The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art
Object ID
137868

From the Cleveland Museum of Art record

The young man throws himself at his overjoyed father’s feet. As a boy, he was nearly killed by his treacherous mother, who hoped to please her lover. The nurse, learning of her plan, took the child and fled to safety. In the intervening years, he killed a dragon, married a princess, and became a king. The king’s success is attributed to a magical, seven-colored bird’s head, which he ate as a child. A corrosive pigment used on two of the vessels in the back wall has eaten through the paper.

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Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Gift of Mrs. A. Dean Perry
Provenance
?–1959: Estate of Breckinridge Long [1881–1958], Bowie, MD | 1959–1962?: (Harry Burke Antiques, Philadelphia, PA) | 1959?–1962: (Bernard Brown Agency, Milwaukee, WI, sold to the Cleveland Museum of Art. Purchased with funds from Mrs. A. Dean [Helen Wade Greene] Perry) | 1962–: The Cleveland Museum of Art, Cleveland, OH

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