Francisco José de Goya y Lucientes

A Bad Night, plate 36 from Los Caprichos

Art Institute of Chicago · 1797/99

A Dwarf

Art Institute of Chicago · 1778

Aesop

Art Institute of Chicago · 1778

Against the Common Good, plate 71 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

A Gift for the Master, plate 47 from Los Caprichos

Art Institute of Chicago · 1797/99

A Heroic Feat! With Dead Men!, plate 39 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

All Will Fall, plate 19 from Los Caprichos

Art Institute of Chicago · 1797/99

A Moor Caught by the Bull in the Ring, plate 8 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

And his house is on fire, plate 18 from Los Caprichos

Art Institute of Chicago · 1797/99

And So Was His Grandfather, plate 39 from Los Caprichos

Art Institute of Chicago · 1797/99

And Still They Don't Go!, plate 59 from Los Caprichos

Art Institute of Chicago · 1797/99

And there's no help for it, plate 15 from The Disasters of War

Art Institute of Chicago · 1810/11, published 1863

And they are like wild beasts, plate five from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

And this too, plate 45 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Animal Folly, from Disparates

Art Institute of Chicago · 1816–17, published 1877

Another madness of his in the same ring, plate 19 from The Art of Bullfighting

Art Institute of Chicago · 1815, published 1816

Another way of hunting on foot, plate two from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

A Picador is Unhorsed and Falls under the Bull, plate 26 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

Appeals are in vain, plate 54 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

A Spanish knight kills the bull after having lost his horse, plate nine from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

A Spanish mounted knight in the ring breaking short spears without the help of assistants, plate 13 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

A Way of Flying, from Disparates, published as plate 13 in Los Proverbios (Proverbs)

Art Institute of Chicago · 1815–17, published 1864

A Woman and a Horse, Let Someone Else Master Them, plate ten from Los Proverbios

Art Institute of Chicago · 1815/24

A Woman's Charity, plate 49 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Baltasar Carlos

Art Institute of Chicago · 1778

Banderillas with firecrackers, plate 31 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

Barbarians!, plate 38 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Be Careful with that Step!

Art Institute of Chicago · 1816/1820

Because She Was Susceptible, plate 32 from Los Caprichos

Art Institute of Chicago · 1797/99

Be quick, They are Waking Up, plate 78 from Los Caprichos

Art Institute of Chicago · 1797/99

Bitter to be Present, plate 13 from The Disasters of War

Art Institute of Chicago · 1810/11, published 1863

Blow, plate 69 from Los Caprichos

Art Institute of Chicago · 1797/99

Bon voyage, plate 64 from Los Caprichos

Art Institute of Chicago · 1797/99

Boy on a Ram

Art Institute of Chicago · 1786–87

Bravo!, plate 38 from Los Caprichos

Art Institute of Chicago · 1797/99

Bull Attacked by Dogs

Art Institute of Chicago · 1824–25

Bullfight in a divided ring, from The Bulls of Bordeaux

Art Institute of Chicago · 1825

Bury them and keep quiet, plate 18 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

Can't anyone untie us?, plate 75 from Los Caprichos

Art Institute of Chicago · 1797/99

Cartloads to the cemetery, plate 64 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Charity, plate 27 from The Disasters of War

Art Institute of Chicago · 1810, published 1863

Charlatan's show, plate 75 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

Correction, plate 46 from Los Caprichos

Art Institute of Chicago · 1797/99

Corridas de Toros

Art Institute of Chicago · 1814/16

Cruel tale of woe!, plate 48 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Dancing Giant, from Disparates, published as plate 4 in Los Proverbios

Art Institute of Chicago · 1816–19, published 1864

Devout profession, plate 70 from Los Caprichos

Art Institute of Chicago · 1797/99

Disorderly Folly, plate seven from The Proverbs

Art Institute of Chicago · 1815/24, published 1864

Don't scream, stupid, plate 74 from Los Caprichos

Art Institute of Chicago · 1797/99

Don't scream, stupid, plate 74 from Los Caprichos

Art Institute of Chicago · 1797/99

Dreadful events in the front rows of the ring at Madrid, and death of the mayor of Torrejón, plate 21 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

