Antonio Tempesta

Antonio Tempesta

1555–1630

117 works across 2 collections on LinkedCulture

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Works

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Apollo Granting the Cumaean Sybil's Wish (Apollo Sybillae Cumanae mille annorum atatem indulget), from Ovid's The Metamorphoses, plate 133

Apollo Granting the Cumaean Sybil's Wish (Apollo Sybillae Cumanae mille annorum atatem indulget), from Ovid's The Metamorphoses, plate 133

The Metropolitan Museum of Art · 1606

#401165

Atalanta and Meleager with Fountains of Versailles

Atalanta and Meleager with Fountains of Versailles

The Metropolitan Museum of Art · late 17th century

#228862

Bear Hunt, from "Hunting Scenes VI"

Bear Hunt, from "Hunting Scenes VI"

The Metropolitan Museum of Art · 1609

#362149

Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra

Equestrian Statue of Henry II, King of France, in the Palazzo Rucellai by Daniele de Volterra

The Metropolitan Museum of Art · Published early 17th century

#402586

Frontispiece to "The Battles of the Old Testament" with the arms of the Medici Crowned by Two Putti

Frontispiece to "The Battles of the Old Testament" with the arms of the Medici Crowned by Two Putti

The Metropolitan Museum of Art · 1660

#401272

Frontispiece with Hunters, Dogs and Horses, from "Hunting Scenes VI"

Frontispiece with Hunters, Dogs and Horses, from "Hunting Scenes VI"

The Metropolitan Museum of Art · 1609

#362147

Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules"

Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397664

Hercules and the Centaurs, from "The Labors of Hercules"

Hercules and the Centaurs, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397667

Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules"

Hercules and the Hind of Mount Cerynea, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397674

Hercules and the Hydra of Lerna, from "The Labors of Hercules"

Hercules and the Hydra of Lerna, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397673

Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules"

Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397661

Hercules and the Nemean Lion, from "The Labors of Hercules"

Hercules and the Nemean Lion, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397672

Hercules and the Serpent Ladon, from "The Labors of Hercules"

Hercules and the Serpent Ladon, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397668

Hercules strangling the serpents, from "The Labors of Hercules"

Hercules strangling the serpents, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397671

Leeuwenjacht

Leeuwenjacht

Rijksmuseum · 1565 - 1630

#RP-T-1922-11

Musicerend gezelschap in een vertrek met drie vogelkooien

Musicerend gezelschap in een vertrek met drie vogelkooien

Rijksmuseum · 1565 - 1630

#RP-P-2023-70-2

Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules"

Nessus attempting to take Dejanira from Hercules, from "The Labors of Hercules"

The Metropolitan Museum of Art · 1608

#397665

Plan of the City of Rome

Plan of the City of Rome

The Metropolitan Museum of Art · 1645

#381436

Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.

Plan of the City of Rome. Part 12 with the Southwestern Border of the City and a Large Cartouche with Signature by Tempesta.

The Metropolitan Museum of Art · 1645

#414814

Plan of the City of Rome. Part 4 with the Santa Maria in Aracoeli, the Forum Romanum, the Colosseum and the Lateran Palace.

Plan of the City of Rome. Part 4 with the Santa Maria in Aracoeli, the Forum Romanum, the Colosseum and the Lateran Palace.

The Metropolitan Museum of Art · 1645

#414806

Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio

Plan of the City of Rome: sheet 9 with the Piazza Navona, the Campo di Fiore and the Sant' Onofrio

The Metropolitan Museum of Art · 1645

#414811

Plate 100: Apollo Killing the Serpent Attacking Opheus's Head (Serpens Orphei caput dilaniaturus in saxum ab Apolline convertitur), from Ovid's 'Metamorphoses'

Plate 100: Apollo Killing the Serpent Attacking Opheus's Head (Serpens Orphei caput dilaniaturus in saxum ab Apolline convertitur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401013

Plate 106: Peleus's Cattle, ad the Sea Wolf Turned to Marble (Psamantes Pelei, Thetidisq precibus expugnata lupum in saxum mutat), from Ovid's 'Metamorphoses'

Plate 106: Peleus's Cattle, ad the Sea Wolf Turned to Marble (Psamantes Pelei, Thetidisq precibus expugnata lupum in saxum mutat), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401003

