurucu, plate 19 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Recruitment of Troops, plate two from The Miseries of War
Art Institute of Chicago · 1633
Restoration of the Aqueduct of Pisa, from The Life of Ferdinand de' Medici
Art Institute of Chicago · 1616/20
Returning from the Hunt, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
Riciulina - Metzetin, plate 8 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Saint Nicholas Preaching
Art Institute of Chicago · n.d.
Scapino - Capitano Zerbino, plate 12 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Scaramuccia - Fricasso, plate 11 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Scene of Pillage, plate four from The Miseries of War
Art Institute of Chicago · n.d.
Scene of Pillage, plate four from The Miseries of War
Art Institute of Chicago · 1633
Seated Beggar Eating, plate 24 from The Beggars
Art Institute of Chicago · c. 1622
Siege of the Citadel of Saint Martin on the Isle de Ré
Art Institute of Chicago · 1631
Signora Lucia - Trastullo, plate 21 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Sketches for the Balli di Sfessania (recto) Sketches of Dancers (verso)
Art Institute of Chicago · 1616/19
Skirmish in the Circus, from The Caprices
Art Institute of Chicago · c. 1622
Smaraolo cornuto - Ratsa di Boio, plate 4 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Taglia Cantoni - Fracasso, plate 24 from Balli di Sfessania
Art Institute of Chicago · c. 1622
Taking the Firing Position with the Musket, plate eight from The Military Exercises
Art Institute of Chicago · published 1635
The Adoration of the Magi, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Agony in the Garden, from The Small Passion
Art Institute of Chicago · 1624/31
The Annunciation, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Assumption of the Virgin, from the Life of the Virgin
Art Institute of Chicago · n.d.
The Bathers, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
The Battle, plate three from The Miseries of War
Art Institute of Chicago · 1633
The Beggar on Crutches and His Beggar's Wallet, plate ten from The Beggars
Art Institute of Chicago · c. 1622
The Beggar on Crutches, plate sixteen from The Beggars
Art Institute of Chicago · c. 1622
The Beggar with a Footwarmer, plate six from The Beggars
Art Institute of Chicago · c. 1622
The Beggar with a Rosary, plate eleven from The Beggars
Art Institute of Chicago · c. 1622
The Beggar with the Wooden Leg, plate fourteen from The Beggars
Art Institute of Chicago · c. 1622
The Betrayal, from The Small Passion
Art Institute of Chicago · 1624/31
The Birth of Jesus, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Birth of the Virgin Mary, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Blind Man and his Companion, plate nine from The Beggars
Art Institute of Chicago · c. 1622
The Bohemians Marching, from The Bohemians
Art Institute of Chicago · 1621
The Bohemians Marching: The Rear Guard, from The Bohemians
Art Institute of Chicago · n.d.
The Captain or The Lover, from Three Italian Comedians
Art Institute of Chicago · 1618–20
The Carrière at Nancy
Art Institute of Chicago · n.d.
The Carrière, or Rue Neuve, at Nancy (The New Street)
Art Institute of Chicago · 1626
The Cavern of Brigands, from The Caprices
Art Institute of Chicago · c. 1622
The Chariot Races at Santa Maria, from The Caprices
Art Institute of Chicago · c. 1622
The Commander on Foot, from The Caprices
Art Institute of Chicago · c. 1622
The Commander on Horseback, from The Caprices
Art Institute of Chicago · c. 1622
The Condemnation to Death, from The Small Passion
Art Institute of Chicago · 1624/31
The Cripple with a Crutch and a Wooden Leg, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Crucifixion, from The Small Passion
Art Institute of Chicago · 1624/31
The Dancers with a Flute and a Tamborine, from The Caprices
Art Institute of Chicago · c. 1622
The Dancers with the Lute, from The Caprices
Art Institute of Chicago · c. 1622
The Death of the Virgin Mary, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Departure of the Troops
Art Institute of Chicago · 1616/20
The Drinker Seen from the Back, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Drinker Seen from the Front, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Duelist with a Sword and a Dagger, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Duelist with Two Swords, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Duel with Swords and Daggers, from The Caprices
Art Institute of Chicago · c. 1622
The Duel with Swords, from The Caprices
Art Institute of Chicago · c. 1622
The Duomo in Florence, from The Caprices
Art Institute of Chicago · c. 1622
The Fair at Gondreville
Art Institute of Chicago · 1624
