J. J. Grandville

J. J. Grandville

1803–1847

105 works across 2 collections on LinkedCulture

Authority recordsGetty ULAN ↗Getty ULAN ↗Wikidata ↗

Works

View as IIIF ↗
Aalscholver en zwaan als getrouwd stel

Aalscholver en zwaan als getrouwd stel

Rijksmuseum · 1829

#RP-P-1905-6277

A Banker, from "Scenes from the Private and Public Life of Animals"

A Banker, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#813057

And a very obstinate vole..., from "Scenes from the Private and Public Life of Animals"

And a very obstinate vole..., from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#813033

... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals"

... and soon formed a fantastic round, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#813064

And yet we add that, outside the theater, these animals are even more ugly, from "Scenes from the Private and Public Life of Animals"

And yet we add that, outside the theater, these animals are even more ugly, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#813026

An Old Butterfly, from "Scenes from the Private and Public Life of Animals"

An Old Butterfly, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#812901

A provincial family was forced to pay a high price for an insignificant show, from "Little Miseries of Human Life"

A provincial family was forced to pay a high price for an insignificant show, from "Little Miseries of Human Life"

The Metropolitan Museum of Art · 1843

#831177

As the last grains of powder fall into the palm of his blackened hand, a superb hare..., from "Little Miseries of Human Life"

As the last grains of powder fall into the palm of his blackened hand, a superb hare..., from "Little Miseries of Human Life"

The Metropolitan Museum of Art · 1843

#831212

A Stork was called to the presidency..., from "Scenes from the Private and Public Life of Animals"

A Stork was called to the presidency..., from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#812916

A whirlwind of smoke and ashes seizes the air you breathe, from "Little Miseries of Human Life"

A whirlwind of smoke and ashes seizes the air you breathe, from "Little Miseries of Human Life"

The Metropolitan Museum of Art · 1843

#831214

Baron wordt gehaald door een doodgraver en de Dood

Baron wordt gehaald door een doodgraver en de Dood

Rijksmuseum · 1830

#RP-P-1954-693

Brennus, from "The Complete Works of Béranger"

Brennus, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#813191

Children, Obey Me, Do Not Play With Those Weapons, from "L'Association Mensuelle no. 21"

Children, Obey Me, Do Not Play With Those Weapons, from "L'Association Mensuelle no. 21"

The Metropolitan Museum of Art · April 1834

#359153

Clown, from "The Complete Works of Béranger"

Clown, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#813155

Diverse figuren op straat bij twee aanplakbiljetten

Diverse figuren op straat bij twee aanplakbiljetten

Rijksmuseum · 1830

#RP-P-OB-40.715

Diverse mensen marcheren achter de Dood aan

Diverse mensen marcheren achter de Dood aan

Rijksmuseum · 1830

#RP-P-1970-547

Dokter schudt handen met de Dood

Dokter schudt handen met de Dood

Rijksmuseum · 1830

#RP-P-1970-549

Ezelin bestelt bij eend in kruidenierswinkel

Ezelin bestelt bij eend in kruidenierswinkel

Rijksmuseum · 1829

#RP-P-1909-1881

First Dream, from "Le Magasin Pittoresque"

First Dream, from "Le Magasin Pittoresque"

The Metropolitan Museum of Art · 1820–47

#393385

Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"

Friends, the wise one places his glory in eating well, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#812879

Gotton, from "The Complete Works of Béranger"

Gotton, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#831015

Grand Course au Clocher Académique, Pl. 2

Grand Course au Clocher Académique, Pl. 2

The Metropolitan Museum of Art · 1844

#393293

Groep mannen krijgt een maaltijd geserveerd door de Dood

Groep mannen krijgt een maaltijd geserveerd door de Dood

Rijksmuseum · 1830

#RP-P-1970-551

He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals"

He tells us: don't cry, Act!, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#812962

He was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals"

He was a regular on the front lines..., from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#812875

He was only waiting to make fun of the pursuer and the pursuit, from "Little Miseries of Human Life"

He was only waiting to make fun of the pursuer and the pursuit, from "Little Miseries of Human Life"

The Metropolitan Museum of Art · 1843

#831109

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846

The Metropolitan Museum of Art · ca. 1846

#384236

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846

The Metropolitan Museum of Art · ca. 1846

#384238

I ordinarily opened the ball with the prettiest villager, from "Scenes from the Private and Public Life of Animals"

I ordinarily opened the ball with the prettiest villager, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#812949

It has been very wrong to take from our poets the classic muzzle, from "Scenes from the Private and Public Life of Animals"

It has been very wrong to take from our poets the classic muzzle, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#813027

