Odilon Redon

A Bell in the Tower Was Ringing the Hour, plate 4 from Edmond Picard's Le Jure

Art Institute of Chicago · 1887

A Bell was Sounding in the Tower, from The Juror

Art Institute of Chicago · 1887

Adverse Glory

Art Institute of Chicago · 1886

Adverse Glory

Art Institute of Chicago · 1886

A Long Chrysalis, the Color of Blood, plate 2 of 6

Art Institute of Chicago · 1889

A Long Chrysalis, the Color of Blood, plate 2 of 6

Art Institute of Chicago · 1889

A Madman in a Dismal Landscape, plate 3 of 6

Art Institute of Chicago · 1885

A Man of the People, a Savage, from The Juror

Art Institute of Chicago · 1887

A Mask Sounds the Funeral Knell, plate three from To Edgar Poe

Art Institute of Chicago · 1882

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10

Art Institute of Chicago · 1888

And a Large Bird, Descending From the Sky, Hurls Itself Against the Topmost Point of Her Hair, plate 3 of 10

Art Institute of Chicago · 1888

And All Manner of Frightful Creatures Arise, plate 8 of 10

Art Institute of Chicago · 1888

And Another Angel Came Out of the Temple Which is in Heaven, and He Also Having a Sharp Sickle, plate 7 of 12

Art Institute of Chicago · 1899

And Beyond, the Astral Idol, the Apotheosis, plate 2 of 6

Art Institute of Chicago · 1891

And Beyond, the Astral Idol, the Apotheosis, plate 2 of 6

Art Institute of Chicago · 1891

And Beyond, the Astral Idol, the Apotheosis, plate 2 of 6

Art Institute of Chicago · 1891

And Bound Him a Thousand Years, plate 8 of 12

Art Institute of Chicago · 1899

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24

Art Institute of Chicago · 1896

And He Discerns an Arid, Knoll-Covered Plain, plate 7 of 24

Art Institute of Chicago · 1896

And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword, plate 1 of 12

Art Institute of Chicago · 1899

And He Had in His Right Hand Seven Stars; and Out of His Mouth Went a Sharp Two-Edged Sword, plate 1 of 12

Art Institute of Chicago · 1899

And His Name That Sat On Him Was Death, plate 3 of 12

Art Institute of Chicago · 1899

And I John Saw the Holy City, New Jerusalem, Coming Down from God Out of Heaven, plate 11 of 12

Art Institute of Chicago · 1899

And I John Saw These Things, and Heard Them, plate 12 of 12

Art Institute of Chicago · 1899

And in the Very Disk of the Sun Lights the Face of Jesus Christ, plate 10 from The Temptation of Saint Anthony (1st series)

Art Institute of Chicago · 1888

And I Saw an Angel Come Down from Heaven, Having the Key of the Bottomless Pit and a Great Chain in His Hand, plate 8 of 12

Art Institute of Chicago · 1899

And I Saw in the Right Hand of Him that Sat on the Throne a Book Written Within and On the Backside, Sealed With Seven Seals, plate 2 of 12

Art Institute of Chicago · 1899

And Man Appeared; Questioning the Earth From Which He Emerged and Which Attracted Him, He Made His Way Toward Somber Brightness, plate 8 of 8 from "Les Origines"

Art Institute of Chicago · 1883

And On Every Side Are Columns of Basalt,...the Light Falls From the Vaulted Roof, plate 3 of 24

Art Institute of Chicago · 1896

And On Every Side Are Columns of Basalt,...the Light Falls From the Vaulted Roof, plate 3 of 24

Art Institute of Chicago · 1896

And that Eyes without Heads Were Floating Like Mollusks, plate 13 of 24

Art Institute of Chicago · 1896

And the Angel Took the Censer, plate 4 of 12

Art Institute of Chicago · 1899

And the Devil that had Deceived them was Cast into the Lake of Fire and Brimstone, Where the Beast and the False Prophet Are, plate 10 of 12

Art Institute of Chicago · 1899

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12

Art Institute of Chicago · 1899

And There Fell a Great Star From Heaven, Burning as it Were a Lamp, plate 5 of 12

Art Institute of Chicago · 1899

Anthony: "What is the object of all this?" The Devil: "There is no object!", plate 18 of 24

Art Institute of Chicago · 1896

Anthony: "What is the object of all this?" The Devil: "There is no object!", plate 18 of 24

