And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10

Art Institute of Chicago

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10

Odilon Redon

Date
1888
Medium
Lithograph in black on ivory China paper, laid down on ivory wove paper
Culture
France
Department
Prints and Drawings
Institution
Art Institute of Chicago

The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.

Related across collections

Semantically similar works from Art Institute of Chicago and other institutions.

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10

Art Institute of Chicago

The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The pious man’s wife offers the seven-colored bird as food to her lover, but not finding its head, he breaks the pot and bowl in anger, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night

The merchant hears of his wife’s unfaithfulness (above); the unfaithful wife performs penance by plucking her hair (below), from a Tuti-nama (Tales of a Parrot): First Night

Cleveland Museum of Art

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

The pious man’s son, now a king, reveals himself to his father; his nurse upbraids his unfaithful mother, from a Tuti-nama (Tales of a Parrot): Fifty-second Night

Cleveland Museum of Art

The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Night

The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Night

Cleveland Museum of Art

Royal women shooting from a pavilion

Royal women shooting from a pavilion

Cleveland Museum of Art

Imitation Statuette of a Kore

Imitation Statuette of a Kore

Getty Museum

Pendant in the Form of a Bird Atop a Disk

Pendant in the Form of a Bird Atop a Disk

Getty Museum

Birds and Flowers

Birds and Flowers

Cleveland Museum of Art

Leaf from a Kalighat album: Jatayu hinders Ravana’s chariot, trying to prevent the abduction of Sita (recto); Dushyanta watching his son Bharat playing with the tiger at the end of the Abhijnanashakuntalam (verso)

Leaf from a Kalighat album: Jatayu hinders Ravana’s chariot, trying to prevent the abduction of Sita (recto); Dushyanta watching his son Bharat playing with the tiger at the end of the Abhijnanashakuntalam (verso)

Cleveland Museum of Art

A woman with two children, having abandoned her home, goes into the forest where she encounters a leopard, from a Tuti-nama (Tales of a Parrot): Thirtieth Night

A woman with two children, having abandoned her home, goes into the forest where she encounters a leopard, from a Tuti-nama (Tales of a Parrot): Thirtieth Night

Cleveland Museum of Art

A Hundred Birds and the Three Friends

A Hundred Birds and the Three Friends

Cleveland Museum of Art