Giovanni Battista Piranesi
193 works on LinkedCulture
Works
1. Arch of Titus. 2. Villa Farnese. 3. Columns of the Temple of Jupiter Stator [the Supporter]. 4. Arch of Septimius Severus. 5. Temple of Peace, plate six from Some Views of Triumphal Arches and other Monuments
Art Institute of Chicago · 1748
A., B. View of the remains of the two rows of columns in the Temple of Neptune which originally formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum
Art Institute of Chicago · 1778
Ampitheater of Pola in Istria near the sea, plate 23 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Ampitheater of Verona, plate 25 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Ancient temple commonly called the Temple of Health on the Via d'Albano five miles outside Rome, from Views of Rome
Art Institute of Chicago · 1763
Ancient temple commonly called the Temple of Health on the Via d'Albano five miles outside Rome, from Views of Rome
Art Institute of Chicago · 1763
Another interior view of the Villa of Maecenas, Tivoli, from Views of Rome
Art Institute of Chicago · 1767, published 1800–07
Another view of the Temple of the Sibyl at Tivoli, from Views of Rome
Art Institute of Chicago · 1761, published 1800–07
Another view of the Temple of the Sibyl in Tivoli, from Views of Rome
Art Institute of Chicago · 1761
Another view of the Temple of the Sibyl in Tivoli, from Views of Rome
Art Institute of Chicago · 1761, published 1800–07
Arch of Constantine in Rome, plate 9 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Arch of Drusus at the Porta S. Sebastiano in Rome, plate 8 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Arch of Galienus. I. Facade of the Church of S. Vito, plate 29 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Arch of Pola in Istria near the Gate, plate 24 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Arch of Septimius Severus. 1. Temple of Concord. 2. Ascent to the Capitoline Hill, plate 13 from Some Views of Triumphal Arches and other Monuments
Art Institute of Chicago · 1748
Arch of Septimius Severus through which passed the ancient Sacred Way, bringing victors to the Capitol, from Views of Rome
Art Institute of Chicago · 1750/59
Arch of Trajan in Ancona, plate 28 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
A. View of the Tomb of Licinianus Piso on the ancient Appian Way... B. Tomb of the Cornelii..., from Views of Rome
Art Institute of Chicago · 1764, published 1800–07
Cut-away view of the interior of the Basilica of S. Paolo fuori delle Mura [St. Paul outside the Walls], from Views of Rome
Art Institute of Chicago · 1749
Dedication to Giovanni Bottari, from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Egyptian Obelisk. This was erected by Pope Sixtus V in the Piazza of St. John Lateran, from Views of Rome
Art Institute of Chicago · 1750/59
Egyptian Obelisk. This was erected by Pope Sixtus V in the Piazza of St. John Lateran, from Views of Rome
Art Institute of Chicago · 1750/59
Flavian ampitheater, called the Colosseum. 1. Arch of Constantine. 2. Palatine Hill, plate 12 from Some Views of Triumphal Arches and other Monuments
Art Institute of Chicago · 1748
Forum of Augustus, plate 15 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Frontispiece, from Roman Antiquities, Part I
Art Institute of Chicago · 1748
Interior view of St. Peter's Basilica in the Vatican, from Views of Rome
Art Institute of Chicago · 1748
Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome
Art Institute of Chicago · 1767, published 1800–07
Interior view of the ancient Temple of Bacchus, now the church of S. Urbano, two miles from Rome, from Views of Rome
Art Institute of Chicago · 1767
Interior view of the Basilica of S. Maria Maggiore, from Views of Rome
Art Institute of Chicago · 1768, published 1800–07
Interior view of the Basilica of S. Maria Maggiore, from Views of Rome
Art Institute of Chicago · 1768
Interior view of the Basilica of St. John Lateran, from Views of Rome
