Art Institute of Chicago
Adoration of the Magi
Unknown Artist, possibly Florentine
- Date
- 1450–64, printed in the 18th century
- Medium
- Engraving on paper
- Culture
- Italy
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Niello work, an ancestor of engraving, originated in the workshops of goldsmiths and armorers. Designs were often engraved on silver and then dusted with niello, a powdered metallic alloy. When heated, the enamel-like amalgam fused into the engraved lines. The surface of the metal was then polished, highlighting the black design. An artist could proof his work by rubbing ink into the lines and printing the design on dampened paper. This work was once attributed to the goldsmith Maso Finiguerra (1426-1464), the most famous niellist of his day. It is now thought to be an 18th century production based on earlier Florentine models, but it nonetheless conveys the jewel-like quality of Finiguerra' s art.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
The Adoration of the Magi (Virgin of the Grotto)
Art Institute of Chicago
Saint Michael
Art Institute of Chicago
Two Warriors, One with a Winged Genie on His Helmet
Art Institute of Chicago
Orpheus Charming the Animals
Art Institute of Chicago

Adoration of the Magi
Minneapolis Institute of Art

The Adoration of the Magi
Cleveland Museum of Art
The Adoration of the Magi
Art Institute of Chicago

Adoration of the Magi
Getty Museum

Adoration of the Magi
Cleveland Museum of Art
The Adoration of the Magi
Art Institute of Chicago
Study for the Adoration of the Magi
Art Institute of Chicago
Adoration of the Magi
Art Institute of Chicago