Terminus, the Device of Erasmus

Cleveland Museum of Art

Terminus, the Device of Erasmus

Hans Holbein the YoungerLinkedCulture matchlcp-7fbf92db9cbe

Date
c. 1532
Medium
oil on wood
Culture
Germany
Department
European Painting and Sculpture
Institution
Cleveland Museum of Art
Object ID
145960

In the spirit of the Italian Renaissance, Erasmus of Rotterdam (c. 1466–1536), the celebrated Dutch humanist and scholar, embraced ancient Greek and Roman literature and incorporated much of its moral and ethical messages into his own work. Holbein here conflates Erasmus’s features with Terminus, the Roman god of boundaries, who defied Jupiter by maintaining his position atop Capitoline Hill. Erasmus adopted Terminus, along with the motto concedo nulli (I concede to no one), as a personal symbol for devotion and steadfastness. Tree ring analysis helped determine the date of this painting.

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Provenance & credit

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Credit line
Gift of Dr. and Mrs. Sherman E. Lee in memory of Milton S. Fox
Provenance
Charlotte Frank (London, England) | -1971: Dr. and Mrs. Sherman Lee, by gift to the Cleveland Museum of Art, 1971. | 1971-: The Cleveland Museum of Art, Cleveland, OH

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