Art Institute of Chicago · 1768
Interior view of the Basilica of St. John Lateran, from Views of Rome
Art Institute of Chicago · 1768
Interior view of the Basilica of St. Peter's in the Vatican, near the Tribune, from Views of Rome
Art Institute of Chicago · 1773
Interior view of the Colosseum, from Views of Rome
Art Institute of Chicago · 1766, published 1807–35
Interior view of the Flavian Amphitheater, called the Colosseum, from Views of Rome
Art Institute of Chicago · 1766
Interior view of the Pantheon, from Views of Rome
Art Institute of Chicago · 1768, published 1800–07
Interior view of the Pantheon, from Views of Rome
Art Institute of Chicago · 1768, published 1800–07
Interior view of the remains of one of the pronaoi of the Temple of Neptune which faces inland, from Different views of Paestum
Art Institute of Chicago · 1778
Interior view of the so-called College des Anfictions, from Different views of Paestum
Art Institute of Chicago · 1778
Interior view of the so-called Tempio della Tosse [Temple of the Cough], from Views of Rome
Art Institute of Chicago · 1764
Interior View of the Temple Which is Believed to Have Been Dedicated to Juno, from Different views of Paestum
Art Institute of Chicago · 1778
Interior view of the villa of Maecenas, from Views of Rome
Art Institute of Chicago · 1764, published 1800–07
Internal view of the Atrium of the Portico of Octavia, from Views of Rome
Art Institute of Chicago · 1750/59
Opere Varie di Architetura; Raccolta di Alcuni Disegni del Barberi da Cento detto Il Guercino
Art Institute of Chicago · 1750-1764
Palatial Courtyard with a Fountain
Art Institute of Chicago · c. 1750
Part of the ancient Appian Way about three miles outside Porta S. Sebastiano, plate 19 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Part of the Forum of Nerva, plate five from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · published 1748
Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons
Art Institute of Chicago · 1761
Prisoners on a Projecting Platform, plate 10 from Imaginary Prisons
Art Institute of Chicago · 1750–60
Rear view of the remains of the pronaos of the Temple of Neptune, drawn in the two preceding plates, from Different views of Paestum
Art Institute of Chicago · 1778
Rear View of the Temple of Pola in Istria. 1. Rear view of another temple, plate 22 from Some Views of Triumphal Arches and other Monuments
Art Institute of Chicago · 1748
Remains of a covered portico, or a cryptoporticus, in a villa of Domitian, five miles outside Rome on the Frascati road, from Views of Rome
Art Institute of Chicago · 1766
Remains of a room belonging to the Praetorian Fort at Hadrian's Villa, Tivoli, from Views of Rome
Art Institute of Chicago · 1774, published 1800–07
Remains of the so-called Temple of Apollo at Hadrian's Villa, Tivoli, from Views of Rome
Art Institute of Chicago · 1768
Remains of the so-called Temple of Apollo at Hadrian's Villa, Tivoli, from Views of Rome
Art Institute of Chicago · 1768, published 1800–07
Remains of the temple of the god Canopus at Hadrian's Villa, Tivoli, from Views of Rome
Art Institute of Chicago · 1768
Remains of the Villa of Maecenas at Tivoli, from Views of Rome
Art Institute of Chicago · 1763, published 1800–07
Ruins of the Antonine Baths [Baths of Caracalla], from Views of Rome
Art Institute of Chicago · 1765, published 1800–07
Ruins of the Temple of Jupiter Stator [Jupiter the Supporter]. 1. Temple of Antoninus and Faustina. 2. Temple of Peace, plate 10 from Some Views of Triumphal Arches and other Monuments
Art Institute of Chicago · 1748
Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome
Art Institute of Chicago · 1765
Ruins of the Xystus [a long open portico used for athletic exercises], the central hall of the Antonine Baths [The Baths of Caracalla], from Views of Rome
Art Institute of Chicago · 1765, published 1800–07
Senatorial Bridge, Today called the Ponte Rotto [Broken Bridge]. 1. Temple of Vesta. 2. Temple of Fortuna Virilis. 3. Part of the ancient Palatine, plate 14 from Some Views of Triumphal Arches and other Monuments
