Cleveland Museum of Art
The young man of Baghdad joins the Hashimi’s boat as a sailor to find his slave-girl on board, from a Tuti-nama (Tales of a Parrot): Forty-eighth Night
- Date
- c. 1560
- Medium
- gum tempera, ink, and gold on paper
- Culture
- Mughal India, court of Akbar (reigned 1556–1605)
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
After losing all his possessions, the destitute young man joins the crew of a merchant ship. Upon boarding, he quickly realizes that this ship belongs to the same merchant who purchased his lover, the slave girl. She stands in the center of the boat, her finger raised in a gesture of shock, gazing toward her long-lost love. The title “Hashimi” designates the bearer as a descendant of the Prophet Muhammad’s great-grandfather, Hashim.
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