Art Institute of Chicago
The Calumny of Apelles
Cornelis Cort (Netherlandish, 1533/36-1578)
- Date
- 1572
- Medium
- Engraving in black on ivory laid paper
- Culture
- Holland
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Cornelis Cort’s engraving recreates a lost painting by the ancient Greek artist Apelles, an allegory of slander known only from a detailed description by the ancient historian Lucian. Renaissance artists including Sandro Botticelli, Andrea Mantegna, Albrecht Dürer, and even Pieter Brueghel produced drawings and paintings based on the historian Lucian’s descriptions in homage to various artists of antiquity. Dürer was even called “the Apelles of the North.” Cort’s engraving includes an illusionistic heavily sculptured frame, which highlights prints’ ability to mimic paintings as objects, as well as revive their iconography.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

The Calumny of Apelles
Cleveland Museum of Art
The Calumny of Apelles
Art Institute of Chicago

Calumny of Apelles
Minneapolis Institute of Art

Calumny Accusing Innocence Before the Court of an Ignorant Judge
Minneapolis Institute of Art

The Calumny of Apelles
Cleveland Museum of Art
Alexander in the Studio of Apelles
Art Institute of Chicago
An Allegory of Statuary or Lament of Sculpture
Art Institute of Chicago

Alexander the Great and Campaspe in the Studio of Apelles
Getty Museum

Sudarium Displayed by Two Angels
Minneapolis Institute of Art

The Large Ecce Homo
Minneapolis Institute of Art

Melencolia I
Minneapolis Institute of Art
Adam and Eve Lamenting the Death of Abel
Art Institute of Chicago