Art Institute of Chicago · 1896

Arï

Art Institute of Chicago · 1898

Arï

Art Institute of Chicago · 1898

Arï

Art Institute of Chicago · 1898

A Strange Juggler, plate 5

Art Institute of Chicago · 1885

A Strange Juggler, plate 5 from Homage to Goya

Art Institute of Chicago · 1885

Auricular Cell

Art Institute of Chicago · 1894

Auricular Cell

Art Institute of Chicago · 1894

A Woman Clothed With the Sun, plate 6 of 12

Art Institute of Chicago · 1899

Bather

Art Institute of Chicago · 1904

Battle

Art Institute of Chicago · 1865

Battle

Art Institute of Chicago · 1865

Beatrice

Art Institute of Chicago · 1897

Beatrice

Art Institute of Chicago · c. 1892

Béatrice

Art Institute of Chicago · 1897

Before the Black Sun of Melancholy, Lenore Appears, plate two from To Edgar Poe

Art Institute of Chicago · 1882

Beneath the Wing of a Shadow the Black Creature was Biting Energetically, plate 4 of 6

Art Institute of Chicago · 1891

Beneath the Wing of Shadow the Black Creature was Biting Energetically, plate 4 of 6

Art Institute of Chicago · 1891

Blossoming, plate one from In Dreams

Art Institute of Chicago · 1879

Brunnhilde

Art Institute of Chicago · 1886

Brünnhilde

Art Institute of Chicago · 1894

Brünnhilde (Twilight of the Gods)

Art Institute of Chicago · 1894

Cain and Abel

Art Institute of Chicago · 1886

Cain and Abel

Art Institute of Chicago · 1886

Cain and Abel

Art Institute of Chicago · 1886

Captive Pegasus

Art Institute of Chicago · 1889

Captive Pegasus

Art Institute of Chicago · 1889

Cauldron of the Sorceress

Art Institute of Chicago · 1879

Ceaselessly by my side the demon stirs, plate 7 from Charles Baudelaire's Flowers of Evil

Art Institute of Chicago · 1890

Centaur Aiming at the Clouds

Art Institute of Chicago · 1895

Centaur Aiming at the Clouds

Art Institute of Chicago · 1883

Centaur Aiming at the Clouds

Art Institute of Chicago · 1895

Centaur Taking Aim at the Clouds

Art Institute of Chicago · 1895

Chapel and Pilgrim's Hospice at Harambeltz (Basses-Pyrenees)

Art Institute of Chicago · 1866

Child's Head With Flowers

Art Institute of Chicago · 1897

Child's Head With Flowers

Art Institute of Chicago · 1897

Child's Head With Flowers

Art Institute of Chicago · 1897

Child's Head With Flowers

Art Institute of Chicago · 1897

Child's Head With Flowers

Art Institute of Chicago · 1897

Christ

Art Institute of Chicago · 1887

Closed Eyes

Art Institute of Chicago · 1890

Closed Eyes

Art Institute of Chicago · 1890

Cover for "La Nuit"

Art Institute of Chicago · 1886

Cover for "Le Juré"

Art Institute of Chicago · 1887

Cover from The Temptation of Saint Anthony (1st series)

Art Institute of Chicago · 1888

Cover/frontispiece for l'Apocalypse de Saint-Jean

Art Institute of Chicago · 1899

Cover/Frontispiece for Les Fleurs du Mal, plate 1 of 9

Art Institute of Chicago · 1890

Cover-Frontispiece for Les Origines

Art Institute of Chicago · 1883

Cover-Frontispiece for the Apocalypse of St. John

Art Institute of Chicago · 1899

Cover-Frontispiece for the Temptation of St. Anthony

Art Institute of Chicago · 1888

Cover-Frontispiece, from In Dreams

Art Institute of Chicago · 1879

Cover/Frontispiece: verso of the second page, from To Edgar Poe

Art Institute of Chicago · 1882

Dark Peak

Art Institute of Chicago · 1887

David

Art Institute of Chicago · c. 1880

Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24

Art Institute of Chicago · 1896

Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24

Art Institute of Chicago · 1896

Day Appears at Last,...and in the Very Disk of the Sun Shines the Face of Jesus Christ, plate 24 of 24

Art Institute of Chicago · 1896

Day, plate 6 from Dreams

Art Institute of Chicago · 1891

Day, plate 6 from Dreams

Art Institute of Chicago · 1891

Death: "It is I who make you serious; let us embrace each other", plate 20 of 24

Art Institute of Chicago · 1896

Death: It is I Who Make You Serious; Let Us Embrace Each Other, plate 20 of 24

Art Institute of Chicago · 1896

Death: "My Irony Surpasses All Others"