Plate 107: The Wreck of Ceyx's Ship (Ceyx Clarium oraculum petens, tempstate in Aegeo mari obruitur), from Ovid's 'Metamorphoses'

Plate 107: The Wreck of Ceyx's Ship (Ceyx Clarium oraculum petens, tempstate in Aegeo mari obruitur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401004

Plate 109: Iris Giving Sleep Juno's Command (Iris Somno Iunonis mandata exponit), from Ovid's 'Metamorphoses'

Plate 109: Iris Giving Sleep Juno's Command (Iris Somno Iunonis mandata exponit), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400990

Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'

Plate 10: Mercury Killing Argos (Argus a Mercurio iugulatur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400896

Plate 114: Achilles Battling Cygnus (Cygnus ab Achille interficitur), from Ovid's 'Metamorphoses'

Plate 114: Achilles Battling Cygnus (Cygnus ab Achille interficitur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400995

Plate 116: The Battle of the Lapithae and the Centaurs (Caeneus in Perithoi nuptijs a Centauris interficitur), from Ovid's 'Metamorphoses'

Plate 116: The Battle of the Lapithae and the Centaurs (Caeneus in Perithoi nuptijs a Centauris interficitur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400997

Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'

Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400985

Plate 11: Alexander's Lion Hunt, from "The Deeds of Alexander the Great"

Plate 11: Alexander's Lion Hunt, from "The Deeds of Alexander the Great"

The Metropolitan Museum of Art · 1608

#401383

Plate 11: Illustration to Canto XI, from Torquato Tasso's "Gerusalemme liberata III"

Plate 11: Illustration to Canto XI, from Torquato Tasso's "Gerusalemme liberata III"

The Metropolitan Museum of Art · ca. 1590–1630

#401721

Plate 11: Joshua Ordering the Sun to Stand Still, from "The Battles of the Old Testament"

Plate 11: Joshua Ordering the Sun to Stand Still, from "The Battles of the Old Testament"

The Metropolitan Museum of Art · ca. 1590–1610

#401316

Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses'

Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400971

Plate 12: Emperor Domitian on horseback facing right, from "The First Twelve Emperors of Ancient Rome"

Plate 12: Emperor Domitian on horseback facing right, from "The First Twelve Emperors of Ancient Rome"

The Metropolitan Museum of Art · 1575–1630

#388155

Plate 12: Illustration to Canto XII, from Torquato Tasso's "Gerusalemme liberata III"

Plate 12: Illustration to Canto XII, from Torquato Tasso's "Gerusalemme liberata III"

The Metropolitan Museum of Art · ca. 1590–1630

#401722

Plate 12: Pulling a Vessel Loaded with Grain to Shore, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

Plate 12: Pulling a Vessel Loaded with Grain to Shore, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

The Metropolitan Museum of Art · 1611

#401441

Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses'

Plate 130: Scylla and Glaucus (Deus marinus effectus Glaucus Scyllae nuptias ambit), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400981

Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses'

Plate 131: Scylla Changed by Circe's Spell (Scylla Circes veneficÿs in monstrum marinum), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400982

Plate 135: Circe Changing Ulysses' Men into Swine (Ulyssis soci a Circe in porcos), from Ovid's 'Metamorphoses'

Plate 135: Circe Changing Ulysses' Men into Swine (Ulyssis soci a Circe in porcos), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401169

Plate 13: Attack on the Roman Fortress at Night, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

Plate 13: Attack on the Roman Fortress at Night, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

The Metropolitan Museum of Art · 1611

#401515

Plate 13:Jupiter and Callisto (Calisto a Iove comprimitur), from Ovid's 'Metamorphoses'

Plate 13:Jupiter and Callisto (Calisto a Iove comprimitur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401146

Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses'

Plate 140: The Trojan Ships Changed into Nymphs (Berecynthia AEneae classem in Nymphas transformat), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401154

Plate 142: Pomona and Vertumnus (Vertumnus anili forma Pomonae sui amorem persuadet), from Ovid's 'Metamorphoses'

Plate 142: Pomona and Vertumnus (Vertumnus anili forma Pomonae sui amorem persuadet), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401157

Plate 143: Anaxarete Seeing the Dead Iphis (Iphidis suspendium animaduertens Anaxarete in lapidem mutatur), from Ovid's 'Metamorphoses'

