Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce)

Cleveland Museum of Art

Souvenir of an "International Ball" (Portrait of Miss Kathleen Bruce)

Charles Hasslewood ShannonLinkedCulture matchlcp-30ee2b8ec581

Date
1907
Medium
oil on canvas
Culture
England, early 20th Century
Department
Modern European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
149587

From the Cleveland Museum of Art record

The subject for this portrait is Miss Kathleen Bruce, later Lady Scott, the widow of Antarctic explorer Sir Robert F. Scott. However, as the picture's original title underlines (Souvenir of an "International Ball"), the identity of the sitter is less important than her treatment as a decorous object. Highlighting the woman in front of a shadowed screen decorated with foliage, Shannon positioned her to ensure her hoop skirt billowed out and filled the large chair. The result is a "bouquet" of fabrics and bows which bursts forth from the real bouquet of flowers nestled upon the woman's lap. Shannon's debt to the Venetian Renaissance painter Titian (about 1489-1576) is evident in the loose brushwork he used to represent realistically the soft material of the dress and to heighten the sense of ornamentation. Although aware of contemporary art movements, he instead preferred to follow the art of previous masters like Titian. He shared this love of older tradition with his living and working partner, Charles Ricketts (1866-1931), as well as with Alphonse Legros (1837-1911), a French-born artist who was an important teacher in Britain.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Get printable QR codes

Open QR codes for this object page and the museum record. They stay collapsed until needed.

Open this page QR destination: https://linkedculture.org/q/q1.Pqko7dRyECSwzGmR.GrHN31sgjq5D4B2ZY2Z8I0LPSDH9q8NZkoZYWIkFZ2qrCZwRnyDBc1Bt45ymi5Hz0hFmtCWjylJAkuYWHHNmMm1ISc4bcjzr6Z50hCbceB9cqkIxvjbzWx-e_mYpcp9sxGNLV2ddD9SV1RsAdS57QlFwSDn1oGwMcwgrR0tiyel5Hjbtv8aHGTIOUAe65AjONGmQfY9WbdATwe8LQ1pmhPddq55huZ9wLtWbAOfebFrulRZeVLWarpjkvs2-gm37kbihS2NtGRIAvkwfT4-yoO4V9kgQ6jD9vHde195PXRTJa8tIsgSee at Cleveland Museum of Art QR destination: https://linkedculture.org/q/q1.MgJJc_CAZnLx4rI1.VrFCJJGLfuqGYAx4ZMcyDJesu11zq0EnVFDWtaiXpGLjI3y-tuRrgvrlLQp70jmJRSKt_LEsWMcezn1AqX4UrIJkI0w0acB2wV26pS799LYUpWbxb-U7M35eT2D8e_CUPmnJCkxFsF80ZN52ki6yv95pJr7r2r4EOl__0aH61gJYpl3dxdHLOAt_CXZSgcX1sKYdOQbEvc-HBQsEUspHClmqiDBfx1cv70YMs-3fsvo9uC5ORV801vuIRg1PFW2TfOEH9hZI2k7EX-F_iY5dt779dHAxQFQisfEBPwhZ
Open this page
See at Cleveland Museum of Art

Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Mr. and Mrs. William H. Marlatt Fund
Provenance
after 1907–by 1979: Sir A. Kay Muir | 1979: (Shepherd Gallery, New York, NY, sold to the Cleveland Museum of Art) | 1979–: The Cleveland Museum of Art, Cleveland, OH

Part of a LinkedCulture topic

  • Representative object from the topic English Portrait Miniatures
    English Portrait Miniatures

    A collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo

    221 objects from 4 institutions

Related across collections

Semantically similar works from Cleveland Museum of Art and other institutions.