Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Cleveland Museum of Art

Bashir confides his love for Habbaza to an Arab friend, and sends him to her with a message, from a Tuti-nama (Tales of a Parrot): Twenty-fourth Night

Date
c. 1560
Medium
gum tempera, ink, and gold on paper
Culture
Mughal India, court of Akbar (reigned 1556–1605)
Department
Indian and Southeast Asian Art
Institution
Cleveland Museum of Art

In the upper register, Bahir, dressed in orange, conveys a message to his friend for his lover Habbaza. Habbaza herself, who is married to another man, waits for the message in her tent. Other villagers appear throughout the painting, some gesturing in surprise, signaling how news of the clandestine affair spread among the people of Habbaza’s tribe. Bahir’s friend, wearing yellow, appears both in the upper register and outside Habbaza’s tent.

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