Totoya Hokkei

A Lady Visiting a Shrine Followed by a Boy with Kite

Art Institute of Chicago · early 19th century (possibly 1822 or 1834)

Amanohashidate: Koshikibu no Naishi, No. 2 from "Three Famous Scenes (Sankei no uchi: Sono ni)"

Art Institute of Chicago · c. 1833

Ama no Uzume, No. 3 (Sono san) from the series "The Boulder Door of Spring (Haru no iwato)"

Art Institute of Chicago · 1820s

A Mountainous Landscape with a Stream

Art Institute of Chicago · 1827

A painting of Daoist immortal Huang Chuping (Jp: Ko Shohei)

Art Institute of Chicago · 1823

Asahina Saburo throwing beans

Art Institute of Chicago · n.d.

Autumn Maples at Takinogawa River, from the album "The Eternal Waterfall (Tokiwa no taki)"

Art Institute of Chicago · 1833

Autumn Maples at Takinogawa River (Takinogawa momiji), from the album "The Eternal Waterfall (Tokiwa no taki)"

Art Institute of Chicago · 1833

A View of Takanawa

Art Institute of Chicago · 19th century

Beauty in a Boat during a Rainstorm

Art Institute of Chicago · early 19th century

Benzaiten appearing to Taira no Kiyomori

Art Institute of Chicago · n.d.

Benzaiten with monkey and rat

Art Institute of Chicago · 1828

Boatman and Passenger, Fuji Beyond

Art Institute of Chicago · 19th century

Bottle with a goldfish design

Art Institute of Chicago · c. late 1820s

Bridge post and crescent moon

Art Institute of Chicago · n.d.

Bronze (Do), Woman Grooming Pekingese Dog, from the series "The Five Metals (Gokin no uchi)"

Art Institute of Chicago · early 19th century

Carp Swiming Upstream

Art Institute of Chicago · early 19th century

Cat Playing with a Toy Butterfly, from the series "Thirty-six Pictures of Birds (Sanjuroku kinzoku)"

Art Institute of Chicago · 1828

Children Playing

Art Institute of Chicago · early 19th century

Children Playing Tug of War

Art Institute of Chicago · early 19th century

Clear autumn sky over a mountain temple, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)"

Art Institute of Chicago · c. 1830/44

Climbing a mountain in Liuzhou, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)"

Art Institute of Chicago · c. 1830/44

Courtesan and Attendant

Art Institute of Chicago · 19th century

Courtesan and Pekingese Dog at New Year

Art Institute of Chicago · early 19th century

Courtesan carrying a decorated tray

Art Institute of Chicago · early to mid–1820s

Courtesan sitting on a veranda next to a lantern

Art Institute of Chicago · 1814

Courtesan watching foreign ship from balcony

Art Institute of Chicago · c. 1818/44

Court lady sitting beside hanging incense burner

Art Institute of Chicago · 1820s

Court lady sitting beside hanging incense burner

Art Institute of Chicago · 1820s

Crossing the Monkey Bridge

Art Institute of Chicago · 1824

Crossing the Sumida River on New Year's Day

Art Institute of Chicago · 1830s

Crossing the Yellow River, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)"

Art Institute of Chicago · c. 1830/44

Daikoku, from the series of "Seven Gods of Luck (Shichi fuku jin no uchi)"

Art Institute of Chicago · early 19th century

Dragon in the clouds

Art Institute of Chicago · 1832

Earth: Lin Chong (Do, Rinchu), from the series "The Five Elements of The Water Margin (Suiko gogyo)"

Art Institute of Chicago · early 1830s

Fans decorated with motifs of the three auspicious dreams of the New Year

Art Institute of Chicago · c. 1821

Ferry boat crossing the Sumida River, from the album "Friends of the Three Capitals (Santo no tomoe)"

Art Institute of Chicago · 1832

Fire: Song Jiangming (Ka, Sokomei), from the Series "Shuihuzhuan Heroes for the Five Elements (Suiko gogyo)"

Art Institute of Chicago · early 1830s

Foreign Goods in Osaka (Osaka hikita karamono), from the series "Three Cities (Santo no uchi)"

Art Institute of Chicago · c. 1818/30

Fudo Pass on the Mikuni Road in Kozuke Province (Joshu Mikuni goe Fudo toge), from the series "Famous Places in the Provinces (Shokoku meisho)"

Art Institute of Chicago · c. 1830/34

Fujisawa, from the series "A Record of a Journey to Enoshima (Enoshima kiko)"

Art Institute of Chicago · 1833

Goat beneath a plum tree

Art Institute of Chicago · n.d.