Dream of Flogging

Art Institute of Chicago · 1801/03

El Maragato Threatens Friar Pedro de Zaldivia with His Gun

Art Institute of Chicago · c. 1806

Even Thus he Cannot Make Her Out, plate seven from Los Caprichos

Art Institute of Chicago · 1797/99

Even Worse, plate 22 from The Disasters of War

Art Institute of Chicago · 1810, published 1863

Everything is topsy-turvy, plate 42 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

Feline pantomime, plate 73 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

Fool’s Folly, from Disparates

Art Institute of Chicago · 1816–19, published 1877

For Heaven's Sake: and it was Her Mother, plate 16 from Los Caprichos

Art Institute of Chicago · 1797/99

Francisco de Goya y Lucientes, Painter, plate one from Los Caprichos

Art Institute of Chicago · 1797/99

Francisco Goya y Lucientes, Painter, plate one from Los Caprichos

Art Institute of Chicago · 1797/99

Friar Pedro Binds El Maragato with a Rope

Art Institute of Chicago · c. 1806

Friar Pedro Clubs El Maragato with the Butt of the Gun

Art Institute of Chicago · c. 1806

Friar Pedro Offers Shoes to El Maragato and Prepares to Push Aside His Gun

Art Institute of Chicago · c. 1806

Friar Pedro Shoots El Maragato as His Horse Runs Off

Art Institute of Chicago · c. 1806

Friar Pedro Wrests the Gun from El Maragato

Art Institute of Chicago · c. 1806

Gaspar de Guzman, Conde Duque of Olivares

Art Institute of Chicago · 1778

General Folly, plate nine from The Proverbs

Art Institute of Chicago · 1815/24

Get them well, and on to the next, plate 20 from The Disasters of War

Art Institute of Chicago · 1810, published 1863

God creates them and they join up together, plate 18 from Los Proverbios

Art Institute of Chicago · 1815/24

God creates them and they join up together, plate 18 from Los Proverbios

Art Institute of Chicago · 1815/24

Harvest of the dead, plate 63 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Heavier than a Dead Donkey, plate 1 from Los Proverbios

Art Institute of Chicago · 1815–17, published 1864

Heavier than a dead donkey, plate one from Los Proverbios

Art Institute of Chicago · 1815/24

He defends himself well, plate 78 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