Art Institute of Chicago · 1748
Sheet of Sketches: Six Figures
Art Institute of Chicago · 1768/78
Sheet of Sketches: Standing Man with Raised Arm, Cherubim
Art Institute of Chicago · 1768/78
Temple of Clitumnus between Foligno and Spoleto, plate 26 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Temple of Janus, plate 11 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Temple of Jupiter Tonans [Jupiter the Thunderer]. 1. Temple of Concord, plate 7 from Some Views of Triumphal Arches and other Monuments
Art Institute of Chicago · 1748
Temple of Pola in Istria, plate 21 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Temple of Sol and Luna…, from Views of Rome (Tempi del Sole e della Luna, o come altri, d'Iside e Serapi, from Vedute di Roma)
Art Institute of Chicago · 1760-78
The Arch at Rimini built by Augustus, plate 17 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
The Arch with a Shell Ornament, plate 11 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Arch with a Shell Ornament, plate 11 from Imaginary Prisons
Art Institute of Chicago · 1761
The Bridge at Rimini built by the Emperors Augustus and Tiberius, plate 16 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London
Art Institute of Chicago · 1762
The Column of Marcus Aurelius, from Views of Rome
Art Institute of Chicago · 1750/59
The Drawbridge, plate 7 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Drawbridge, plate 7 from Imaginary Prisons
Art Institute of Chicago · 1761
The Giant Wheel, plate 9 from Carceri d'invenzione (Imaginary Prisons)
Art Institute of Chicago · 1748/50
The Giant Wheel, plate 9 from Imaginary Prisons
Art Institute of Chicago · 1761
The Gothic Arch, plate 14 from Imaginary Prisons
Art Institute of Chicago · 1761
The Gothic Arch, plate 14 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Grand Piazza, plate 4 from Imaginary Prisons
Art Institute of Chicago · 1761
The Grand Piazza, plate 4 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Lion Bas-Reliefs, plate 5 from Imaginary Prisons
Art Institute of Chicago · 1761
The Man on the Rack, plate 2 from Imaginary Prisons
Art Institute of Chicago · 1761
The Monumental Tablet
Art Institute of Chicago · 1750
The Pier with a Lamp, plate 15 from Imaginary Prisons
Art Institute of Chicago · 1761
The Pier with a Lamp, plate 15 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Pier with Chains, plate 16 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Pier with Chains, plate 16 from Imaginary Prisons
Art Institute of Chicago · 1761
The Pyramid of Gaius Cestius, from Views of Rome
Art Institute of Chicago · 1750/59, published 1800–07
The Remains of the Mausoleum of Augustus, plate XXI from The Campus Martius of Ancient Rome
Art Institute of Chicago · first published 1762
The Round Tower, plate 3 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Round Tower, plate 3 from Imaginary Prisons
Art Institute of Chicago · 1761
The Round Tower, plate 3 from the second edition of Carceri d'invenzione (Imaginary Prisons)
Art Institute of Chicago · 1750, reworked 1761
The Sawhorse, plate 12 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Sawhorse, plate 12 from Imaginary Prisons
Art Institute of Chicago · 1761
The Skeletons
Art Institute of Chicago · 1750
The Smoking Fire, plate 6 from Imaginary Prisons
Art Institute of Chicago · 1761
The Smoking Fire, plate 6 from Imaginary Prisons
Art Institute of Chicago · 1750–60
The Staircase with Trophies, plate 8 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Staircase with Trophies, plate 8 from Imaginary Prisons
Art Institute of Chicago · 1761
The Theater of Marcellus, from Views of Rome
Art Institute of Chicago · 1750/59
The Well, plate 13 from Imaginary Prisons
Art Institute of Chicago · c. 1750
The Well, plate 13 from Imaginary Prisons
Art Institute of Chicago · 1761
Three Column Capitals
Art Institute of Chicago · n.d.