Hamagawa, from the series "A Record of a Journey to Enoshima (Enoshima kiko)"

Art Institute of Chicago · 1833

Ichikawa Danjuro's costume for Shibaraku, from the series "Acting Skills of the Ichikawa Family, A Set of Three (Mimasuke no gei, sanban tsuzuki)"

Art Institute of Chicago · c. 1818/24

Illustration of a Chinese poem, from the series "Picture Book of Chinese Poems (Toshi gafu no uchi)"

Art Institute of Chicago · c. 1830/44

It is good to cut one's fingernails (Tsume tori yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)"

Art Institute of Chicago · c. 1822

It is good to do the first archery (Yumi hajime yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)"

Art Institute of Chicago · c. 1822

It is good to open for business (Akinai hajime yoshi), from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)"

Art Institute of Chicago · c. 1822

Kamata, from the series "A Record of a Journey to Enoshima, a Set of Sixteen (Enoshima kiko, jurokuban tsuzuki)"

Art Institute of Chicago · 1833

Kintaro dreaming of his childhood

Art Institute of Chicago · 1829

Lacquer Box, Fan, and Okina Mask

Art Institute of Chicago · 19th century

Lady Seated by a Tokonoma Alcove

Art Institute of Chicago · 1829

Lighthouse at Sumiyoshi, Osaka

Art Institute of Chicago · 19th century

Madam Tang (Jp: To Fujin), from the series "Twenty-four Paragons of Filial Piety (Nijushiko)"

Art Institute of Chicago · c. 1825

Matsushima: Shunzei, No. 1 from "Three Famous Scenes (Sankei no uchi: Sono ichi)"

Art Institute of Chicago · c. 1833

Metal: Li Kui (Kin, Riki), from the series "The Five Elements of The Water Margin (Suiko gogyo)"

Art Institute of Chicago · early 1830s

Minamoto no Yoshitsune (Ushiwaka Maru) Playing a Flute

Art Institute of Chicago · early 19th century

Miyajima: Takafusa, No. 3 from "Three Famous Scenes (Sankei no uchi: Sono san)"

Art Institute of Chicago · c. 1833

Monkey performing Sanbaso dance

Art Institute of Chicago · 1824

Monkey performing Sanbaso dance

Art Institute of Chicago · 1824

Morning Worship of Shinto Ceremony

Art Institute of Chicago · 19th century

Mount Satta in Suruga Province (Suruga Sattayama), from the series "Famous Places in the Provinces (Shokoku meisho)"

Art Institute of Chicago · c. 1830/34

Narihira at the Nunobiki Waterfall, from the Episode 87 of Tales of Ise

Art Institute of Chicago · early 19th century

Nobleman and court lady boating at night near a snow-covered shore

Art Institute of Chicago · 1826

Nobleman playing flute, from the series "Essays in Idleness (Tsurezuregusa)"

Art Institute of Chicago · early 1830s

Oniwakamaru subduing the giant carp

Art Institute of Chicago · c. 1830/35

Oniwakamaru subduing the giant carp

Art Institute of Chicago · c. 1830/35

Ono no Tofu, from the series "A Gathering of the Elders of Poetry (Shoshikai bantsuzuki)"

Art Institute of Chicago · c. 1820

Potted Plant (Ueki), from the series "Eighteen Illustrations of the Ladder of Ancient Words (Kogentei juhachiban tsuzuki)"

Art Institute of Chicago · 1831

Promise (Seiyaku no ukei), from the series "Eighteen Illustrations of the Ladder of Ancient Words (Kogentei juhachiban tsuzuki)"

Art Institute of Chicago · 1831

Purse and mallet

Art Institute of Chicago · n.d.

