Art Institute of Chicago
Sketch for "Oath on the Rütli" (recto), Female Figure (verso)
Henry Fuseli (Swiss, active in England, 1741–1825)
- Date
- 1779–81 (recto); 1785–90 (verso)
- Medium
- Oil on canvas
- Culture
- United Kingdom
- Department
- Painting and Sculpture of Europe
- Institution
- Art Institute of Chicago
Although Henry Fuseli spent most of his career in England, he was born Johann Heinrich Füssli in Zurich, Switzerland. This is a preliminary study for the artist’s first important commission, The Oath on the Rütli , in Zurich’s city hall. Both the study and the final painting depict the oath sworn on the Rütli meadow in 1291 by representatives of three Swiss cantons (territories) against the ambitions of their Habsburg overlords. This sketch, with its limited palette and loose, expressive brushstrokes, shows the artist thinking through questions of tone and mood.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Portrait of Fuseli (recto); Sketch of a Hand (verso)
Art Institute of Chicago
Study of Ignudo in Sistine Chapel, Rome (recto); Paraphrase of the Ignudo Seated to Upper Right of Prophet Jeremiah in Chapel, Rome (verso)
Art Institute of Chicago
The Discovery (recto), Two Sketches of Standing Male Figures (verso)
Art Institute of Chicago
Figure Studies (recto and verso)
Art Institute of Chicago
Portrait of a Woman (Martha Hess)
Art Institute of Chicago
Milton Dictating to His Daughter
Art Institute of Chicago
Death on a White Horse
Art Institute of Chicago
Sketch for 'Dido on the Funeral Pyre' (recto); Erotic Sketch of Man and Woman (verso)
Art Institute of Chicago
Mother and Her Family in the Country
Art Institute of Chicago
Descent to Hell
Art Institute of Chicago

An Old Man Murdered by Three Younger Men
Getty Museum
Theodore Meets in the Wood the Specter of His Ancestor Guido Cavalcanti, Chasing with Mastiffs His Former Disdainful Mistress
Art Institute of Chicago