Belvedere Antinous

Getty Museum

Belvedere Antinous

Creator

Pietro Tacca

Italian Maker · 1577–1640

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Artist

After inheriting the studio of his teacher Giambologna in 1608, Pietro Tacca became court sculptor to the Medici grand dukes and played a critical role in maintaining the preeminence of Florence as the center for bronze casting in Europe during his lifetime. Born in Carrara, where he received his early artistic training in marble, Tacca joined Giambologna's workshop in Florence as a teenager and b

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Date
about 1630
Medium
Bronze
Culture
Italian
Department
Sculpture
Institution
Getty Museum
Object ID
11128b1b-146e-41d6-b92e-879376aaa4f9

From the Getty Museum record

The composition of this two-foot tall bronze sculpture--with its *contrapposto* pose and ancient Greek cloak--is based on what artists and collectors considered one of the most beautiful surviving statues from antiquity, the ancient Roman marble known as *Belvedere Antinous*, now in the Vatican Museums. While the original was first thought to represent Roman Emperor Hadrian's handsome Greek lover Antinous, scholars now believe the work is a representation of the Olympian god Hermes. Considered a model of ideal human proportions, the statue inspired many artistic interpretations. From the Renaissance on, the European elite sought reduced-size bronze reproductions made after famous ancient models to display in their collections. It is believed French aristocrat and collector Louis Hesselin commissioned this statue during a trip to Italy in the 1630s. Upon his death, this bronze, along with more than thirty others he owned, was acquired by the Sun King, Louis XIV. The *N.4* engraved on the back of the right ankle is the statue's inventory number from the bronze collection of the French Crown, indicating the statue's royal provenance.

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