The Fair at Impruneta
Art Institute of Chicago · 1622
The Firing Squad, plate twelve from The Miseries of War
Art Institute of Chicago · 1633
The Flagellation, from The Small Passion
Art Institute of Chicago · 1624/31
The Flight into Egypt, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Float of Mount Parnassus, from The War of Beauty
Art Institute of Chicago · 1616
The Genleman who Salutes While Holding his Hat Beneath his Arm, plate two from La Noblesse
Art Institute of Chicago · c. 1625
The Gentleman in a Fur-Trimmed Mantle, Holding his Hands Behind his Back, plate seven from La Noblesse
Art Institute of Chicago · c. 1625
The Gentleman in the Fur-Trimmed Mantle with his Hands Behind his Back, from the series The Nobility of Lorraine
Art Institute of Chicago · 1620/23
The Gentleman Seen from the Front, with his Right Hand on his Hip, from The Caprices
Art Institute of Chicago · c. 1622
The Gentleman with a Coat, Posing with Hands on Hips, from The Caprices
Art Institute of Chicago · c. 1622
The Gentleman with a Large Cane, from The Caprices
Art Institute of Chicago · c. 1622
The Gentleman with a Large Coat, Seen from the Back, from The Caprices
Art Institute of Chicago · c. 1622
The Gentleman with a Large Coat, Seen from the Front, from The Caprices
Art Institute of Chicago · c. 1622
The Gentleman with Clasped Hands, plate eleven from La Noblesse
Art Institute of Chicago · c. 1625
The Glorification of the Virgin, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Grand Duchess Christine of Lorraine Escorts to the Church Youths Whom She is Taking Under Her Protection
Art Institute of Chicago · 1616/20
The Grand Duke Fortifies the Port of Livorno, from The Life of Ferdinando I de’ Medici
Art Institute of Chicago · 1616/20
The Grand Tournament: The Combat
Art Institute of Chicago · 1627
The Greeting Peasant, from The Caprices
Art Institute of Chicago · c. 1622
The Hanging, plate eleven from The Miseries of War
Art Institute of Chicago · 1633
The Holy Family at Table
Art Institute of Chicago · c. 1628
The Home, from The Caprices
Art Institute of Chicago · c. 1622
The Horse Race at the Pitti Palace, in Florence, from The Caprices
Art Institute of Chicago · c. 1622
The Hospital, plate fifteen from The Miseries of War
Art Institute of Chicago · 1633
The Hospital, plate fifteen from The Miseries of War
Art Institute of Chicago · n.d.
The Hurdy-Gurdy Player, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Hurdy-Gurdy Player, plate two from The Beggars
Art Institute of Chicago · c. 1622
The Inn, from The Caprices
Art Institute of Chicago · c. 1622
The Interment of the Virgin, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Lady with Full Clothing, from The Caprices
Art Institute of Chicago · c. 1622
The Lady with the Small Raised Cap, plate one from La Noblesse
Art Institute of Chicago · c. 1625
The Large Bellied Man Decorated with a Line of Buttons, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Large Bellied Man Decorated with a Line of Buttons, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Large Rock, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
The Last Supper, from The Small Passion
Art Institute of Chicago · 1624/31
The Lute Player, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Man Seen from the Back, Right Arm Raised, from The Caprices
Art Institute of Chicago · c. 1622
The Man Seen from the Back with a Large Sword, from The Caprices
Art Institute of Chicago · c. 1622
The Man Wrapped in his Coat, from The Caprices
Art Institute of Chicago · c. 1622
The March from the Palace of the Annunciation to Florence, from The Caprices
Art Institute of Chicago · c. 1622
The Marriage of Ferdinand de' Medici and the Duchess Christine de Lorraine, plate 1 from The Life of Ferdinand de' Medici
Art Institute of Chicago · 1616/20
The Martyrdom of Saint John the Evangelist, plate five from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
The Martyrdom of Saint Paul, plate two from The Martyrdoms of the Apostles
Art Institute of Chicago · n.d.
The Martyrdom of Saint Sebastian
Art Institute of Chicago · n.d.
The Masked Man with Twisted Legs, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Massacre of the Innocents (Second plate)
Art Institute of Chicago · 1622
The Naval Battle, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
The Obese Beggar with Lowered Eyes, plate 21 from The Beggars
Art Institute of Chicago · c. 1622
The Old Beggar Leaning on his Crutch, plate seventeen from The Beggars
Art Institute of Chicago · c. 1622
The One-Eyed Woman, plate fifteen from The Beggars
Art Institute of Chicago · c. 1622
The Ordeal by Arrows (Saint Sebastian)
Art Institute of Chicago · n.d.
The Ordeal by Arrows (Saint Sebastian)
Art Institute of Chicago · n.d.
