Art Institute of Chicago
Aimée-Cécile-Renaud, from the series Tableaux historiques de la révolution française
Charles François Gabriel Levachez, and Son (French, 18th and 19th century)
- Date
- 1798–1804
- Medium
- Aquatint and etching, with engraving, on ivory wove paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.

Rinaldo Abandoning Armida
Minneapolis Institute of Art

Fashion plate from Journal de la Mode et du Goût, Dix-neuvième Cahier, 25 Août 1790
Minneapolis Institute of Art
Lady Reading the Letters of Heloise and Abelard
Art Institute of Chicago
Study of a Draped Woman Leaning on a Pedestal
Art Institute of Chicago
Cléombrote and Léonidas
Art Institute of Chicago

Phaedra Rejecting the Embraces of Theseus
Getty Museum
Gilet décor Renaud enchanté par Armide, projets de broderies de gilet, XVIIIème siècle
Palais Galliera, musée de la Mode de la Ville de Paris

Portrait of the Sisters Zénaïde and Charlotte Bonaparte
Getty Museum
Overture for The Woman from Seville, for Piano, by Cecile Chaminade
Art Institute of Chicago
Young Woman at a Table Holding a Cup
Art Institute of Chicago
The Descent from the Summit: Jean Martin Steadies Hélène, the Banker’s Daughter (Illustration for Edmond Renoir’s “L’étiquette”) (recto); Half-Length Sketch of a Woman (verso)
Art Institute of Chicago

Head of a Young Man
Cleveland Museum of Art