
Getty Museum
View of Saint Peter's (recto); Study of a Young Man (verso)
Creator
Federico ZuccaroItalian Artist · 1541–1609
All works by this person →After Titian's death in 1576, Federico Zuccaro may have been the most famous painter in Europe as well as the most influential, traveling widely and creating a huge number of works, largely of religious subjects. The son of a painter in Urbino, he absorbed Mannerism in Rome under his brother Taddeo, who was a dozen years his senior. When Taddeo died in 1566, Federico took over his flourishing prac
More on Getty ULAN- Date
- 1603
- Medium
- Red chalk (recto); Red and black chalk (verso)
- Culture
- Italian
- Department
- Drawings
- Institution
- Getty Museum
- Object ID
- 954f7edb-0369-417e-b9e2-2924b7762232
From the Getty Museum record
Using red chalk in a highly detailed manner, Federico Zuccaro depicted Saint Peter's Square in Rome as it appeared in 1603, with the Egyptian obelisk in place at the extreme left and the church dome complete. At the left, the archepiscopal palace adjoins the old facade of Saint Peter's basilica. In the center, the three-story benediction loggia begun by Pope Pius II in 1462 adjoins the loggia painted by Raphael, lightly sketched at the extreme right. The bastion for the papal guard protects the front of the Vatican entrance, and statues of saints Peter and Paul from the 1400s adorn the foot of the staircase. On the verso, Zuccaro drew a young boy with great intimacy, using the same medium--black and red chalk--and the same delicacy of touch seen in his other late portrait studies. Zuccaro's use of color was innovative: scholars recognize him as the first Italian of his time to combine black with red chalk, a technique practiced earlier by Hans Holbein.
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