Art Institute of Chicago · 1888

Death: "My irony surpasses all others!", plate 3 of 6

Art Institute of Chicago · 1889

Des Esseintes

Art Institute of Chicago · 1888

Des Esseintes, Frontispiece for A Rebours by J.K. Huysmans

Art Institute of Chicago · 1888

Different Peoples Inhabit the Countries of the Ocean, plate 23 of 24

Art Institute of Chicago · 1896

Different Peoples Inhabit the Countries of the Ocean, plate 23 of 24

Art Institute of Chicago · 1896

Dramatic and Grandiose with Her Face like that of a Druid Priestess

Art Institute of Chicago · 1887

Dream Vision

Art Institute of Chicago · c. 1880

Druidess

Art Institute of Chicago · 1891, published 1892

Druidess

Art Institute of Chicago · 1891, published 1892

Edouard Vuillard

Art Institute of Chicago · 1900

Edouard Vuillard

Art Institute of Chicago · 1900

Enigma

Art Institute of Chicago · 1892

Et que des yeux sans tete flottaient comme des mollusques, plate XIII of Tentation de St. Antoine

Art Institute of Chicago · 1896

Everywhere eyeballs are aflame, plate 9 from The Temptation of Saint Anthony (1st series)

Art Institute of Chicago · 1888

Ex-libris

Art Institute of Chicago · 1893

Ex-libris

Art Institute of Chicago · 1893

Face of Mystery (In my dream I saw in the Sky a FACE OF MYSTERY), plate 1 from Homage to Goya

Art Institute of Chicago · 1885

False Glory

Art Institute of Chicago · c. 1885

Faust and Mephistopheles

Art Institute of Chicago · 1880

Fear

Art Institute of Chicago · 1866

Fear

Art Institute of Chicago · 1865

Fear

Art Institute of Chicago · 1866

Felineness, plate seven from In Dreams

Art Institute of Chicago · 1879

Female Saint and Thistle

Art Institute of Chicago · 1891

First a pool of water, then a prostitute, the corner of a temple, a soldier's face, a chariot with two rearing white horses, plate 1 from The Temptation of Saint Anthony (1st series)

Art Institute of Chicago · 1888

Flower Clouds

Art Institute of Chicago · c. 1903

Flowers Fall and the Head of a Python Appears, plate 5 of 24

Art Institute of Chicago · 1896

Flowers Fall and the Head of a Python Appears, plate 5 of 24

Art Institute of Chicago · 1896

Flowers: Poppies and Daisies

Art Institute of Chicago · c. 1867

Frontispiece for Chevaleries sentimentales by Ferdinand Hérold

Art Institute of Chicago · 1893

Frontispiece for El Moghreb al Aksa by Edmond Picard

Art Institute of Chicago · 1889

Frontispiece for Iwan Gilkin's Damnation de l'artiste

Art Institute of Chicago · 1889

Frontispiece for Iwan Gilkin's Damnation de l'artiste

Art Institute of Chicago · 1889

Frontispiece for Le mouvement idéaliste en peinture (The Idealistic Movement in Painting) by André Mellerio

Art Institute of Chicago · 1896

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio

Art Institute of Chicago · 1896

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio

Art Institute of Chicago · 1896

Frontispiece for Les Chimères by Jules Destrée

Art Institute of Chicago · 1889

Frontispiece for Les Flambeaux noirs by Emile Verhaeren

Art Institute of Chicago · 1890

Frontispiece from Emile Verhaeren's Les Debacles

Art Institute of Chicago · 1889

Frontispiece from Emile Verhaeren's Les Debacles

Art Institute of Chicago · 1889

Frontispiece from Emile Verhaeren's Les Debacles

Art Institute of Chicago · 1889

Frontispiece from Emile Verhaeren's Les Debacles

Art Institute of Chicago · 1889

Frontispiece from Iwan Gilkin's Tenebres (Darkness)

Art Institute of Chicago · 1892

Frontispiece/Title Plate for the Tentation de St. Antoine

Art Institute of Chicago · 1896

Frontispiece/Title Plate for the Tentation de St. Antoine

Art Institute of Chicago · 1896

Frontispiece/Title Plate for the Tentation de St. Antoine

Art Institute of Chicago · 1896

Frontispiece to A Gustave Flaubert (To Gustave Flaubert)

