Art Institute of Chicago
Machinist
Emma Stebbins (American, 1815–1882)
- Date
- c. 1859
- Medium
- Marble
- Culture
- Rome
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
Emma Stebbins’s subject here is a modern one: an industrial worker and his young apprentice . Having studied Classical art, Stebbins applied its vocabulary and material to new ends. The harmonious, balanced forms depict contemporary men engaged in skilled pursuits that wed intellect and physical labor. Like many 19th-century American artists, Stebbins, born in New York, sought greater opportunity abroad, connecting with a community of female sculptors in Rome in the late 1850s. Denied access to life drawing classes in the United States, she learned to model the human form from the art around her in Europe and from a receptive circle of artists.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Machinist's Apprentice
Art Institute of Chicago

The Steerage
Minneapolis Institute of Art

Portrait of a Woman
Minneapolis Institute of Art

The New One
Minneapolis Institute of Art

The Biglin Brothers Turning the Stake
Cleveland Museum of Art

Portrait of Mademoiselle Dubois
Minneapolis Institute of Art
Study for "William Rush Carving His Allegorical Figure of the Schuylkill River"
Art Institute of Chicago

Woman with Still Life
Minneapolis Institute of Art
Georgia O'Keeffe—Hands and Thimble
Art Institute of Chicago

Woman and Man Playing Cards (verso)
Cleveland Museum of Art

Head of a young man in profile, with curly hair and bare shoulders, looking down, plate 12 from I principii del disegno (The Principles of Design)
Minneapolis Institute of Art

Still Life, Chinese Vase
Minneapolis Institute of Art