Art Institute of Chicago
Coming Through the Rye (Over the Range)
Frederic Remington (American, 1861–1909)
- Date
- Modeled 1902, cast in bronze 1902–6
- Medium
- Bronze with brown patina
- Culture
- New York
- Department
- Arts of the Americas
- Institution
- Art Institute of Chicago
As Frederic Remington quickly mastered the art of bronze sculpting, he turned to increasingly complex compositions and tested the limits of casting techniques by freeing his figures from their bases. Coming through the Rye displays four pistol-waving cowboys; only six of the sixteen horse hooves touch the ground. Although the faces and gestures of the men are best seen from the front, the side view truly conveys the dynamic sense of motion, the stride of the animals, and the details of the clothing.
The authoritative record is held by Art Institute of Chicago. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Linked open data
Authority identifiers that link this record into the wider web of cultural data — stable references you can follow to the source.
- Object type
- AAT300301253
Related across collections
Semantically similar works from Art Institute of Chicago and other institutions.
The Bronco Buster
Art Institute of Chicago

Bronco Buster
Minneapolis Institute of Art
The Advance-Guard, or The Military Sacrifice (The Ambush)
Art Institute of Chicago

A Man Threshing Beside a Wagon, Farm Buildings Behind
Getty Museum

Rearing Horse
Getty Museum
White Horse, after Vernet
Harvard Art Museums
The Old Dragoons of 1850
Art Institute of Chicago

Horses and Riders (recto); Horses (verso)
Getty Museum
The Mexican Major
Art Institute of Chicago
A Mexican Vaquero
Art Institute of Chicago

Kicking Horse
Getty Museum
Rushing Red Lodges Passed through the Line
Art Institute of Chicago