The Elopement Scene in Katsuragawa Renri no Shigarami (Katsuragawa renri no shigarami, michiyuki), from the series "A Selection of Ancient and Modern Dramas (Kokon Joruri zukushi)"

Art Institute of Chicago

The Elopement Scene in Katsuragawa Renri no Shigarami (Katsuragawa renri no shigarami, michiyuki), from the series "A Selection of Ancient and Modern Dramas (Kokon Joruri zukushi)"

Utagawa Hiroshige 歌川 広重LinkedCulture matchlcp-732c025793de

Date
c. 1847/52
Medium
Color woodblock print; oban
Culture
Japan
Department
Arts of Asia
Institution
Art Institute of Chicago
Object ID
29508

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.KkjeVsDqp-Rit5eG.tbR1mEFlM0PGz7Iz6NfA1T31I4eTZvw6uTYN810pkrchkVcxNTFlebC50WubFFASbIr7kxPHbwbhyvjbj_KO_Lvh4l7Qik6KKP3xNeoQ8A9hhYmI7KpzDdZqJHWRfdQZB_VlqEpiviwErDwoJkFUsO2Y8B5moo1eRputm84kDXAL3SbKpVCG7EY4sRam3GiU0ObGVRIJr3bMpdzb-9PTwWNQViF2j18FWzjWsFzJOkCtbA5jxyC0laTBigI0kAyYsuUhAy5XxMlJoMPtND6jKMRaSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.On7xhLlTxVLX47O0.xJtmCs11lg71aiIyulZItnuxMi06V-_HHK5fCyDjHKbikm7ttu_t0mG8wEuNLoVOHUI4umh-JTNkQ0eG2CiabpqYDzYvWIC4qTPAv0Us1KOxlIYiwLm9TQUhG0QX49-RMwOhaDaM4Mh44tkggQZwVHDvOLr9I1NgnQyp9nX1HEvFbRumyyy07y-yTnsXdY4jRkkD6k2CKdtpDbDRDxmOyCWSXH_nfUGBblHRvfa9VjKZF_MbjeNDPwmaztDKKldzV8NFHWsErEKCQySqX0X5xw
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of Mr. and Mrs. Harold G. Henderson
Provenance
Harold Gould Henderson (1889–1974) and Mary A. Henderson (1905–1998), New York; given to the Art Institute of Chicago, 1968.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300041273

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.

Ohan and Obiya Choemon eloping in the drama Katsuragawa Renri no Shigarami, from the series "A Collection of Ancient and Modern Dramas (Kokon Joruri zukushi)"

Ohan and Obiya Choemon eloping in the drama Katsuragawa Renri no Shigarami, from the series "A Collection of Ancient and Modern Dramas (Kokon Joruri zukushi)"

Art Institute of Chicago

#47933

The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

The Actors Matsumoto Koshiro IV and Segawa Kikunojo III as the Lovers Choemon (right) and Ohan (left), in the Elopement Scene "Michiyuki Segawa no Adanami" (An Elopement: Treacherous Waves in the Shallow River), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

Art Institute of Chicago

#23676

The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

The Actors Ichikawa Monnosuke II and Segawa Kikunojo III as the Lovers Seijuro (right) and Onatsu (left), in the Elopement Scene "Michiyuki Hiyoku no Kiku-cho" (An Elopemet: Chrysanthemum-and-Butterfly Lovebirds), a Dance Interlude from Part Two of the Play Kabuki no Hana Bandai Soga (Flower of Kabuki: The Eternal Soga), Performed at the Ichimura Theater from the Twenty-fifth Day of the Fourth Month, 1781

Art Institute of Chicago

#34884

The Elopement (parody of Akutagawa episode from "Tales of Ise")

The Elopement (parody of Akutagawa episode from "Tales of Ise")

Art Institute of Chicago

#20898

The Michiyuki Scene from the play Ohan and Choemon (Michiyuki, Ohan Choemon), section of a sheet from the series "Reflections of Dramas in Cutouts (Harimaze joruri kagami)"