Title Page: Collection of several drawings engraved after Barbieri da Cento (known as Guercino) engraved on copper and presented to Thomas Jenkins, painter and member of the Academy of St. Luke, out of respect and friendship from his fellow member, the architect Gio. Battista Piranesi
Art Institute of Chicago · 1764
Title Page from Imaginary Prisons
Art Institute of Chicago · 1761
Title Page from Imaginary Prisons
Art Institute of Chicago · 1750–60
Title Page from Imaginary Prisons
Art Institute of Chicago · 1749–50
Title Page: Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect. Part Two, from Some Views of Triumphal Arches and other Monuments
Art Institute of Chicago · 1748
Tomb of Caecilia Metella called Capo di Bove [Ox Head], plate twenty from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Tomb of Caecilia Metella, from Views of Rome
Art Institute of Chicago · 1762, published 1800–07
Tomb of the Scipios, plate 18 from Some Views of Triumphal Arches and other arches
Art Institute of Chicago · 1748
Tomb of the three Curiatii brothers in Albano, plate 27 from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Trajan's Column, from Views of Rome
Art Institute of Chicago · 1750/59
Transcription of various ancient Latin inscriptions, from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
Transription of Ancient Latin Inscriptions and Index, from Some Views of Triumphal Arches and other monuments
Art Institute of Chicago · 1748
View along the Via del Corso of the Palazzo dell' Accademia established by Louis XIV, King of France for French students of Painting, Sculpture and Architecture, from Views of Rome
Art Institute of Chicago · 1750/59
View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome
Art Institute of Chicago · 1750/59
View of Piazza Navona above the ruins of the Circus of Domitian, from Views of Rome
Art Institute of Chicago · 1750/59, published 1800–07
View of Ponte Lugano on the Anio, from Views of Rome
Art Institute of Chicago · 1763, published 1800–07
View of Ponte Lugano on the Anio, from Views of Rome
Art Institute of Chicago · 1763
View of St. Peter's Basilica and Piazza in the Vatican, from Views of Rome
Art Institute of Chicago · 1748
View of the ancient structure built by Tarquinius Superbus called the Bel Lido, and like others, built by Marcus Agrippa in the time of Augustus when he cleaned all of the sewers leading to the Tiber, from Views of Rome
Art Institute of Chicago · 1776, published 1800–07
View of the Arch of Constantine, from Views of Rome
Art Institute of Chicago · 1771, published 1800–07
View of the Arch of Septimius Severus, from Views of Rome
Art Institute of Chicago · 1772, published 1800–07
View of the Arch of Titus, from Vedute di Roma (Views of Rome)
Art Institute of Chicago · 1750/59
View of the Arch of Titus, from Views of Rome
Art Institute of Chicago · 1771
View of the Basilica of San Sebastiano fuori delle mura [St. Sebastian outside the Walls] on the Appian Way, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Basilica of S. Lorenzo fuori delle Mura [S. Lorenzo outside the Walls], from Views of Rome
Art Institute of Chicago · 1750/59
View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome
Art Institute of Chicago · 1749
View of the Basilica of S. Maria Maggiore with its two flanking wings, from Views of Rome
Art Institute of Chicago · 1749
View of the Basilica of S. Paolo fuori delle Mura [St. Paul outside the Walls], built by Constantine the Great, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Campo Vaccino, from Views of Rome
Art Institute of Chicago · 1772
View of the Capitoline Hill with the steps to the Church of S. Maria in Aracoeli, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Customs House in Piazza di Pietra, which was built within the ruins of the Temple of Marcus Aurelius Antoninus Pius in his Forum, from Views of Rome
Art Institute of Chicago · 1750/59
View of the exterior of St. Peter's Basilica in the Vatican, from Views of Rome
Art Institute of Chicago · 1750/59
View of the exterior of St. Peter's Basilica in the Vatican, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome
Art Institute of Chicago · 1750/59
View of the Façade of the Basilica of S. Croce in Gerusalemme [the Holy Cross in Jerusalem], from Views of Rome
Art Institute of Chicago · 1750/59
View of the Flavian Amphitheater, called the Colosseum, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Fountainhead of the Acqua Felice, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Fountainhead of the Acqua Paola on Monte Aureo, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Grand Cascade at Tivoli, from Views of Rome
Art Institute of Chicago · 1766
View of the Grand Cascade at Tivoli, from Views of Rome
Art Institute of Chicago · 1765
View of the large Trevi Fountain formerly called the Acqua Vergine, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Mausoleum of the Emperor Hadrian (now called Castel Sant’Angelo) from the Rear, from Vedute di Roma (Views of Rome)