Art Institute of Chicago · 1889

Frontispiece to A Gustave Flaubert (To Gustave Flaubert)

Art Institute of Chicago · 1889

Frontispiece to A Gustave Flaubert (To Gustave Flaubert)

Art Institute of Chicago · 1889

Galloping Horseman

Art Institute of Chicago · 1866

Germination, plate two from In Dreams

Art Institute of Chicago · 1879

Girl

Art Institute of Chicago · 1887

Girl

Art Institute of Chicago · 1887

Glory and Praise to You, Satan, in the Heights of Heaven, Where You Reigned, and in the Depths of Hell, Where, Vanquished, You Dream in Silence!, plate 8 of 9

Art Institute of Chicago · 1890

Gnome, plate six from In Dreams

Art Institute of Chicago · 1879

Goat

Art Institute of Chicago · 1890/03

Guardian Spirit of the Waters

Art Institute of Chicago · 1878

Head of a Young Girl (Compiler's Title)

Art Institute of Chicago · c. 1886

Head of Woman With Corsage of Flowers

Art Institute of Chicago · 1900

Head of Woman With Corsage of Flowers

Art Institute of Chicago · 1900

Head Wearing a Phrygian Cap, on a Salver

Art Institute of Chicago · 1881

He Falls Head Foremost Into the Abyss, plate 17 of 24

Art Institute of Chicago · 1896

He Falls Head Foremost Into the Abyss, plate 17 of 24

Art Institute of Chicago · 1896

He Falls Head Foremost Into the Abyss, plate 17 of 24

Art Institute of Chicago · 1896

Helen - Ennoia, plate 10 of 24

Art Institute of Chicago · 1896

Helen - Ennoia, plate 10 of 24

Art Institute of Chicago · 1896

Helen - Ennoia, plate 10 of 24

Art Institute of Chicago · 1896

He Raises the Bronze Urn, plate 4 of 10

Art Institute of Chicago · 1888

Here is the Good Goddess, the Idaean Mother of the Mountains, plate 15 of 24

Art Institute of Chicago · 1896

Here is the Good Goddess, the Idaean Mother of the Mountains, plate 15 of 24

Art Institute of Chicago · 1896

Hermit in Landscape

Art Institute of Chicago · c. 1866

He [The Narrator's Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6

Art Institute of Chicago · 1896

He [The Narrator's Dog] Kept His Eyes Fixed on Me With a Look So Strange, plate 3 of 6

Art Institute of Chicago · 1896

Horseman in the Mountains

Art Institute of Chicago · 1866

Horseman Under a Stormy Sky

Art Institute of Chicago · 1866

Horseman Under a Stormy Sky

Art Institute of Chicago · 1866

Horseman Waiting

Art Institute of Chicago · 1866

Horseman Waiting

Art Institute of Chicago · 1866

Horsemen in Combat

Art Institute of Chicago · 1865

Horsemen in Combat

Art Institute of Chicago · 1866

I Adore You as I Adore the Vault of the Night Sky, O Vessel of Sadness, O Tall Silent Woman, plate 2 of 9

Art Institute of Chicago · 1890

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Offspring is the Sun!, plate 16 of 24

Art Institute of Chicago · 1896

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24

Art Institute of Chicago · 1896

I Continued to Gaze on the Chair, and Fancied I saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6

Art Institute of Chicago · 1896

I Continued to Gaze on the Chair, and Fancied I Saw on It a Pale Blue Misty Outline of a Human Figure, plate 1 of 6

Art Institute of Chicago · 1896

If On a Close Dark Night a Good Christian, Out of Charity, Behind Some Old Ruin, Buries Your Arched Body, plate 4 of 9

Art Institute of Chicago · 1890

I Have Sometimes Seen in the Sky What Seemed Like Forms of Spirits, plate 21 of 24

Art Institute of Chicago · 1896

I Have Sometimes Seen in the Sky What Seemed Like Forms of Spirits, plate 21 of 24

Art Institute of Chicago · 1896

I Have Sometimes Seen in the Sky What Seemed Like Forms of Spirits, plate 21 of 24

Art Institute of Chicago · 1896

I Have Sometimes Seen in the Sky What Seemed to Be Like Forms of Spirits, plate 21 of 24

