Deathbed Scene

Getty Museum

Deathbed Scene

Creator

Master of James IV of Scotland

Flemish Illuminator · 1465–1541

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Named for a remarkable portrait of the monarch James IV of Scotland in a devotional manuscript, the Master of James IV of Scotland was one of the finest Flemish illuminators active in the years around 1500. Over a period of more than forty years, the artist contributed to some of the most lavish and important manuscripts of the era, in addition to directing an active workshop. The illuminator's mi

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Date
about 1510–1520
Medium
Tempera colors, gold, and ink
Culture
Flemish
Department
Manuscripts
Institution
Getty Museum
Object ID
d46581ed-6d39-4038-be70-ff5815addbdb

From the Getty Museum record

This miniature illustrates the Office for the Dead, one of the essential texts of a book of hours. Said over the body of the deceased the night before a burial, the office was also read daily as a reminder of one's mortality, reflecting the need for constant penitence. In a *tour-de-force* display of illusionism, the artist used the distinct compartments of frame and border to show contiguous indoor and outdoor scenes. In the lower border Death, represented as a gruesome corpse, hunts a man in a park-like landscape. Above, the victim lies on his deathbed while clerics read the Office for the Dead. The artist linked the two scenes by suggesting that the interior we see in the miniature is an enlarged, cut-away view of the house depicted in the border. In addition, an elusive figure with a red hat on the far left unites the hunting scene with the deathbed scene. This man appears twice, first leaving the hunt, walking away from the viewer down a hillside, and then passing into the house from its entryway on the left.

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