Art Institute of Chicago
The Engraver and the Etcher
Abraham Bosse
- Date
- 1643
- Medium
- Etching on ivory laid paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
Abraham Bosse wrote the first important treatise on the art of etching in 1645. His highly influential publication urged etchers to aspire to the precision of engravers, rather than cultivating the peculiarities of the etched line, like Rembrandt. To achieve a swelling line akin to an engraving, bosse utilized an instrument called an 'échoppe', a beveled etching needle, which he could twist in the ground to create variable widths of etched line, similar to the work of Jacques Callot. In this print, the etcher is working easily on the left, while the engraver is struggling to incise his plate on the right.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
The Noble Painter
Art Institute of Chicago
Manhood, plate three from The Four Ages of Man
Art Institute of Chicago
The Noble Painter
Art Institute of Chicago

Circumcision of Christ
Minneapolis Institute of Art

Jan Antonides van der Linden
Minneapolis Institute of Art
The Etcher's Press - The Printmaker's Shop
Art Institute of Chicago

Self-portrait, Bare-headed
Rijksmuseum
Portrait of Abraham Bosse
Art Institute of Chicago

De besnijdenis
Rijksmuseum
Etching: Biting the Plate, from Encyclopédie
Art Institute of Chicago
Self-Portrait Etching at a Window
Art Institute of Chicago
De vlucht naar Egypte
Rijksmuseum