Art Institute of Chicago · 1896

Immediately Three Goddesses Arise, plate 11 of 24

Art Institute of Chicago · 1896

Immediately Three Goddesses Arise, plate 11 of 24

Art Institute of Chicago · 1896

In Spain

Art Institute of Chicago · 1865

Intelligence was Mine! I Became the Buddha, plate 12 of 24

Art Institute of Chicago · 1896

Intelligence was Mine! I Became the Buddha, plate 12 of 24

Art Institute of Chicago · 1896

Intelligence was Mine! I Became the Buddha, plate 12 of 24

Art Institute of Chicago · 1896

Intelligence was Mine! I Became the Great Buddha!, plate 12 of 24

Art Institute of Chicago · 1896

In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7

Art Institute of Chicago · 1887

In the Maze of Branches, the Pale Figure Appeared, plate 2 of 7

Art Institute of Chicago · 1887

In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6 of 24

Art Institute of Chicago · 1896

In the Shadow Are People, Weeping and Praying, Surrounded by Others Who Are Exhorting Them, plate 6 of 24

Art Institute of Chicago · 1896

In the Spheres (The breath which leads living creatures is also in the SPHERES), plate 5 of 6 from To Edgar Poe

Art Institute of Chicago · 1882

In the Spheres (The Breath Which Leads Living Creatures is also in the Spheres), plate five from To Edgar Poe

Art Institute of Chicago · 1882

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24

Art Institute of Chicago · 1896

I Plunged into Solitude. I Dwelt in the Tree behind Me, plate 9 of 24

Art Institute of Chicago · 1896

Is There Not an Invisible World, from The Juror

Art Institute of Chicago · 1887

It is a Skull Wreathed in Roses...

Art Institute of Chicago · 1888

It is the Devil, Bearing Beneath his Two Wings the Seven Deadly Sins, plate 2 from The Temptation of Saint Anthony (1st series)

Art Institute of Chicago · 1888

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6

Art Institute of Chicago · 1896

It Was a Hand, Seemingly as Much of Flesh and Blood as My Own, plate 4 of 6

Art Institute of Chicago · 1896

It was a Veil, an Imprint, plate 1 of 6

Art Institute of Chicago · 1891

It Was a Veil, an Imprint, plate 1 of 6

Art Institute of Chicago · 1891

Juliette Dodu

Art Institute of Chicago · 1904

Juliette Dodu

Art Institute of Chicago · 1904

Juliette Dodu

Art Institute of Chicago · 1904

Landscape

Art Institute of Chicago · 1868

Larvae So Bloodless and So Hideous, plate 5 of 6

Art Institute of Chicago · 1896

Larvae So Bloodless and So Hideous, plate 5 of 6

Art Institute of Chicago · 1896

Le Nebuleuse

Art Institute of Chicago · 1875/80

Light

Art Institute of Chicago · 1893

Light

Art Institute of Chicago · 1893

Light

Art Institute of Chicago · 1893

Limbo, plate four from In Dreams

Art Institute of Chicago · 1879

Little Prelate

Art Institute of Chicago · 1888

Madness, plate six from To Edgar Poe

Art Institute of Chicago · 1882

Man on Pegasus

Art Institute of Chicago · 1898

Maurice Denis

Art Institute of Chicago · 1903

Maurice Denis

Art Institute of Chicago · 1903

Meditation

Art Institute of Chicago · c. 1865

Melancholy

Art Institute of Chicago · 1876

Menu of a Dinner for French Lithographers, April 1, 1887

Art Institute of Chicago · Mar. 25, 1886

Miguel Llobet

Art Institute of Chicago · 1908

Mountain Landscape

Art Institute of Chicago · c. 1866

My Child

Art Institute of Chicago · 1893

My Kisses Have the Taste of Fruit Which Would Melt in Your Heart!, plate 4 of 24

Art Institute of Chicago · 1896

My Kisses Have the Taste of Fruit Which Would Melt in Your Heart!...You Disdain Me! Farewell!, plate 4 of 24

Art Institute of Chicago · 1896

Mystical Conversation

Art Institute of Chicago · 1892

Mystical Conversation

Art Institute of Chicago · 1892

Oannes: "I, the first consciousness in Chaos, rose from the abyss to harden matter, to determine forms," plate 14 from The Temptation of Saint Anthony (3rd series)

Art Institute of Chicago · 1896

Oannes: "I, the first consciousness in Chaos, rose from the abyss to harden matter, to determine forms," plate 14 from The Temptation of Saint Anthony (3rd series)

