Mantle

Art Institute of Chicago

Mantle

ParacasLinkedCulture matchlcp-251ffd7e1269

Date
100 BCE-200 CE
Medium
Wool (camelid), plain weave; embroidered in stem stitches; corners edged with weft-faced plain weave with extended ground weft fringe and embroidered in cross-knit loop stitches
Culture
Peru
Department
Textiles
Institution
Art Institute of Chicago
Object ID
33772

From the Art Institute of Chicago record

This expansive mantle, designed to be wrapped around the shoulders, features over 50 figures in brightly colored embroidery, a form of embellishment composed of needle-worked stitches. With their heads bent to the side, each figure wears a headdress, ear ornaments, and a tunic with a decorated border, and carries a feline under one arm. The pronounced stripes on the animal’s legs identify it as the pampas cat, a predator known to protect crops. Scroll-like motifs that emerge from the figures’ mouths and upraised hands may mimic the protruding tongues of the cats and signal an effort to embody the supernatural forces that govern the natural world. The Paracas employed a number of textile embellishment techniques, and their embroidery work remains particularly impressive to modern eyes. Although all of the embroidery is done in a single stitch, the medley of colors demonstrates that the Paracas possessed a rigorous understanding of dyeing.

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.lEsFzjyo_4EzjnIt.RKKp0dKuhu4Nl1336_cFxnl26NwbJELohRyiAvm5CtQfdr7KyW6sG29V28zAWo3VBCnlv8qSWBRpgBVjY9ff8vgK62-MKMQEOKNTCBpI3IGafQ7A6pSc2AdRgnPq2qfhkdtk4muGFJ3APyCm9kCCUVXbaSQPsjd3PhijppxUTfMoisNiWicbHSMj_o35G4hCUTn_uJyd4H0N7qPpPNpXkFbY9N_IiZpkz7c-U_u9yqmF_otImwJWj3ho8_r7J1eqP1hDRb1rF_lQVyVNhiLpZThTSee at Art Institute of Chicago QR destination: https://linkedculture.org/q/q1.-p4zqRSATEmxFAWw.JG5SRpJ69ZZla43LC8fSxbdiy6r_BWo9aCoyDfMJq536N03CgREpxMr52dxV2LlIBHUx_dr627XzxEO3aw0OVdgWIrDh8dc8-Rt2wFtunYqIl41j1K6ghTO4faqKnbOabNBaSPvFMjY2c-APiS8x28IGG39klNTjWfGrbmNCHWdaOI2c2gL15Uq8xFZ8_HPEkFhlWWK-Jgif_6jlO4B57wlRW2HNPq5SMj9SvS1zUQtjwIvj5-2Dh7JAEE3Jp_5MHWTTfjg37xWOcw4Qw9oLYw
Open this page
See at Art Institute of Chicago

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Emily Crane Chadbourne Fund
Provenance
Unknown private collector, by 1933; sold Puttick & Simpson, London, Oct. 5, 1933 [“Catalogue of a Collection of Peruvian Antiquities,” lot 15, Oct. 5, 1933; copy in curatorial object file]. John Wise, New York, by 1969 [corrspondence with J. Wise, 1969; incoming receipt RX7353, Jan. 26, 1970; copy in curatorial object file]; sold to the Art Institute of Chicago, 1970.

Linked open data

Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.

Object type
AAT300209261

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.