
Getty Museum
The Crucifixion
Creator
Master of St. VeronicaGerman Illuminator · 1395–1415
All works by this person →A painter known as the Master of Saint Veronica worked in the International style in Germany between 1395 and 1415. Known primarily for his work in panel painting, his name derives from a painting of Saint Veronica in Munich. Brilliant colors, sweet and tender facial expressions, courtly costumes, and subtle modeling were key elements of the Master's style. He was one of the most important painter
More on Getty ULAN- Date
- about 1400–1410
- Medium
- Tempera colors, gold paint, and gold leaf
- Culture
- German
- Department
- Manuscripts
- Institution
- Getty Museum
- Object ID
- 4d645b5d-e938-4f1d-bdbf-f0f4c9961499
From the Getty Museum record
Jesus hangs on the cross, his attenuated arms stretched far apart. He looks down at his grieving mother, whose flowing draperies emphasize her swooning posture. By depicting him with an elongated torso, uncomfortably crossed legs, and an elegantly drooping head, the artist emphasized Jesus' human suffering and frailty. The Roman soldier at the right recognizes the divine nature of Christ and turns to the Pharisee at his side. According to the Bible, he says, "Indeed, this was the Son of God." These words were intended to fill the empty speech scroll above his head. The gold geometric pattern of the background, the richly colored robes, and the elaborate Gothic arches framing the miniature all contribute to the scene's elegance. The illuminator, the Master of Saint Veronica, painted with richly saturated bright colors and linear arabesques, creating figures with tall proportions dressed in sumptuous courtly attire. The style he employed, known as the International style, was closely associated with the courts of Paris and Prague.
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