Plate 143: Anaxarete Seeing the Dead Iphis (Iphidis suspendium animaduertens Anaxarete in lapidem mutatur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401158

Plate 144: The Immortalization of Romulus (Romulus Martis interceßione deitate a Ioue domatur), from Ovid's 'Metamorphoses'

Plate 144: The Immortalization of Romulus (Romulus Martis interceßione deitate a Ioue domatur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401159

Plate 148: Aesculapius Speaking to the Romans (Epidauro a Romanis AEsculapius ad urbis luem discutiendam sollicitatur), from Ovid's 'Metamorphoses'

Plate 148: Aesculapius Speaking to the Romans (Epidauro a Romanis AEsculapius ad urbis luem discutiendam sollicitatur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401175

Plate 149: Aesculapius as a Serpent, Among the Romans (AEsculapius in anguem conversus Roman advehitur), from Ovid's "Metamorphoses"

Plate 149: Aesculapius as a Serpent, Among the Romans (AEsculapius in anguem conversus Roman advehitur), from Ovid's "Metamorphoses"

The Metropolitan Museum of Art · 1606

#401176

Plate 14: Gideon Terrorizing the Enemy Camp, from "The Battles of the Old Testament"

Plate 14: Gideon Terrorizing the Enemy Camp, from "The Battles of the Old Testament"

The Metropolitan Museum of Art · ca. 1590–1610

#401324

Plate 15: Civilis Treating with a Roman Commander, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

Plate 15: Civilis Treating with a Roman Commander, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

The Metropolitan Museum of Art · 1611

#401507

Plate 16: Apollo Killing Coronis (Appolinis sagitta Coronis transfigitur), from Ovid's 'Metamorphoses'

Plate 16: Apollo Killing Coronis (Appolinis sagitta Coronis transfigitur), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401149

Plate 17: Illustration to Canto XVII, from Torquato Tasso's "Gerusalemme liberata III"

Plate 17: Illustration to Canto XVII, from Torquato Tasso's "Gerusalemme liberata III"

The Metropolitan Museum of Art · ca. 1590–1630

#401756

Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

Plate 17: The Romans Misled by Civilis' Horse to Believe that He was Dead or Injured, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

The Metropolitan Museum of Art · 1611

#401509

Plate 18: Illustration to Canto XVIII, from Torquato Tasso's "Gerusalemme liberata III"

Plate 18: Illustration to Canto XVIII, from Torquato Tasso's "Gerusalemme liberata III"

The Metropolitan Museum of Art · ca. 1590–1630

#401757

Plate 18: Saul's Suicide after His Defeat by the Philistines, from "The Battles of the Old Testament"

Plate 18: Saul's Suicide after His Defeat by the Philistines, from "The Battles of the Old Testament"

The Metropolitan Museum of Art · ca. 1590–1610

#401277

Plate 19: Jacob Killing Absalom, from "The Battles of the Old Testament"

Plate 19: Jacob Killing Absalom, from "The Battles of the Old Testament"

The Metropolitan Museum of Art · ca. 1590–1610

#401323

Plate 19: Men from the Fortress Surrender and Pledge Their Lives to Civilis, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

Plate 19: Men from the Fortress Surrender and Pledge Their Lives to Civilis, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

The Metropolitan Museum of Art · 1611

#401469

Plate 19: Minerva at Envy's Cave (Pallas Invidiam in Aglaurum incitat), from Ovid's 'Metamorphoses'

Plate 19: Minerva at Envy's Cave (Pallas Invidiam in Aglaurum incitat), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#401137

Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses'

Plate 1: The Creation of the World (Orbis fabrica), from Ovid's 'Metamorphoses'

The Metropolitan Museum of Art · 1606

#400952

Plate 20: Civilis Having his Hair Cut, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

Plate 20: Civilis Having his Hair Cut, from "The War of the Romans Against the Batavians" (Romanorvm et Batavorvm societas)

The Metropolitan Museum of Art · 1611

#401493

Plate 20: Elisha Bringing the Blinded Syrian Army to the King of Israel, from "The Battles of the Old Testament"

Plate 20: Elisha Bringing the Blinded Syrian Army to the King of Israel, from "The Battles of the Old Testament"

The Metropolitan Museum of Art · ca. 1590–1610

#401284