Art Institute of Chicago · 1750/59
View of the Octagonal Temple of Minerva Medica, from Views of Rome
Art Institute of Chicago · 1764, published 1800–07
View of the palace of the illustrious Barberini family on the Quirinal Hill, designed by Cavaliere Bernini, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Palazzo della Consulta on the Quirinal housing the Papal Secretariat, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Palazzo di Montecitorio, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Palazzo di Montecitorio, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Palazzo Odescalchi, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Pantheon of Agrippa, today S. Maria ad Martyres, from Views of Rome
Art Institute of Chicago · 1761
View of the Piazza della Rotonda, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Piazza del Popolo, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Piazza di Spagna, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome
Art Institute of Chicago · 1762
View of the Ponte Salario, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Port of Ripa Grande, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Pyramidal Tomb of Cestius, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Pyramidal Tomb of Cestius, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Rear Entrance of the Basilica of S. Maria Maggiore, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Rear Entrance of the Basilica of S. Maria Maggiore, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Remains of the Cella of the Temple of Neptune, from Different views of Paestum
Art Institute of Chicago · 1778
View of the Remains of the Dining Room of the Golden House of Nero, commonly called the Temple of Peace, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Remains of the Forum of Nerva, from Views of Rome
Art Institute of Chicago · 1770
View of the Remains of the Forum of Nerva, from Views of Rome
Art Institute of Chicago · 1757
View of the Remains of the Praetorian Fort [the Poecile], Hadrian's Villa, Tivoli, from Views of Rome
Art Institute of Chicago · 1770
View of the Remains of the Tomb of the Plautii on the Via Tiburtina, near the Ponte Lugano, two miles distant from Tivoli, from Views of Rome
Art Institute of Chicago · 1760/69, published 1800–07
View of the Remains of the Two Rows of Columns in the Temple of Neptune which [originally] formed the colonnades along the sides of the cella, and supported the uppermost part of the roof, from Different views of Paestum
Art Institute of Chicago · 1778
View of the Site of the ancient Roman Forum, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Small Waterfall and Rapids, Tivoli, from Views of Rome
Art Institute of Chicago · 1769
View of the So-Called Tempio della Tosse (Temple of the Cough) on the Via Tiburtina a mile from Tivoli, from Views of Rome
Art Institute of Chicago · 1763
View of the So-Called Temple of Concord, from Views of Rome
Art Institute of Chicago · 1774, published 1800–07
View of the Temple of Antoninus and Faustina in the Roman Forum, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Temple of Bacchus, now the church of S. Urbano, two miles distant from Rome, beyond the Porta S. Sebastiano, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Temple of Cybele in the Piazza of the Bocca della Verità, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Temple of Fortuna Virilis. Now the Armenian church of S. Maria Egizziaca, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Temple of Hercules at Cori, ten miles distant from Velletri, from Views of Rome
Art Institute of Chicago · 1769, published 1800–07
View of the Temple of Jupiter Tonans [Jupiter the Thunderer], from Views of Rome
Art Institute of Chicago · 1750/59
View of the Temple of the Camenae, from Views of Rome
Art Institute of Chicago · 1773
View of the Temple of the Sibyl at Tivoli, from Views of Rome
Art Institute of Chicago · 1761
View of the upper storey of the Cages for Wild Animals built by the Emperor Domitian, associated with the Flavian Amphitheater and commonly called the Curia Hostilia, from Views of Rome
Art Institute of Chicago · 1750/59
View of the Villa d'Este, Tivoli, from Views of Rome
Art Institute of Chicago · 1773, published 1800–07
View of the Villa of His Eminence Cardinal Alessandro Albani, outside Porta Salaria, from Views of Rome
Art Institute of Chicago · 1769, published 1800–07
View of Two Churches, One Called 1. S. Maria di Loreto, the other 2. The Name of Mary, near 3. Trajan's Column. 4. The ascent to the Quirinal, from Views of Rome
Art Institute of Chicago · 1762
View of Visible Remains of the Baths of Diocletian at S. Maria degli Angeli, from Views of Rome
Art Institute of Chicago · 1774, published 1800–07
View of Visible Remains of the Baths of Diocletian, from Views of Rome
Art Institute of Chicago · 1774, published 1800–07
Villa Pamphili outside Porta S. Pancrazio, from Views of Rome
Art Institute of Chicago · 1776, published 1800–07