Art Institute of Chicago
The Mexican Major
Frederic Remington (American, 1861–1909)
- Date
- 1889
- Medium
- Oil on canvas
- Culture
- New York
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
Frederic Remington was greatly impressed by the Mexican army, which he observed during a six-week visit to Mexico in 1889 in preparation for an article in Harper’s Weekly magazine. The Mexican Major is an elaborate, multifigural composition, designed to convey the professionalism, discipline, and “immensely picturesque” appearance of the officer and his regiment. Remington enjoyed the soldiers' ornate costumes, and he emphasized these through the use of rhythmic, flashing colors and the depiction of brilliant light. The line of horsemen stretches off into the far distance—a sign of honor, strength, and dignity.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300033618
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
A Mexican Vaquero
Art Institute of Chicago
The Advance-Guard, or The Military Sacrifice (The Ambush)
Art Institute of Chicago
The Bronco Buster
Art Institute of Chicago
Coming Through the Rye (Over the Range)
Art Institute of Chicago

Trooper of the Plains
The Metropolitan Museum of Art

Bronco Buster
Minneapolis Institute of Art
The Old Dragoons of 1850
Art Institute of Chicago
Civil War Regalia of Major Levi Gheen McCauley
Art Institute of Chicago
Mural Fragment Depicting a Maguey Bloodletting Ritual
Art Institute of Chicago
Ceremony of the Fastest Horse
Art Institute of Chicago
How the Horses Died for Their Country at Santiago
Art Institute of Chicago

Trooper of the Plains-1868
Cleveland Museum of Art