
Cleveland Museum of Art
The dethroned frog Shapur seeks the help of the serpent, from a Tuti-nama (Tales of a Parrot): Twenth-sixth Night
- Date
- c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
Shapur, who had long ruled as king of the frogs, was overthrown and exiled for cruelty. Seeking revenge on his political enemies, he sought the allegiance of a frog-eating serpent. The serpent’s lair is shown in cross section amid the heavily shaded rocks. A pipal tree ( ficus religiosa ), native to India, bends over the body of the frog. This story is set in China, and the emphasis on the layers of shaded rocks may suggest the artist’s impression of a Chinese landscape. Moreover, the snake’s markings appear to be those of a Chinese Mountain pit viper.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

The snake enters into an argument with the frog, from a Tuti-nama (Tales of a Parrot): Twenty-sixth Night
Cleveland Museum of Art

The prince, having deprived the snake of its natural food, a frog, feeds it with a piece of his own flesh, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
Cleveland Museum of Art

The prince, a son of the ruler of Sistan, enters the service of a snake, from a Tuti-nama (Tales of a Parrot): Thirty-seventh Night
Cleveland Museum of Art

The prince and Nikfal are joined by Khalis and the Mukhlis who are the grateful snake and frog in human form, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
Cleveland Museum of Art

The emir slays the snake after giving it shelter, from a Tuti-nama (Tales of a Parrot): Forty-fifth Night
Cleveland Museum of Art

The Parrot Addresses Khujasta at the Beginning of the Twenty-sixth Night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art

Khalis repays the prince for his kindness by changing into a snake and sucking the poison from the king’s daughter, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
Cleveland Museum of Art

The snake, hidden in a basket of flowers, reveals himself to the Raja who has just sent away his wife, from a Tuti-nama (Tales of a Parrot): Forty-third Night
Cleveland Museum of Art

The old man eats of the fruit of the Tree of Life, but drops dead, from a Tuti-nama (Tales of a Parrot): Ninth Night
Cleveland Museum of Art

The lion, suspecting treachery on the part of the monkey, slays him and flees, from a Tuti-nama (Tales of a Parrot): Twenty-ninth Night
Cleveland Museum of Art

The parrot addresses Khujasta at the beginning of the thirty-seventh night, from a Tuti-nama (Tales of a Parrot)
Cleveland Museum of Art

The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night
Cleveland Museum of Art