
Cleveland Museum of Art
Venus Reclining in a Landscape
Giulio Campagnola
- Date
- c. 1508–9
- Medium
- engraving
- Culture
- Italy, late 15th-early 16th Century
- Department
- Prints
- Institution
- Cleveland Museum of Art
The Venetian artist Giulio Campagnola introduced the "dot manner," an engraving technique by which shading is created with dots and flicks produced with the point of the burin. This innovation allowed for a much greater range of tone and subtler gradations from dark to light. The effect imitated sfumato, a painting technique for creating soft atmospheric effects practiced by Venetian artists, such as Giorgione, at the time. The influence of and perhaps even the engraver’s collaboration with Giorgione is reflected in the extraordinary beauty and refinement of this rare early impression of Venus Reclining in a Landscape . The female nude reclining in a landscape was to become a distinctly Venetian subject in the 1500s. This artist's training as a gem cutter prepared him well for the relatively new art of engraving, which required carving into a copperplate with a sharp instrument called a burin.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.
Woman Reclining in a Landscape
Art Institute of Chicago

Venus Reclining in a Landscape
Minneapolis Institute of Art

Shepherds in a Landscape
Minneapolis Institute of Art
Shepherds in a Landscape
Art Institute of Chicago

Campagna Landscape on the Via Flaminia
Getty Museum
Christ and the Samaritan Woman
Art Institute of Chicago
Saint John the Baptist
Art Institute of Chicago
Ganymede
Art Institute of Chicago

Reclining Male Nude
Getty Museum
Landscape with a Luteplayer
Art Institute of Chicago

Venus and Cupid in a Chariot
Cleveland Museum of Art
Reclining Nude
Art Institute of Chicago