The Palace Gardens at Nancy
Art Institute of Chicago · 1625
The Passage of the Red Sea
Art Institute of Chicago · 1628–30
The Peasant Attacked by Bees, from The Caprices
Art Institute of Chicago · c. 1622
The Peasant Carrying his Bag, from The Caprices
Art Institute of Chicago · c. 1622
The Peasant Carrying his Shovel on his Shoulder, from The Caprices
Art Institute of Chicago · c. 1622
The Peasant Holding a Goblet, from The Caprices
Art Institute of Chicago · c. 1622
The Peasant Removing his Shoes, from The Caprices
Art Institute of Chicago · c. 1622
The Peasants Avenge Themselves, plate seventeen from The Miseries of War
Art Institute of Chicago · 1633
The Peasant Squatting, from The Caprices
Art Institute of Chicago · c. 1622
The Ponte Vecchio in Florence, from The Caprices
Art Institute of Chicago · c. 1622
The Potbellied Man with a Tall Hat, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Presentation to the People, from The Small Passion
Art Institute of Chicago · 1624/31
The Promenade, from The Caprices
Art Institute of Chicago · c. 1622
The Restoration of the Dome of Florence, from The Life of Ferdinand de' Medici
Art Institute of Chicago · 1614/20
The Resurrection of Lazarus, from The New Testament
Art Institute of Chicago · 1635
The Running Man, from The Caprices
Art Institute of Chicago · c. 1622
The Sermon on the Mount, from The New Testament
Art Institute of Chicago · 1635
The Shepherd and the Ruins, from The Caprices
Art Institute of Chicago · c. 1622
The Shepherd Playing a Flute, from The Caprices
Art Institute of Chicago · c. 1622
The Sickly One, plate thirteen from The Beggars
Art Institute of Chicago · c. 1622
The Siege of La Rochelle, plate one
Art Institute of Chicago · 1631
The Slave Market
Art Institute of Chicago · n.d.
The Slave Market
Art Institute of Chicago · 1629
The Slave Market
Art Institute of Chicago · 1629
The Slave Market
Art Institute of Chicago · n.d.
The Small Port, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
The Soldier with a Plumed Hat, plate three from La Noblesse
Art Institute of Chicago · c. 1625
The Stag Hunt
Art Institute of Chicago · 1630–35
The Stag Hunt, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
The Stake, plate thirteen from The Miseries of War
Art Institute of Chicago · 1633
The Standard-Bearer, from The Caprices
Art Institute of Chicago · c. 1622
The Stoning of Jesus, from The New Testament
Art Institute of Chicago · 1635
The Stopping Place, from The Bohemians
Art Institute of Chicago · n.d.
The Strappado, plate ten from The Miseries of War
Art Institute of Chicago · 1633
The Temptation of Saint Anthony
Art Institute of Chicago · 1635
The Temptation of Saint Anthony
Art Institute of Chicago · c. 1635
The Tribute to Caesar, from The New Testament
Art Institute of Chicago · 1635
The Triumph of the Virgin
Art Institute of Chicago · 1624
The Two Pantaloons
Art Institute of Chicago · 1616
The Two Pantaloons Looking at Each Other, from The Caprices
Art Institute of Chicago · c. 1622
The Two Pantaloons Turning their Back, from The Caprices
Art Institute of Chicago · c. 1622
The Two Pilgrims, plate three from The Beggars
Art Institute of Chicago · c. 1622
The Uneven One with a Cane, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Violin Player, from The Caprices
Art Institute of Chicago · c. 1622
The Violin Player, from Varie Figure Gobbi
Art Institute of Chicago · 1616
The Virgin Mary Presented at the Temple, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Visitation of St. Elizabeth, from The Life of the Virgin
Art Institute of Chicago · n.d.
The Watermill, from Various Scenes Designed in Florence
Art Institute of Chicago · 1618–20
The Wheel, plate fourteen from The Miseries of War
Art Institute of Chicago · 1633
The Wobbly Man Playing the Guitar, from Varie Figure Gobbi
Art Institute of Chicago · 1616
Title Page, from Combat at the Barrier
Art Institute of Chicago · 1627
Two Seated Men, from The Caprices
Art Institute of Chicago · c. 1622
Two Women Beggars, plate eight from The Beggars
Art Institute of Chicago · c. 1622
Two Women in Profile, from The Caprices
Art Institute of Chicago · c. 1622
Unarmed Drill, plate one from The Military Exercises
Art Institute of Chicago · published 1635
View of Piazza S. Croce with Football Game, from The Caprices
Art Institute of Chicago · c. 1622
View of Piazza Signoria, from The Caprices
Art Institute of Chicago · c. 1622
View of the Louvre
Art Institute of Chicago · 1630–35
View of the Pont Neuf
Art Institute of Chicago · 1630–35
Washing the Feet, from The Small Passion
Art Institute of Chicago · 1624/31
Woman Beggar Holding Alms, plate 20 from The Beggars
Art Institute of Chicago · c. 1622
Woman Beggar with a Rosary, plate seven from The Beggars
Art Institute of Chicago · c. 1622
Zanni, from Three Italian Comedians
Art Institute of Chicago · 1618–20