Stefano della Bella
83 works on LinkedCulture
Works
A Tuscan Galley and Other Vessels Near the Shore
Art Institute of Chicago · 1634/37
Black Horseman
Art Institute of Chicago · c. 1651
Black Horseman
Art Institute of Chicago · c. 1651
Black Horseman
Art Institute of Chicago · c. 1651
Carousel for Ferdinand II, Duke of Tuscany
Art Institute of Chicago · 1637
Changement d'une galère de l'ordre de Saint Étienne
Art Institute of Chicago · 1654/55
Equestrian Ballet in the Amphitheater of the Boboli Gardens
Art Institute of Chicago · 1661
Female Dancer in a Costume for a Theatre Performance
Art Institute of Chicago · c. 1658
Female Portrait Head
Art Institute of Chicago · n.d.
Francesco de Medici, Prince of Tuscany
Art Institute of Chicago · 1634
Frontispiece to Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Frontispiece to Various Embarkments
Art Institute of Chicago · c. 1640-1650
Houses Overlooking a Port, from Views of the Port of Livorno
Art Institute of Chicago · 1654/55
Hungarian Horseman
Art Institute of Chicago · c. 1651
Hungarian Horseman
Art Institute of Chicago · c. 1651
Hungarian Horseman
Art Institute of Chicago · c. 1651
Hungarian Horseman
Art Institute of Chicago · c. 1651
Le départ d'une Galère
Art Institute of Chicago · 1654
Les jets d'eau sortant de terre, from Vues de la villa de Pratolino
Art Institute of Chicago · 1653/55
Man on Horseback, Raising Right Arm
Art Institute of Chicago · n.d.
Mounted Peasant with a Child in Her Arms, plate six from The Six Large Views of Rome and the Campagna
Art Institute of Chicago · 1654
Nymph Holding a Large Dog by the Collar, known as The Beautiful Huntress
Art Institute of Chicago · c. 1656
Plate Eight from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Eleven from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Five from Collection of Various Vases
Art Institute of Chicago · before 1648
Plate Five from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Five, from Entrance of the Ambassador of Poland into Rome
Art Institute of Chicago · 1633
Plate Five from Various Embarkments
Art Institute of Chicago · c. 1640/50
Plate Four from Collection of Various Vases
Art Institute of Chicago · before 1648
Plate Four from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Four, from Entrance of the Ambassador of Poland into Rome
Art Institute of Chicago · 1633
Plate Four from Various Embarkments
Art Institute of Chicago · c. 1640/50
Plate Nine from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate One from Collection of Various Vases
Art Institute of Chicago · before 1648
Plate One, from Entrance of the Ambassador of Poland into Rome
Art Institute of Chicago · 1633
Plate One from Various Embarkments
Art Institute of Chicago · c. 1640/50
Plate Seven from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Seven from Various Embarkments
Art Institute of Chicago · c. 1640/50
Plate Six from Collection of Various Vases
Art Institute of Chicago · before 1648
Plate Six from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Six, from Entrance of the Ambassador of Poland into Rome
Art Institute of Chicago · 1633
Plate Six from Various Embarkments
Art Institute of Chicago · c. 1640/50
Plate Ten from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Three from Collection of Various Vases
Art Institute of Chicago · before 1648
Plate Three from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Three, from Entrance of the Ambassador of Poland into Rome
Art Institute of Chicago · 1633
Plate Three from Various Embarkments
Art Institute of Chicago · c. 1640/50
Plate Twelve from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Two from Drawings of Several Movements by Soldiers
Art Institute of Chicago · 1644
Plate Two, from Entrance of the Ambassador of Poland into Rome
Art Institute of Chicago · 1633
Plate Two from Various Embarkments
Art Institute of Chicago · c. 1640/50
Polish Horseman
Art Institute of Chicago · c. 1651
Polish Horseman
Art Institute of Chicago · c. 1651
Polish Horseman
Art Institute of Chicago · c. 1651
Porcupine, Facing Right
Art Institute of Chicago · 1640/50
Satyr Family Walking
Art Institute of Chicago · c. 1657
Satyr Family Walking
Art Institute of Chicago · c. 1657
Satyr Family Walking
Art Institute of Chicago · c. 1657
Shipyard with Two Sailors
Art Institute of Chicago · n.d.
South Facade of the Villa and the Great Meadow, from Views of the Villa Pratolino
Art Institute of Chicago · 1658
Stag Hunt in Fan Shape
Art Institute of Chicago · 1630/60
Standing Violinist, from Diverse Figures from the Countryside
Art Institute of Chicago · 1649
Statue of Ferdinand I, Grand Duke of Tuscany, from Views of the Port of Livorno
Art Institute of Chicago · 1654/55
Study for Satyr Family Walking (recto); Sketches of Five Decorative Vessels (verso)
Art Institute of Chicago · c. 1657
Temple of Concordia and the Roman Forum
Art Institute of Chicago · 1654
The Arch of Constantine
Art Institute of Chicago · 1654
The Avenue of the Fountains
Art Institute of Chicago · 1653/55
The Colossal Statue of the Apennines, from Views of Villa di Pratolino
Art Institute of Chicago · c. 1653
The Five Deaths
Art Institute of Chicago · c. 1645-62
The Five Deaths
Art Institute of Chicago · c. 1645-62
The Five Deaths
Art Institute of Chicago · c. 1645-62
The Five Deaths
Art Institute of Chicago · c. 1645-62
The Five Deaths
Art Institute of Chicago · c. 1645-62
The Fountain of the Oak
Art Institute of Chicago · 1653/55
The Galley Covered in Sails, from Views of the Port of Livorno
Art Institute of Chicago · 1654/55
The Grotto of Pan and Fame
Art Institute of Chicago · 1653/55
The Medici Vase, plate one from The Six Large Views of Rome and the Campagna
Art Institute of Chicago · 1656
The Opening Assembly of the Equestrian Ballet
Art Institute of Chicago · 1661
The Temple of Antonin and the Campo Vaccino
Art Institute of Chicago · 1654
Two Polish Horsemen
Art Institute of Chicago · c. 1651
Two Riders Passing a Flock, plate five from The Six Large Views of Rome and the Campagna
Art Institute of Chicago · 1654
View of Fortifications, from Views of the Port of Livorno
Art Institute of Chicago · 1654/55
Woman's Head
Art Institute of Chicago · n.d.