Raiko (Minamoto no Yorimitsu) and the demon kite

Art Institute of Chicago · c. 1825

Rokugo, from the series "A Record of a Journey to Enoshima, A Set of Sixteen (Enoshima kiko, jurokugban tsuzuki)"

Art Institute of Chicago · 1833

Rokugo, from the series "A Record of a Journey to Enoshima (Enoshima kiko)"

Art Institute of Chicago · 1833

Ryuo, the King of Dragon

Art Institute of Chicago · 1820 or 1832

Sake cup and fan

Art Institute of Chicago · Early 19th century

Sarutahiko, No. 2 (Sono ni) from the series "The Boulder Door of Spring (Haru no iwato)"

Art Institute of Chicago · 1820s

Sarutahiko, No. 2 (Sono ni) from the series "The Boulder Door of Spring (Haru no iwato)"

Art Institute of Chicago · 1820s

Seated Guanyu Reading the Book of Chunqiu by Zuo Qiuming

Art Institute of Chicago · 1820s

Seated woman holding brush and poem card

Art Institute of Chicago · early 1830s

Sea turtles and Urashima Taro

Art Institute of Chicago · c. 1825

Shimadai, or Island-stand for Wedding Arrangement

Art Institute of Chicago · 19th century

Shinto priest performing the seaweed-gathering ritual

Art Institute of Chicago · early 1830s

Still-Life with Monkey Mask

Art Institute of Chicago · 1824

Strong man at pillar

Art Institute of Chicago · n.d.

Sunrise on New Year's Day at Kanazawa

Art Institute of Chicago · early 19th century

Tachibana no Hayanari preparing to make the first writing of the New Year

Art Institute of Chicago · 1823

Takenouchi no Sukune carrying the Emperor Ojin

Art Institute of Chicago · c. 1830

Tea House and Fishing Farm by the Grand View of Kanto

Art Institute of Chicago · early 19th century

The drummer, No. 1 (Sono ichi) from the series "The Boulder Door of Spring (Haru no iwato)"

Art Institute of Chicago · 1820s

The Horse Sekitoba and the General Guan Yu (Jp: Kan'u), from the series "A Series of Famous Horses (Meiba bantsuzuki)"

Art Institute of Chicago · 1822

The Lesser Water Dragon Year of the Tenpo Era

Art Institute of Chicago · 1832

The Old Couple from Takasago in Sunrise

Art Institute of Chicago · early 19th century

The Palace of Longevity

Art Institute of Chicago · 1831

The Salt Dragon

Art Institute of Chicago · 1832

The Seaweed-gathering Ritual in Nagato Province (Nagato mekari no shinji), from the series "Famous Places in the Provinces (Shokoku meisho)"

Art Institute of Chicago · c. 1834/35

The shell-matching game, from the series Essays in Idleness (Tsurezuregusa)

Art Institute of Chicago · Early 1830s

The Street of the Post Station (Umayachi), from the series “Eighteen Illustrations of the Ladder of Ancient Words (Kogentei juhachiban tsuzuki)”

Art Institute of Chicago · 1831

The Sumida River in Musashi Province (Musashi Sumidagawa), from the series "Famous Places in the Provinces (Shokoku meisho)"

Art Institute of Chicago · c. 1834/35

The Sumida River (Sumidagawa), from the series "View of Mount Fuji from Edo (Edo no Fuji)"

Art Institute of Chicago · c. 1832

The Theater Outing

Art Institute of Chicago · mid–1820s

Two dancing karako, from the series "Happiness and Long Life for the Mimasu Group (Mimasu fukurokuju)"

Art Institute of Chicago · c. 1823

Two dolls and a brocade bag, from the series "Clothing, Food, and Shelter (Ishokuju no uchi)"

Art Institute of Chicago · 1818

Two Men at a Shrine, Horse and Rider

Art Institute of Chicago · early 19th century

Ushiwakamaru (Minamoto no Yoshitsune) defeats Benkei in a game of sugoroku

Art Institute of Chicago · c. 1825

View of the Sumida River

Art Institute of Chicago · n.d.