He deserved it, plate 29 from The Disasters of War

Art Institute of Chicago · 1814/20, published 1863

He gets something out of it, plate 40 from The Disasters of War

Art Institute of Chicago · 1814/20, published 1863

Here Comes the Bogeyman, plate three from Los Caprichos

Art Institute of Chicago · 1797/99

He who does not like thee will defame thee in jest, plate 17 from Los Proverbios

Art Institute of Chicago · 1815/24

He who does not like thee will defame thee in jest, plate 17 from Los Proverbios

Art Institute of Chicago · 1815/24

Hobgoblins, plate 49 from Los Caprichos

Art Institute of Chicago · 1797/99

How they Pluck Her, plate 21 from Los Caprichos

Art Institute of Chicago · 1797/99

Hush, plate 28 from Los Caprichos

Art Institute of Chicago · 1797/99

Hush, plate 28 from Los Caprichos

Art Institute of Chicago · 1797/99

If Two to One, Stuff Your Arse with Straw, from Los Proverbios

Art Institute of Chicago · 1815/24, published 1877

Isabel de Borbon

Art Institute of Chicago · 1778

I Saw it, plate 44 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

Is It Better To Be Lazy?, plate 73 from Los Caprichos

Art Institute of Chicago · 1797/99

It Always Happens, plate eight from The Disasters of War

Art Institute of Chicago · 1814/20, published 1863

It is Amazing - and We were Made by God, plate six from Los Proverbios

Art Institute of Chicago · 1815/24

It is Nicely Stretched, plate 17 from Los Caprichos

Art Institute of Chicago · 1797/99

It is Time, plate 80 from Los Caprichos

Art Institute of Chicago · 1797/99

It is Time, plate 80 from Los Caprichos

Art Institute of Chicago · 1797/99

It's a hard step!, plate 14 from The Disasters of War

Art Institute of Chicago · 1810/11, published 1863

It Serves You Right, plate six from The Disasters of War

Art Institute of Chicago · 1810/15, published 1863

It's no use crying out, plate 58 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

It will be the same, plate 21 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

Lads Making Ready, plate eleven from Los Caprichos

Art Institute of Chicago · 1797/99

Landscape with Waterfall

Art Institute of Chicago · before 1810

Look How Solemn They Are!, plate 63 from Los Caprichos

Art Institute of Chicago · 1797/99

Los Caprichos

Art Institute of Chicago · 1797/99, published 1799

Love and Death, plate ten from Los Caprichos

Art Institute of Chicago · 1797/99

Manly courage of the celebrated Pajuelera in the ring at Saragossa, plate 22 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

Manly courage of the celebrated Pajuelera in the ring at Saragossa, plate 22 from The Art of Bullfighting

Art Institute of Chicago · 1814/16

Margaret of Austria

Art Institute of Chicago · 1778

Mariano Ceballos, alias the Indian, kills the bull from his horse, plate 23 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

May God Repay You

Art Institute of Chicago · 1800/04

May the cord break, plate 77 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

Menippus

Art Institute of Chicago · 1778

Merry Folly, from Disparates, published as plate 12 in Los Proverbios

Art Institute of Chicago · 1816–19, published 1864

Might not the Pupil Know More?, plate 37 from Los Caprichos

Art Institute of Chicago · 1797/99

Modern Duel

Art Institute of Chicago · 1825/26

Nanny's boy, plate four from Los Caprichos

Art Institute of Chicago · 1797/99

Neither do these, plate ten from The Disasters of War

Art Institute of Chicago · 1810/15, published 1863

Neither more nor less, plate 41 from Los Caprichos

Art Institute of Chicago · 1797/99

Nobody knows himself, plate six from Los Caprichos

Art Institute of Chicago · 1797/99

No One Has Seen Us, plate 79 from Los Caprichos

Art Institute of Chicago · 1797/99

No One Has Seen Us, plate 79 from Los Caprichos

Art Institute of Chicago · 1797/99

Nor do these, plate eleven from The Disasters of War

Art Institute of Chicago · 1810/15, published 1863

Nothing Could Be Done about It, plate 24 from Los Caprichos

Art Institute of Chicago · 1797/99

Nothing. The Event Will Tell, plate 69 from The Disasters of War

Art Institute of Chicago · 1812/20, published 1863

Not in this case, plate 36 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Of what ill will he die?, plate 40 from Los Caprichos

Art Institute of Chicago · 1797–98, published 1799

Old man on a swing

Art Institute of Chicago · 1825/27

On account of a knife, plate 34 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

One Can't Look, plate 26 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

One Can't Tell Why, plate 35 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

Out Hunting for Teeth, plate twelve from Los Caprichos

Art Institute of Chicago · 1797/99

Pedro Romero killing the halted bull, plate 30 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

Pepe Illo making the pass of the 'recorte', plate 29 from The Art of Bullfighting

Art Institute of Chicago · 1815, published 1816

Perhaps they are of another breed, plate 61 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Philip III

