Art Institute of Chicago
On the Backdrop of Our Nights God with His Knowing Finger Traces a Multiform Implacable Nightmare, plate 6 of 9
Odilon Redon
- Date
- 1890
- Medium
- Photogravure made from an original drawing, in black on ivory wove paper
- Culture
- France
- Department
- Prints and Drawings
- Institution
- Art Institute of Chicago
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300041273
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
Upon Awakening I Saw the Goddess of the Intelligible With Her Severe and Hard Profile, plate 6 of 6
Art Institute of Chicago

With Dreams upon my bed thou scarest me & affrightest me with Visions
Minneapolis Institute of Art

Then a Spirit passed before my face the hair of my flesh stood up
Minneapolis Institute of Art

When the morning Stars sang together, & all the Sons of God shouted for joy
Minneapolis Institute of Art
If On a Close Dark Night a Good Christian, Out of Charity, Behind Some Old Ruin, Buries Your Arched Body, plate 4 of 9
Art Institute of Chicago
Nox, plate seven from Demogorgon and the Deities
Art Institute of Chicago

Day Six, from Creation of the World
Minneapolis Institute of Art
The Mansion of the Plates (Sara yashiki), from the series "One Hundred Ghost Tales (Hyaku monogatari)"
Art Institute of Chicago
Plate 9, from Landscapes with Scenes from the Old and New Testament and Ovid’s Metamorphoses
Art Institute of Chicago

Plate 5, from The Song of Solomon
Minneapolis Institute of Art
The Willow Song, plate nine from Othello
Art Institute of Chicago

Then went Satan forth from the presence of the Lord
Minneapolis Institute of Art