
Getty Museum
The Deaths of the Blessed Ugoccione and Sostegno (recto); A Study of the Farnese Hercules (verso)
Creator
Bernardino Poccetti (Barbatelli)Italian Artist · 1548–1612
All works by this person →At a time when Florentine painting was moving away from Mannerism towards a more naturalistic style, Bernardino Poccetti patiently worked his way up to become an eminent decorative fresco painter. The young Poccetti painted grotesques, then facades, and later expertly designed his frescoes to integrate painting, sculpture, and architecture. Warm, vivid pastel colors characterize his frescoes, whil
More on Getty ULAN- Date
- about 1604–1612
- Medium
- Black chalk, brush and brown ink and brown wash heightened with white gouache, squared in red chalk (recto); Pen and brown ink (verso)
- Culture
- Italian
- Department
- Drawings
- Institution
- Getty Museum
- Object ID
- 759de27b-7fe5-4a86-9bb4-b50fd218a0b4
From the Getty Museum record
While two angels flutter overhead, ready to guide their souls into heaven, the bodies of the blessed monks Ugoccione and Sostegno lie in state surrounded by other brethren of the Servite Order. To give the scene a sense of greater depth, Bernardino Poccetti used a rather broad and deep spatial arrangement. The arched ceiling draws the viewer's eye into the setting, while contrasting patches of dark shadow and light keep it moving. A monastery commissioned Poccetti to produce a series of fourteen frescoes with scenes from the lives of the monastery's founders, and he made this elaborate study for one of them. On the verso of the sheet, another artist, possibly Giovanni Navarretti, sketched a study of the Farnese Hercules.
The authoritative record is held by Getty Museum. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Get printable QR codesHide QR codes
Open QR codes for this object page and the museum record. They stay collapsed until needed.
Related across collections
Semantically similar works from Getty Museum and other institutions.

Sheet of Studies for "The Martyrdom of Saint George" (recto); Studies of a House, Tree, Heads, Artist's Tools, Decorative Motifs, and Computations (verso)
Getty Museum
#b9e01947-6a25-4b43-b546-50355fc5b8a2

Angel Musicians (recto); Head Studies (verso)
Getty Museum
#02134a18-b9f7-455c-ae72-034c6f8abf68

An Angel Holding a Book (recto); Three Studies of a Falling Male Figure (verso)
Getty Museum
#7a8952ee-5f2a-46fe-ba86-b452a53ed3d2

Three Studies of Angels for a Pendentive (recto); Studies for Christ Meeting His Mother on the Road to Calvary, Studies of an Angel in a Pendentive (verso)
Cleveland Museum of Art
#154880

Raising of the Son of the Widow of Naim (recto); Madonna and Child with Saints (verso)
Getty Museum
#c9f5980b-c4a5-4ad6-8c0a-3b433142ce5f

Hercules Resting (recto); Footed Vessel with Handle (verso)
Cleveland Museum of Art
#160081
Two Studies of Carthusians (recto); Three Sketches of Heads of Carthusians (verso)
Art Institute of Chicago
#112396

A Flying Angel (recto); Studies of Hands Playing Instruments (verso)
Cleveland Museum of Art
#117767
Sketches of Two Putti, One Holding Hand of Dead Christ (recto); Torso and Legs of Kneeling Figure (verso)
Art Institute of Chicago
#112357

The Holy Family with the Infant Saint John the Baptist (recto); Amorous Putti at Play; Head of a Bird (verso)
Getty Museum
#c221322b-548b-4cf8-a822-416ac7fbba1d

Study for the Head of Saint Joseph (recto); Two Studies of Legs (verso)
Getty Museum
#c392263f-5754-47ba-ac27-dfa8662583bc

Two Standing Male Figures (recto); A Man Reclining and Other Studies (verso)
Getty Museum
#1c4926b4-027b-4970-bdf4-4ff536e80712