Art Institute of Chicago · 1778

Philip IV

Art Institute of Chicago · 1778

Picador Caught by a Bull, from The Bulls of Bordeaux

Art Institute of Chicago · 1825

Poor Folly, plate eleven from Los Proverbios

Art Institute of Chicago · 1815/24

Poor Little Girls!, plate 22 from Los Caprichos

Art Institute of Chicago · 1797/99

Portrait of General José Manuel Romero

Art Institute of Chicago · c. 1810

Portrait of Isidoro Maiquez

Art Institute of Chicago · c. 1807

Pretty Teacher!, plate 68 from Los Caprichos

Art Institute of Chicago · 1797/99

Pretty Teachings, plate 15 from Los Caprichos

Art Institute of Chicago · 1797/99

Rabble, plate 28 from The Disasters of War

Art Institute of Chicago · 1814/20, published 1863

Ravages of war, plate 30 from The Disasters of War

Art Institute of Chicago · 1810/11, published 1863

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios

Art Institute of Chicago · 1815/24

Rejoice, Carnival, for Tomorrow Thou wilt Be Ashes, plate 14 from Los Proverbios

Art Institute of Chicago · 1815/24

Renounce the Friend Who Covers You with His Wings and Bites You with His Beak, plate five from Los Proverbios

Art Institute of Chicago · 1815/24

Rightly or wrongly, plate two from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Sad Forebodings of What is Going to Happen, plate one from The Disasters of War

Art Institute of Chicago · 1814/20, published 1863

She Fleeces him, plate 35 from Los Caprichos

Art Institute of Chicago · 1797/99

She Prays for Her, plate 31 from Los Caprichos

Art Institute of Chicago · 1797/99

She Who is Ill Wed Never Misses a Chance to Say So, plate seven from Los Proverbios

Art Institute of Chicago · 1815/24

Sleep Overcomes Them, plate 34 from Los Caprichos

Art Institute of Chicago · 1797/99

Soldiers Frightened by a Phantom, from Disparates, published as plate 2 in Los Proverbios

Art Institute of Chicago · 1816–19, published 1864

Spanish Entertainment, from The Bulls of Bordeaux

Art Institute of Chicago · 1825

Strange Devotion!, plate 66 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

Swallow it, dog, plate 58 from Los Caprichos

Art Institute of Chicago · 1797/99

Tale-Bearers - Blasts of Wind, plate 48 from Los Caprichos

Art Institute of Chicago · 1797/99

Tantalus, plate 9 from Los Caprichos

Art Institute of Chicago · 1797/99

Thanks to the Millet, plate 51 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

That certainly is being able to read, plate 29 from Los Caprichos

Art Institute of Chicago · 1797/99

That is the worst of it!, plate 74 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

That's tough!, plate 31 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

The Agility and Audacity of Juanito Apinani in the ring at Madrid, plate 20 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Beds of Death, plate 62 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

The Big Rock

Art Institute of Chicago · before 1810

The Carnivorous Vulture, plate 76 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pique, plate 27 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Chinchillas, plate 50 from Los Caprichos

Art Institute of Chicago · 1797/99

The Cid Campeador spearing another bull, plate eleven from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Claws of a Cat and the Dress of a Devotee - similar to Vice is often clothed in Virtue's habit, plate nine from Los Proverbios

Art Institute of Chicago · 1815/24

The Consequences, plate 72 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

The Custody is as Barbarous as the Crime ("The Little Prisoner")

Art Institute of Chicago · 1810/20

The daring of Martincho in the ring at Saragossa, plate 18 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Drunkards

Art Institute of Chicago · 1778

The Drunkards

Art Institute of Chicago · 1778

The Famous American, Mariano Ceballos, from The Bulls of Bordeaux

Art Institute of Chicago · 1825

The Famous Martincho Places the Banderillas, Playing the Bull with the Movement of his Body, plate 15 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Filiation, plate 57 from Los Caprichos

Art Institute of Chicago · 1797/99

The Forceful Rendón Stabs a Bull with the Pique, from which Pass He Died in the Ring at Madrid, plate 28 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Garrotted Man

