Art Institute of Chicago
Sarutahiko, No. 2 (Sono ni) from the series "The Boulder Door of Spring (Haru no iwato)"
Totoya Hokkei
- Date
- 1820s
- Medium
- Color woodblock print; shikishiban, surimono
- Culture
- Japan
- Department
- Arts of Asia
- Institution
- Art Institute of Chicago
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Sarutahiko, No. 2 (Sono ni) from the series "The Boulder Door of Spring (Haru no iwato)"
Art Institute of Chicago
No. 2, 3, and 4 from the series The Boulder Door of Spring (Haru no iwato)
Harvard Art Museums
The drummer, No. 1 (Sono ichi) from the series "The Boulder Door of Spring (Haru no iwato)"
Art Institute of Chicago
Sarutahiko from The Cave Door of Spring
Cleveland Museum of Art
Ama no Uzume, No. 3 (Sono san) from the series "The Boulder Door of Spring (Haru no iwato)"
Art Institute of Chicago
No. 2 (Sono ni), from the triptych "Three Musical Instruments (Sankyoku)"
Art Institute of Chicago
Drummer from The Cave Door of Spring
Cleveland Museum of Art
Flautist from The Cave Door of Spring
Cleveland Museum of Art
Spring Rain Collection (Harusame shū), vol. 2: Young Woman with a Birdcage
The Metropolitan Museum of Art
Spring Dawn in the New Yoshiwara (Shin Yoshiwara haru akebono no zu), from the series "Famous Places in Edo (Edo meisho no uchi)"
Art Institute of Chicago
No. 2 (ni), from the series "Women Engaged in the Sericulture Industry (Joshoku kaiko tewaza-gusa)"
Art Institute of Chicago
Visual Parody of Fujiwara no Teika's Poem Crossing the Sano
Minneapolis Institute of Art