
Cleveland Museum of Art
Lot and His Daughters
Lucas van Leyden
- Date
- 1530
- Medium
- engraving
- Culture
- Netherlands, 16th century
- Department
- Prints
- Institution
- Cleveland Museum of Art
Few Old Testament stories are more morally charged than that of Lot and his daughters. After fleeing the city of Sodom, Lot’s wife disobeyed God and looked back at the city and was turned into a pillar of salt. Believing that they were the last humans on earth, Lot’s two daughters conspired to intoxicate their father with wine to conceive children with him. Lucas van Leyden’s interpretation takes license with the episode’s moral impropriety, doubling down on its erotic content by showing the daughters as naked temptresses and Lot, much younger than described, overwhelmed with desire. The middle ground of this image depicts Lot leaving behind the salt-pillar figure of his wife with his two daughters trailing behind him. The nakedness of the figures and Lot's dejected posture echo representations of Adam and Eve being expelled from paradise.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Lot and his Daughters
Rijksmuseum
Lot and His Daughters
Art Institute of Chicago

Lot and His Daughters
Cleveland Museum of Art

Lot and His Daughters
Getty Museum

Lot en zijn dochters verlaten het brandende Sodom
Rijksmuseum
The Expulsion from Paradise
Art Institute of Chicago
Lot and His Daughters
Art Institute of Chicago
The Family of Lot Leaving Sodom
Harvard Art Museums
Lot and His Daughters
Art Institute of Chicago
Lot and His Daughters, from Landscapes with Old and New Testament Scenes and Hunting Scenes
Art Institute of Chicago

Judah and Tamar
Minneapolis Institute of Art

Lot and His Daughters
The Metropolitan Museum of Art