Art Institute of Chicago · 1896

Obsession

Art Institute of Chicago · 1894

Obsession

Art Institute of Chicago · 1894

Old Knight

Art Institute of Chicago · 1896

Old Knight

Art Institute of Chicago · 1896

On the Backdrop of Our Nights God with His Knowing Finger Traces a Multiform Implacable Nightmare, plate 6 of 9

Art Institute of Chicago · 1890

On the Dish, plate ten from In Dreams

Art Institute of Chicago · 1879

On the Dish, plate ten from In Dreams

Art Institute of Chicago · 1879

On the Horizon the Angel of Certitude, and in the Somber Heaven a Questioning Eye, plate four from To Edgar Poe

Art Institute of Chicago · 1882

Ophelia

Art Institute of Chicago · 1906

Parsifal

Art Institute of Chicago · 1891

Parsifal

Art Institute of Chicago · 1891, published 1892

Parsifal

Art Institute of Chicago · 1892

Passage of a Soul

Art Institute of Chicago · 1891

Passage of a Soul

Art Institute of Chicago · 1891

Paul Sérusier

Art Institute of Chicago · 1903

Paul Sérusier, Painter

Art Institute of Chicago · 1903

Perversity

Art Institute of Chicago · 1891

Perversity

Art Institute of Chicago · 1891

Perversity

Art Institute of Chicago · 1891

Pierre Bonnard

Art Institute of Chicago · 1902

Pierre Bonnard

Art Institute of Chicago · 1902

Pierre Bonnard

Art Institute of Chicago · 1902

Pilgrim of the Sublunary World, plate 5 of 6

Art Institute of Chicago · 1891

Pilgrim of the Sublunary World, plate 5 of 6

Art Institute of Chicago · 1891

Pilgrim of the Sublunary World, plate 5 of 6

Art Institute of Chicago · 1891

Pious Women

Art Institute of Chicago · 1890/93

Pleasure, Elastic Phantom!, plate 5 of 9

Art Institute of Chicago · 1890

Portfolio Cover for A Gustave Flaubert (Tentation de Saint-Antoine)

Art Institute of Chicago · 1888

Portfolio Cover for Songes (Dreams)

Art Institute of Chicago · 1891

Portfolio Cover for Songes (Dreams)

Art Institute of Chicago · 1891

Portfolio cover, from To Edgar Poe

Art Institute of Chicago · 1882

Portrait of Ari Redon

Art Institute of Chicago · c. 1898

Portrait of the Painter Maurice Denis

Art Institute of Chicago · 1903

Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6

Art Institute of Chicago · 1891

Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6

Art Institute of Chicago · 1891

Precarious Glimmering, a Head Suspended from Infinity, plate 3 of 6

Art Institute of Chicago · 1891

Primitive Being

Art Institute of Chicago · c. 1876

Primitive Man

Art Institute of Chicago · 1872

Princess Maleine (The Little Madonna)

Art Institute of Chicago · 1892

Princess Maleine (The Little Madonna)

Art Institute of Chicago · 1892

Princess Maleine (The Little Madonna)

Art Institute of Chicago · 1892

Profile of Light

Art Institute of Chicago · 1886

Profile of Light

Art Institute of Chicago · 1886

Profile of Shadow

Art Institute of Chicago · c. 1895

Prophète

Art Institute of Chicago · c. 1885

Ricardo Viñes

Art Institute of Chicago · 1903

Ricardo Viñes

Art Institute of Chicago · 1903

Ricardo Viñes

Art Institute of Chicago · 1903

Roger Marx

Art Institute of Chicago · 1904

Sad Ascent, plate nine from In Dreams

Art Institute of Chicago · 1879

Saint Anthony: "Beneath her long hair, which covered her face, I thought I recognized Ammonaria", plate 1 of 6

Art Institute of Chicago · 1889

Saint Anthony: "Help Me, O My God!", plate 2 of 24

Art Institute of Chicago · 1896

Saint Anthony: "Help Me, O My God!", plate 2 of 24

Art Institute of Chicago · 1896

Saint Anthony: "Somewhere there must be primordial shapes whose bodies are only images, plate 4 of 6

Art Institute of Chicago · 1889

Saint John the Baptist, with Sketch of Head

Art Institute of Chicago · n.d.

