Art Institute of Chicago
One Can't Tell Why, plate 35 from The Disasters of War
Francisco José de Goya y Lucientes
- Date
- 1812/15, published 1863
- Medium
- Etching, burnished lavis, drypoint and burin on ivory wove paper with gilt edges
- Culture
- Spain
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Eight convicted and garroted victims share a platform. Suspended from cords around their necks and resting against their chests are the weapons they carried when they were arrested by the French army. For Spaniards, being caught carrying a weapon of any kind was a capital offense.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
And there's no help for it, plate 15 from The Disasters of War
Art Institute of Chicago
Discovery of the Criminal Soldiers, plate nine from The Miseries of War
Art Institute of Chicago
The Same, plate three from The Disasters of War
Art Institute of Chicago
And they are like wild beasts, plate five from The Disasters of War
Art Institute of Chicago
On account of a knife, plate 34 from The Disasters of War
Art Institute of Chicago
It Always Happens, plate eight from The Disasters of War
Art Institute of Chicago
Bury them and keep quiet, plate 18 from The Disasters of War
Art Institute of Chicago
The Consequences, plate 72 from The Disasters of War
Art Institute of Chicago
This is Not Less so, plate 67 from The Disasters of War
Art Institute of Chicago
He gets something out of it, plate 40 from The Disasters of War
Art Institute of Chicago
Even Worse, plate 22 from The Disasters of War
Art Institute of Chicago

The Strappado (L'estrapade)--Torture
Minneapolis Institute of Art