Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire

Cleveland Museum of Art

Sir Anthony Mildmay, Knight of Apethorpe, Northamptonshire

Nicholas HilliardLinkedCulture matchlcp-437838b09885

Date
c. 1590–93
Medium
Watercolor on vellum, laid on card, mounted on wood
Culture
England, 16th century
Department
European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
108884

From the Cleveland Museum of Art record

Framed by the folds of a circular tent, Sir Anthony Mildmay strikes a relaxed and confident pose, with his right hand resting on a cloth-covered table and his left grasping the hilt of his thin, double-edged sword called a rapier. Helmet, gauntlet, and leg coverings are scattered about, as if Mildmay has been interrupted in the act of putting on or taking off his armor. Despite its small scale, this portrait reveals Nicholas Hilliard’s emulation of (and rivalry with) life-size court portraiture, while his meticulous attention to detail and use of costly materials like shell gold reflect the refined world of courtly tournaments. A little dog gazes adoringly at Mildmay who was by all accounts a very arrogant man.

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Provenance & credit

As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.

Credit line
Purchase from the J. H. Wade Fund
Provenance
1590/9 ?-1617: Sir Anthony Mildmay, Knight of Apethorpe [c. 1549-1617] Northants, England by descent to his daughter, Mary, Countess of Westmoreland (née Mildmay) | 1617-1640: Mary, Countess of Westmoreland [1593?-1640] Northhamshire, England, by descent to her son, Sir Francis Fane | 1640-1681: Sir Frances Fane [1611-1681], Fulbeck, Lincolnshire, England by descent to his son Sir Francis Fane | 1681-1691: Sir Francis Fane [d. 1691], Henbury, Gloucestershire, England by descent to his son Henry Fane | 1691-1726: Henry Fane [1669-1726], Brympton, Yeovil, Somerset, England by descent to his son, Henry Fane | 1726-1777: Henry Fane [1703-1777], Wormsley, Oxfordshire, England by descent to his daughter, Mary Stapelton (née Fane) | 1777-1835: Mary Stapleton (née Fane) [c.1744-1835], Oxfordshire) by descent to her grandson, Rev. Hon. Sir Francis Jarvis Stapleton | 1835-1874: Rev. Hon. Sir Francis Jarvis Stapleton [1807-1874], 7th Bt. Mereworth Rectory, Kent, England by descent to his son, Richard Talbot Plantagenet Stapleton | 1874-1899: Richard Talbot Plantagenet Stapleton [1834-1899], Grey’s Court, Oxfordshire, England by descent to his son, Sir Miles Talbot Stapleton | 1899-1926: Sir Miles Stapleton, Bart of Greys, [1893-1977], Henley-on-Thames, United Kingdom consigned to Christie's London for sale | 1926: (Christie’s, London, United Kingdom, May 11, 1926, lot 79 sold to S.J. Phillips for 510 gns.) | 1926: (S.J. Phillips, London, United Kingdom, sold to Durlacher Brothers) | 1926: (Durlacher Brothers, New York, NY sold to the Cleveland Museum of Art) | 1926-: The Cleveland Museum of Art, Cleveland, OH

Part of a LinkedCulture topic

  • Representative object from the topic English Portrait Miniatures
    English Portrait Miniatures

    A collection of portrait miniatures from 17th-18th century England, predominantly featuring watercolor on ivory or graphite and wash techniques, representing the tradition of intimate personal portraiture in miniature fo

    221 objects from 4 institutions

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