
Cleveland Museum of Art
Terminus, the Device of Erasmus
Hans Holbein the YoungerLinkedCulture matchlcp-7fbf92db9cbe
- Date
- c. 1532
- Medium
- oil on wood
- Culture
- Germany
- Department
- European Painting and Sculpture
- Institution
- Cleveland Museum of Art
- Object ID
- 145960
In the spirit of the Italian Renaissance, Erasmus of Rotterdam (c. 1466–1536), the celebrated Dutch humanist and scholar, embraced ancient Greek and Roman literature and incorporated much of its moral and ethical messages into his own work. Holbein here conflates Erasmus’s features with Terminus, the Roman god of boundaries, who defied Jupiter by maintaining his position atop Capitoline Hill. Erasmus adopted Terminus, along with the motto concedo nulli (I concede to no one), as a personal symbol for devotion and steadfastness. Tree ring analysis helped determine the date of this painting.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Gift of Dr. and Mrs. Sherman E. Lee in memory of Milton S. Fox
- Provenance
- Charlotte Frank (London, England) | -1971: Dr. and Mrs. Sherman Lee, by gift to the Cleveland Museum of Art, 1971. | 1971-: The Cleveland Museum of Art, Cleveland, OH
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