Sciapode

Art Institute of Chicago · 1892

Serpent Halo

Art Institute of Chicago · 1890

Serpent-Halo

Art Institute of Chicago · 1890

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

Art Institute of Chicago · 1896

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

Art Institute of Chicago · 1896

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

Art Institute of Chicago · 1896

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24

Art Institute of Chicago · 1896

Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines"

Art Institute of Chicago · 1883

Sita

Art Institute of Chicago · c. 1893

Sketchbook

Art Institute of Chicago · c. 1879–85

Sketches

Art Institute of Chicago · c. 1880

Sketches

Art Institute of Chicago · c. 1880

Sketch for Redon's first etching, The Ford (M. 2)

Art Institute of Chicago · 1865

Sketch of Trees

Art Institute of Chicago · 1890/99

Sleep

Art Institute of Chicago · 1898

Sleep

Art Institute of Chicago · 1898

Sometimes One Finds an Old Reminiscing Flask, Whence Issues in Full Life a Returning Soul, plate 3 of 9

Art Institute of Chicago · 1890

Spider

Art Institute of Chicago · 1887

Spider

Art Institute of Chicago · 1887

Spider

Art Institute of Chicago · 1887

Standard Bearer

Art Institute of Chicago · 1868

Standard-Bearer Crossing a Stream

Art Institute of Chicago · 1868

St. Anthony: "Help me, O my God!", plate 2 of 24

Art Institute of Chicago · 1896

St. Anthony: "Somewhere There Must Be Primordial Shapes Whose Bodies Are Only Images", plate 4 of 6

Art Institute of Chicago · 1889

Still Life with Flowers

Art Institute of Chicago · 1905

St.-Jean-Pied-de-Port

Art Institute of Chicago · 1866

Strange Flower (Little Sister of the Poor)

Art Institute of Chicago · 1880

Suggestion

Art Institute of Chicago · c. 1885 (later reworked)

Tailpiece, plate 9 of 9

Art Institute of Chicago · 1890

The Beacon

Art Institute of Chicago · 1883, reworked c. 1893

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24

Art Institute of Chicago · 1896

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24

Art Institute of Chicago · 1896

The Beasts of the Sea, Round Like Leather Bottles, plate 22 of 24

Art Institute of Chicago · 1896

The Book (Saint Theresa)

Art Institute of Chicago · 1892

The Buddha

Art Institute of Chicago · 1895

The Buddha

Art Institute of Chicago · 1895

The Buddha

Art Institute of Chicago · 1895

The Celestial Art

Art Institute of Chicago · 1894

The Celestial Art

Art Institute of Chicago · 1894

The Celestial Art

Art Institute of Chicago · 1894

The Celestial Art

Art Institute of Chicago · 1894

The Charger

Art Institute of Chicago · 1894

The Charger

Art Institute of Chicago · 1894

The Charger

Art Institute of Chicago · 1894

The Chimera Gazed at all Things with Fear, from Night

Art Institute of Chicago · 1886

The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series)

Art Institute of Chicago · 1888

The Die, also called the Weight of Passions

Art Institute of Chicago · 1878/82

The Dream has Ended in Death, from The Juror

Art Institute of Chicago · 1887

The Egg

Art Institute of Chicago · 1885

The Egg

Art Institute of Chicago · 1885

The Eye, Like a Strange Balloon Moves Towards Infinity, plate one from To Edgar Poe

Art Institute of Chicago · 1882

The Ford: Landscape with Horsemen

Art Institute of Chicago · 1865

The Ford: Landscape with Horsemen

Art Institute of Chicago · 1866

The Gambler, plate five from In Dreams

Art Institute of Chicago · 1879

The Idol, frontispiece from Emile Verhaeren's Les Soirs

Art Institute of Chicago · 1887

The Impotent Wing Did Not Lift the Animal Into That Black Space, plate 7 of 8 from "Les Origines"

Art Institute of Chicago · 1883

The Infinite Search, from Night

Art Institute of Chicago · 1886

The Little Abbot Reading the Ramayana

Art Institute of Chicago · 1883

The Lost Angel Then Opened Black Wings, from Night

Art Institute of Chicago · 1886

The Man was Alone in a Night Landscape, from Night

Art Institute of Chicago · 1886

The Marsh Flower, a Sad Human Head, plate 2 of 6

Art Institute of Chicago · 1885

The Misshapen Polyp Floated on the Shores, a Sort of Smiling and Hideous Cyclops, plate 3 of 8 from "Les Origines"

