Without Ceres and Bacchus, Venus Would Freeze

Art Institute of Chicago

Without Ceres and Bacchus, Venus Would Freeze

Abraham BloemaertLinkedCulture matchlcp-f604921c8106

Date
1590–95
Medium
Pen and brown ink, with brush and brown wash, over traces of charcoal, heightened with opaque white watercolor (partially discolored), on buff laid paper
Culture
Netherlands
Department
Prints and Drawings
Institution
Art Institute of Chicago
Object ID
242148

From the Art Institute of Chicago record

The Roman goddess Venus reclines languidly in the center of the composition. Cupid serves her a cup of wine; Ceres, the goddess of crops, appears behind her holding a sheaf of wheat, while an inebriated Bacchus leans against a wine barrel at right. The traditional title for this scene—a quotation from a play by the Roman comedian Terence—became a popular proverb in the Renaissance, inspiring numerous visual depictions in the period. The adage wryly suggests that sensual desire (represented by Venus) is stimulated by food (Ceres) and wine (Bacchus). While Abraham Bloemaert probably made this drawing as an independent work, he also produced numerous designs for prints.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.dx-Ec6QPqss1BAtZ._4JcGamxjhIh5CAIUFJJaOIHxNBhbZSTCHnU-GdMIJGt1WOhffs0wEFGeQUyCmLMcGvcuwEqPjmxemMftvbtTgngViWDAQajq6Ei-hP65mTcSpVCDAeMLvwic-0sdcyQ2Lt_iT0LyHwoswgHY9gtsA5QpDDFGK-Q9zsVXUV5zd4VnqW-znLHlHPbNfwJJWv0m5ik1sHela-S2PqZmeIhh6qsiXNzZsoGhzkSBDnhEcind_v0OVpDzU_bYw9tx9sPkiL6smJoq3dnURGxbE0JCUXGoqNOSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.WjI15bS_KmpiELfV.xf9l6nHO6HIR3pdirzLEsITwG4GmCadsnxW9LRYhtvFZQHqkbZWuJP7t4qR2_ZcU_V4h36UNGHsMoUrPIGWGr7bCfJFUXYv-tTYUTzpNxJQi2RCkF9APE-fsnLAAUN8I-_7UTi9BFcpbaqz9G_zL155R5o7hxgf2BHmuXvVUIWx1p4jbCGHuOkX3idprdv1VdnI0e7amaFA1WfH2FmKxEsl4C32Wv0hm4Em63ESfwvh1-Aaqyjbuk6yDzsuifK1b2YmHS0eA4vf7P7OZDOY2LA4Q0Q
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Regenstein Endowment Fund
Provenance
Dr. Curt Glaser (1879–1943), Berlin; sold, Max Perl, Berlin, May 18, 1933, lot 669, (as Wtewael,) to Richard Holtkott (1866–1950), Bedburg, Germany [his stamp (Lugt 4266), verso, lower left in purple ink]; by descent to his grandson, Kerry County, Ireland; sold to David Lachenmann, Zurich, around 1992 [email correspondence with David Lachenmann]; sold through Artemis Fine Art S.A., Vaduz, to the Art Institute of Chicago, 2020.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300033973

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.