The Michiyuki Scene from the play Ohan and Choemon (Michiyuki, Ohan Choemon), section of a sheet from the series "Reflections of Dramas in Cutouts (Harimaze joruri kagami)"

Art Institute of Chicago

#33572

The Elopement

The Elopement

Art Institute of Chicago

#87449

Ichikawa Ebijūrō II as Horiguchi Manzaemon (right), Arashi Rikan II as Kizu Kansuke, Nakayama Bunshichi III as Hayashi Sanzemon (center), and Asao Gakujurō as the Ferryman Sanjūrō (left) from the Kabuki Play "Eight Views of the Kizu River by Boating Song"

Ichikawa Ebijūrō II as Horiguchi Manzaemon (right), Arashi Rikan II as Kizu Kansuke, Nakayama Bunshichi III as Hayashi Sanzemon (center), and Asao Gakujurō as the Ferryman Sanjūrō (left) from the Kabuki Play "Eight Views of the Kizu River by Boating Song"

Cleveland Museum of Art

#148816

Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)

Matsumoto Koshiro III as Kusunoki Bokon and Sawamura Kijuro as Omori Hikoshichi in the Scene from a Drama (Sandaime Matsumoto Koshiro no Kusunoki Bokon to Sawamura Kijuro no Omori Hikoshichi)

Art Institute of Chicago

#89259

Actors Ichikawa Danjôrô V as Gokuin Sen’emon, Bandô Mitsugorô I as An no Heibei, and Nakamura Sukegorô II as Kaminari Shôkurô in “A Soga Drama on the First Festival Day in the Pleasure District” (“Hatsumombi Kuruwa Soga”)

Actors Ichikawa Danjôrô V as Gokuin Sen’emon, Bandô Mitsugorô I as An no Heibei, and Nakamura Sukegorô II as Kaminari Shôkurô in “A Soga Drama on the First Festival Day in the Pleasure District” (“Hatsumombi Kuruwa Soga”)

Art Institute of Chicago

#3544

The Actor Arashi Sangoro II as Minamoto no Yoritomo in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770

The Actor Arashi Sangoro II as Minamoto no Yoritomo in a dance interlude in scene two of the Joruri "Courtesan's Rouge on a Snow White Face (Oyama Beni Yuki no Sugao)" from the play "Cotton Wadding of Izu Protecting the Matrimonial Chrysanthemums (Myoto-giku Izu no Kisewata)," performed at the Ichimura Theater from the first day of the eleventh month, 1770

Art Institute of Chicago

#44296

Onoe Kikugorō V as Otowake Neko no ke (Right), Bandō  Mitsugorō  IV as Aishō Michinoku (Center), Onoe Kikugorō V as Isogai Mibunosuke (Left) in the Kabuki play Tōkai Kidan Nekomata Yashiki

Onoe Kikugorō V as Otowake Neko no ke (Right), Bandō Mitsugorō IV as Aishō Michinoku (Center), Onoe Kikugorō V as Isogai Mibunosuke (Left) in the Kabuki play Tōkai Kidan Nekomata Yashiki

The Metropolitan Museum of Art

#55921

The Actors Osagawa Tsuneyo II (right), Ichikawa Monnosuke II (center), and Segawa Kikunojo III (left), Possibly as Misao Gozen, Matsuya Soshichi, and the Courtesan Kojoro of Hakata, in the Play Chiyo no Hajime Ondo no Seto (Beginnings of Eternity: The Ondo Straits in the Seto Insland Sea) (?), Performed at the Kiri Theater from the Twenty-seventh Day of te Seventh Month, 1785

The Actors Osagawa Tsuneyo II (right), Ichikawa Monnosuke II (center), and Segawa Kikunojo III (left), Possibly as Misao Gozen, Matsuya Soshichi, and the Courtesan Kojoro of Hakata, in the Play Chiyo no Hajime Ondo no Seto (Beginnings of Eternity: The Ondo Straits in the Seto Insland Sea) (?), Performed at the Kiri Theater from the Twenty-seventh Day of te Seventh Month, 1785

Art Institute of Chicago

#194588