Art Institute of Chicago · 1778–80

The Hanged Monk

Art Institute of Chicago · c. 1810

The Healthy and the Sick, plate 57 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

The Moors had settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open, plate three from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Moors make a different play in the ring calling the bull with their burnous, plate six from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The rabble hamstring the bull with lances, sickles, banderillas and other arms, plate twelve from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

There is No One to Help Them, plate 60 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

There isn't Time Now, plate 19 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

There is Plenty to Suck, plate 45 from Los Caprichos

Art Institute of Chicago · 1797/99

There is Something Beneath the Sackcloth, i.e. you can't judge a man by his clothes, plate eight from Los Proverbios

Art Institute of Chicago · 1815/24

There it Goes, plate 66 from Los Caprichos

Art Institute of Chicago · 1797/99

There They Go Plucked (i.e. fleeced), plate 20 from Los Caprichos

Art Institute of Chicago · 1797/99

There Was Nothing to be Done and He Died, plate 53 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

The Same Ceballos, Mounted on Another Bull, Breaks Short Spears in the Ring at Madrid, plate 24 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Same Elsewhere, plate 23 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

The Same Man Throws a Bull in the Ring at Madrid, plate 16 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1876

The Same Man Throws a Bull in the Ring at Madrid, plate 16 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Same, plate three from The Disasters of War

Art Institute of Chicago · 1810/15, published 1863

These too, plate 25 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

The Shamefaced one, plate 54 from Los Caprichos

Art Institute of Chicago · 1797/99

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos

Art Institute of Chicago · 1797/99

The Sleep of Reason Produces Monsters, plate 43 from Los Caprichos

Art Institute of Chicago · 1797/99

The Spirited Moor Gazul is the First to Spear Bulls According to Rules, plate five from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Unlucky Death of Pepe Illo in the Ring at Madrid, plate 33 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Very Skilful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body, plate 14 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Way in which the ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting

Art Institute of Chicago · 1814/16

The Way in Which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country, plate one from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

The Women Give Courage, plate four from The Disasters of War

Art Institute of Chicago · 1810/15, published 1863

The Worst is to Beg, plate 55 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

They are Hot, plate 13 from Los Caprichos

Art Institute of Chicago · 1797/99

They Can Still be of Use, plate 24 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

They Carried Her Off!, plate eight from Los Caprichos

Art Institute of Chicago · 1797/99

They Do Not Agree, plate 17 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

They Do Not Arrive in Time, plate 52 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

They Do Not Know the Way, plate 70 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

They Don't Like it, plate nine from The Disasters of War

Art Institute of Chicago · 1810/15, published 1863

They Escape through the Flames, plate 41 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

They Have Flown, plate 61 from Los Caprichos

Art Institute of Chicago · 1797/99

They Have Flown, plate 61 from Los Caprichos (Caprices)

Art Institute of Chicago · 1797–98, published 1799

They Loose Dogs on the Bull, plate 25 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

They Make Use of Them, plate 16 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

They Make Use of Them, plate 16 from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

They Play Another with the Cape in an Enclosure, plate four from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

They Say 'Yes' and Give Their Hand to the First Comer, plate two from Los Caprichos

Art Institute of Chicago · 1797/99

They Spin Finely, plate 44 from Los Caprichos

Art Institute of Chicago · 1797/99

They Spruce Themselves Up, plate 51 from Los Caprichos

Art Institute of Chicago · 1797/99

They've Already Got a Seat (i.e. bottom), plate 26 from Los Caprichos

Art Institute of Chicago · 1797/99

This is Bad, plate 46 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

This is How it Happened, plate 47 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

This is Not Less so, plate 67 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

This is What You Were Born For, plate twelve from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