Visiting the Sanno Shrine

Art Institute of Chicago · 1824

Visitors Gathered at the Gate of a Nobelman's House on New Year's Day

Art Institute of Chicago · c.1825

Wang Xiang (Jp: O Sho), from the series "Twenty-four Paragons of Filial Piety (Nijushiko)"

Art Institute of Chicago · c. 1825

Warbler in a cage, from the series "A Series for the Hanazono Group (Hanazono bantsuzuki)"

Art Institute of Chicago · 1823

Wasabi root with dried bonito and knife on a lacquer tray

Art Institute of Chicago · early 1820s

Water: Zhang Shun (Mizu, Chojun), from the series "The Five Elements of The Water Margin (Suiko gogyo)"

Art Institute of Chicago · early 1830s

Willow Bath (Yanagiyu), from the series "A Series of Willows (Yanagi bantsuzuki)"

Art Institute of Chicago · c. 1828

Willow Bath (Yanagiyu), from the series "A Series of Willows (Yanagi bantsuzuki)"

Art Institute of Chicago · c. 1828

Willow Bridge (Yanagibashi), from the series "A Series of Willows (Yanagi bantsuzuki)"

Art Institute of Chicago · c. 1828

Willow Island (Yanagishima), from the series "A Series of Willows (Yanagi bantsuzuki)"

Art Institute of Chicago · c. 1828

Willow Shop (Yanagiya), from the series "A Series of Willows (Yanagi bantsuzuki)"

Art Institute of Chicago · c. 1828

Willow Tea (Yanagicha), from the series "A Series of Willows (Yanagi bantsuzuki)"

Art Institute of Chicago · c. 1828

Woman and attendant at entrance gate of Enoshima

Art Institute of Chicago · 1810s/1820s

Woman Cooking Beans in the Store

Art Institute of Chicago · early 19th century

Woman Playing with Pekingese Dog, or The Elegance and Freedom of Script (So), from the series "Three Works of Three Aesthetics (San tai san ban shoku)"

Art Institute of Chicago · about 1830

Woman Staring at Ducks, or The Righteous Body (Shin), from the series "Three Works of Three Aesthetics (San tai san ban shoku)"

Art Institute of Chicago · about 1830

Woman with book sitting next to a New Year pull toy

Art Institute of Chicago · late 1810s

Women and Men by the Bento Shop

Art Institute of Chicago · early 19th century

Women Reading a Stele Inscription, from the series the "Twelve Shrines at Yotsuya (Yotsuya juni so)"

Art Institute of Chicago · early 19th century

Women Watching Children Flying Kites

Art Institute of Chicago · early 19th century

Wood: Lu Zhishen (Moku, Rochishin), from the series "The Five Elements of The Water Margin (Suiko gogyo)"

Art Institute of Chicago · early 1830s

Xiangru (Jp: Shojo), from the series "Meng Qiu (Jp: Mogyu)"

Art Institute of Chicago · c. 1821

Yamauba in the Ashigawa Mountains Accompanied by Flying Nightingale (Uguisu) Men, the second piece from the diptych of "Spring Mountains (Haru no yama-mata)"

Art Institute of Chicago · about 1830

Yashima, a Warrior Play, from the series "Noh Songs of Gardens (Hanazono yokyoku bantsuzuki)"

Art Institute of Chicago · about 1826

Yokihi (Yang Guifei) Playing Koto, from the Series "Noh Songs of Gardens (Hanazono yokyoku bantsuzuki)"

Art Institute of Chicago · about 1826

Yu Qianlou (Jp: Yu Kinro), from the series "Twenty-four Paragons of Filial Piety (Nijushiko)"

Art Institute of Chicago · c. 1825

Yu the Great battling a dragon

Art Institute of Chicago · late 1820s

Zeng Shen (Jp: So Shin), from the series "Twenty-four Paragons of Filial Piety (Nijushiko)"

Art Institute of Chicago · c. 1825