Art Institute of Chicago
Maitreya Buddha
Shaanxi or Henan provinces, ChinaLinkedCulture matchlcp-10056e848c84
- Date
- Tang dynasty (618–906), dated 705
- Medium
- Limestone
- Culture
- China
- Department
- Arts of Asia
- Institution
- Art Institute of Chicago
- Object ID
- 11690
From the Art Institute of Chicago record
The depiction of the enthroned Buddha incorporates several key elements of Buddhist iconography. The posture, with both legs down and the feet firmly planted on the ground—known in Sanskrit as the bhadrasana or “auspicious pose”—originated in Northwest India. This pose was widely used across the Indian subcontinent and beyond to depict Hindu and Buddhist deities associated with royalty and fertility. The Buddha is clearly identified here by a dated inscription as Mile , a transliterated name for Maitreya, the future Buddha who is destined to descend from Tushita Heaven to bring enlightenment to the world. His majestic seated posture may symbolize Maitreya’s future reign from Mount Meru, the cosmic axis, and his imminent descent to the earthly realm, ready to fulfill the hopes and prayers of the faithful.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Alice Getty
- Provenance
- Yamanaka & Company, Shanghai, China; with Miss Alice Eliza Getty (1868–1946) by 1923; given to the Art Institute of Chicago, Feb. 13, 1924.
Linked open data
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- Object type
- AAT300301253
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