Cleveland Museum of Art

Male Figure

Totokro Master

Date

by 1931

Medium

wood

Culture

Africa, West Africa, Côte d'Ivoire, Baule peoples

Department

African Art

Institution

Cleveland Museum of Art

Purported to be the earliest surviving work by a Baule carver who art historians have dubbed the "Totokro Master," this Male Figure typically comes as a pair of male and female sculptures, and serves as a bridge between the spirit ( asye usu ) and human worlds in the hand of Baule diviners. Representing idealized humans in their prime, the diviners consider them suitable forms used to cast out disruptive spirits. It is featured here without the female example. The African Art Sponsors—a group of donors associated with Cleveland’s Karamu House, the oldest African American theater group in the country—purchased this Baule male figure in 1929 and donated it to the museum in 1931. In Baule society, the name of the artist who made a sculpture is not always public knowledge. In 1999, art historian Susan Vogel gave the sculptor of this work and others similar in style the nickname "Totokro Master" for the geographic region they came from.

The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.