Art Institute of Chicago · 1883

Then There Appears a Singular Being, Having the Head of a Man On the Body of a Fish, plate 5 of 10

Art Institute of Chicago · 1888

The Old Woman: "What are you afraid of? A wide black hole! It is empty, perhaps?", plate 19 of 24

Art Institute of Chicago · 1896

The Old Woman: What Are You Afraid Of? A Wide Black Hole! It is Empty Perhaps?", plate 19 of 24

Art Institute of Chicago · 1896

The Priestesses Were Waiting, from Night

Art Institute of Chicago · 1886

The Reader

Art Institute of Chicago · 1892

There Was Perhaps a First Vision Attempted in the Flower, plate 2 of 8 from "Les Origines"

Art Institute of Chicago · 1883

There Were Also Embryonic Beings, plate 4 of 6

Art Institute of Chicago · 1885

There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines"

Art Institute of Chicago · 1883

The Satyr with the Cynical Smile, plate 5 of 8 from "Les Origines"

Art Institute of Chicago · 1883

The Shulamite

Art Institute of Chicago · 1897

The Shulamite

Art Institute of Chicago · 1897

The Shulamite

Art Institute of Chicago · 1897

The Shulamite

Art Institute of Chicago · 1897

The Skiapods: "The head as low as possible, that is the secret of happiness!", plate 6 of 6

Art Institute of Chicago · 1889

The Sphinx

Art Institute of Chicago · 1883

The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert

Art Institute of Chicago · 1889

The Sphinx: "...my gaze that nothing can deflect, passing through objects, remains fixed on an inaccessible horizon." The Chimera: "As for me, I am light and joyful," plate 5 from To Gustave Flaubert

Art Institute of Chicago · 1889

The Two Small Horsemen

Art Institute of Chicago · 1865

The Wheel, plate three from In Dreams

Art Institute of Chicago · 1879

The Width and Flatness of [the] Frontal [Bone], plate 6 of 6

Art Institute of Chicago · 1896

The Width and Flatness of [the] Frontal [Bone], plate 6 of 6

Art Institute of Chicago · 1896

The Wing

Art Institute of Chicago · 1893

The Wing

Art Institute of Chicago · 1893

Through an Opening in the Wall, a Skull Appeared, plate 1 from Edmond Picard's Le Jure

Art Institute of Chicago · 1887

Through the Crack in the Wall, a Death's Head Was Projected, from The Juror

Art Institute of Chicago · 1887

Title plate for La Maison Hantée

Art Institute of Chicago · 1896

Tobias

Art Institute of Chicago · c. 1880

Tobias

Art Institute of Chicago · c. 1880

Tobias

Art Institute of Chicago · c. 1880

To Old Age, from Night

Art Institute of Chicago · 1886

To Old Age, plate 1 of 6

Art Institute of Chicago · 1886

Tree

Art Institute of Chicago · 1892

Tree

Art Institute of Chicago · c. 1875

Tree

Art Institute of Chicago · 1892

Two Grotesque Figures

Art Institute of Chicago · 1865/68

Two Small Horsemen

Art Institute of Chicago · 1865

Untitled Trial Lithograph

Art Institute of Chicago · 1900

Untitled Trial Lithograph

Art Institute of Chicago · 1900

Untitled Trial Lithograph

Art Institute of Chicago · 1900

Untitled Trial Lithograph

Art Institute of Chicago · 1900

Untitled Trial Lithograph

Art Institute of Chicago · 1900

Untitled Trial Lithograph

Art Institute of Chicago · 1900

Upon Awakening I Saw the Goddess of the Intelligible With Her Severe and Hard Profile, plate 6 of 6

Art Institute of Chicago · 1885

Vision

Art Institute of Chicago · 1895/97

Vision, plate eight from In Dreams

Art Institute of Chicago · 1879

Vision, plate eight from In Dreams

Art Institute of Chicago · 1879

We Both Saw a Large Pale Light, plate 2 of 6

Art Institute of Chicago · 1896

When Life Was Awakening in the Depths of Obscure Matter, plate 1 of 8 from "Les Origines"

Art Institute of Chicago · 1883

Why Should There Not Exist an Invisible World...?, plate 6 from Edmond Picard's Le Jure

Art Institute of Chicago · 1887

Woman Kneeling

Art Institute of Chicago · c. 1868

Yeux clos

Art Institute of Chicago · 1890

Yeux clos

Art Institute of Chicago · 1890