I tried to escape from this philological discussion, from "Little Miseries of Human Life"

I tried to escape from this philological discussion, from "Little Miseries of Human Life"

The Metropolitan Museum of Art · 1843

#831181

I urged them to eat some boiled eggs, from "Scenes from the Private and Public Life of Animals"

I urged them to eat some boiled eggs, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#813018

Jeanne, the Redhead, from "The Complete Works of Béranger"

Jeanne, the Redhead, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#830942

Jean of Paris, from "The Complete Works of Béranger"

Jean of Paris, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#831038

Jonge vrouw wordt naar een koets gebracht door de Dood

Jonge vrouw wordt naar een koets gebracht door de Dood

Rijksmuseum · 1830

#RP-P-1970-548

Journey for Eternity, No. 5

Journey for Eternity, No. 5

The Metropolitan Museum of Art · ca. 1839

#812702

Jupiter en Juno krijgen nectar van Hebe

Jupiter en Juno krijgen nectar van Hebe

Rijksmuseum · 1830

#RP-P-1942-411

Kalkoen lokt vlinder met kaars

Kalkoen lokt vlinder met kaars

Rijksmuseum · 1829

#RP-P-1905-6276

Karikatuur van Karel X van Frankrijk

Karikatuur van Karel X van Frankrijk

Rijksmuseum · 1830

#RP-P-OB-40.716

Karikatuur van operazanger Louis Antoine Ponchard

Karikatuur van operazanger Louis Antoine Ponchard

Rijksmuseum · 1835

#RP-P-1941-510

Katten gedragen zich vriendelijk tegen muizen

Katten gedragen zich vriendelijk tegen muizen

Rijksmuseum · 1829

#RP-P-1905-6274

Leftovers, from "Little Miseries of Human Life"

Leftovers, from "Little Miseries of Human Life"

The Metropolitan Museum of Art · 1843

#831106

Man in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth"

Man in a Nightshirt Reaching for a Bottle Labeled "Fountain of Youth"

The Metropolitan Museum of Art · 1803–47

#376111

Man met vissenkop presenteert zijn dochter aan de hertog van Orléans

Man met vissenkop presenteert zijn dochter aan de hertog van Orléans

Rijksmuseum · 1828 - 1829

#RP-P-1904-2268

Mèderic, delighted in the seventh heaven, leans over to check his conquest..., from "Little Miseries of Human Life"

Mèderic, delighted in the seventh heaven, leans over to check his conquest..., from "Little Miseries of Human Life"

The Metropolitan Museum of Art · 1843

#831068

Memories of the People, from "The Complete Works of Béranger"

Memories of the People, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#813430

More than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals"

More than once, while leaving the masked ball Mr. de *** was arrested by the patrol officers, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#812896

My Burial, from "The Complete Works of Béranger"

My Burial, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#813343

My hero was good at hanging, from "Scenes from the Private and Public Life of Animals"

My hero was good at hanging, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#813022

Mythological Gallery: Judgement of Paris

Mythological Gallery: Judgement of Paris

The Metropolitan Museum of Art · ca. 1829–31

#812714

Nenuphar, from "Les Fleurs Animées"

Nenuphar, from "Les Fleurs Animées"

The Metropolitan Museum of Art · 1847

#393389

Oude man wordt gehaald door de Dood als reiziger

Oude man wordt gehaald door de Dood als reiziger

Rijksmuseum · 1830

#RP-P-1970-552

Passing Young Girls, from "The Complete Works of Béranger"

Passing Young Girls, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#813439

Penitence

Penitence

The Metropolitan Museum of Art · 1834

#812691

Perveche Desséchée, from "Les Fleurs Animées"

Perveche Desséchée, from "Les Fleurs Animées"

The Metropolitan Museum of Art · 1847

#393388

Poppenkast met vechtende politici als poppen

Poppenkast met vechtende politici als poppen

Rijksmuseum · 1831

#RP-P-1941-511

Postiljon wordt staande gehouden door de Dood als koetsier

Postiljon wordt staande gehouden door de Dood als koetsier

Rijksmuseum · 1830

#RP-P-1970-553

Praise of Chicken, from "The Complete Works of Béranger"

Praise of Chicken, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#813086

Request of quality dogs, from "The Complete Works of Béranger"

Request of quality dogs, from "The Complete Works of Béranger"

The Metropolitan Museum of Art · 1836

#813089

She posed herself as a superior owl, and was just a ridiculous owl, from "Scenes from the Private and Public Life of Animals"

She posed herself as a superior owl, and was just a ridiculous owl, from "Scenes from the Private and Public Life of Animals"

The Metropolitan Museum of Art · ca. 1837–47

#813066