This is Worse, plate 37 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

This too, plate 43 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

Those specks of dust, plate 23 from Los Caprichos

Art Institute of Chicago · 1797/99

Thou Who Canst Not, plate 42 from Los Caprichos

Art Institute of Chicago · 1797/99

Three Men Carrying a Wounded Soldier, from the Images of Spain, Album F

Art Institute of Chicago · 1812/20

Title Page and biographical introduction for The Disasters of War

Art Institute of Chicago · 1863

Title Page from Los Proverbios

Art Institute of Chicago · 1864

To Go Amongst the Branches, i.e. to talk through one's hat, plate three from Los Proverbios

Art Institute of Chicago · 1815/24

To Rise and to Fall, plate 56 from Los Caprichos

Art Institute of Chicago · 1797/99

To the Cemetery, plate 56 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

To the Count Palatine or Count of the Palate, plate 33 from Los Caprichos

Art Institute of Chicago · 1797/99

Trials, plate 60 from Los Caprichos

Art Institute of Chicago · 1797/99

Truth has died, plate 79 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

Two of a Kind, plate five from Los Caprichos

Art Institute of Chicago · 1797/99

Two teams of picadors thrown one after the other by a single bull, plate 32 from The Art of Bullfighting

Art Institute of Chicago · 1814/16, published 1816

Unhappy Mother!, plate 50 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Until Death, plate 55 from Los Caprichos

Art Institute of Chicago · 1797/99

Until Death, plate 55 from Los Caprichos

Art Institute of Chicago · 1797/99

Wait till You've Been Anointed, plate 67 from Los Caprichos

Art Institute of Chicago · 1797/99

What a Golden Beak!, plate 53 from Los Caprichos

Art Institute of Chicago · 1797/99

What a Sacrifice!, plate 14 from Los Caprichos

Art Institute of Chicago · 1797/99

What a Tailor Can Do!, plate 52 from Los Caprichos

Art Institute of Chicago · 1797/99

What a Tailor Can Do!, plate 52 from Los Caprichos

Art Institute of Chicago · 1797/99

What Courage!, plate seven from The Disasters of War

Art Institute of Chicago · 1810/12, published 1863

What is the Use of a Cup?, plate 59 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

What is this Hubbub?, plate 65 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

What madness!, plate 68 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

What More Can Be Done?, plate 33 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

What One Does to Another, plate 77 from Los Caprichos

Art Institute of Chicago · 1797/99

When Day Breaks We Will Be Off, plate 71 from Los Caprichos

Art Institute of Chicago · 1797/99

Where is Mother Going?, plate 65 from Los Caprichos

Art Institute of Chicago · 1797/99

Which of Them is the More Overcome?, plate 27 from Los Caprichos

Art Institute of Chicago · 1797/99

Who Would Have Thought It!, plate 62 from Los Caprichos

Art Institute of Chicago · 1797/99

Why Hide Them?, plate 30 from Los Caprichos

Art Institute of Chicago · 1797/99

Why?, plate 32 from The Disasters of War

Art Institute of Chicago · 1812/15, published 1863

Will She Rise Again?, plate 80 from The Disasters of War

Art Institute of Chicago · 1815/20, published 1863

Winter Scene

Art Institute of Chicago · c. 1786

Without commending himself either to God or the devil, plate 15 from Los Proverbios

Art Institute of Chicago · 1815/24

Without commending himself either to God or the devil, plate 15 from Los Proverbios

Art Institute of Chicago · 1815/24

Wounds Heal Quicker than Hasty Words, plate 16 from Los Proverbios

Art Institute of Chicago · 1815/24

Yes, He Broke the Pot, plate 25 from Los Caprichos

Art Institute of Chicago · 1797/99

You understand? ... well, as I say... eh! Look out! otherwise..., plate 76 from Los Caprichos

Art Institute of Chicago · 1797/99

You understand? ... well, as I say... eh! Look out! otherwise..., plate 76, from Los Caprichos

Art Institute of Chicago · 1797/99

You will not escape, plate 72 from Los Caprichos

Art Institute of Chicago · 1797/99