
Cleveland Museum of Art
Pierrot in Criminal Court
Thomas CoutureLinkedCulture matchlcp-dd480a1c3078
- Date
- c. 1864–70
- Medium
- oil on wood panel
- Culture
- France, 19th century
- Department
- Modern European Painting and Sculpture
- Institution
- Cleveland Museum of Art
- Object ID
- 150037
From the Cleveland Museum of Art record
In this painting, Couture used two famous masked characters, Pierrot and Harlequin, to satirize and critique the public and the judicial system of the 19th century. The pathetic Pierrot represents a lower-class fool on trial for stealing food from a restaurant. The stolen items are depicted lying on the courtroom floor as an indictment of his guilt. His accusers sit on the left, while Harlequin, his lawyer, argues theatrically for the defense. The artist's contempt for the legal profession and the court system is plain in the figures of the sleeping judges. A mid-19th-century observer may have sympathized with Pierrot, who for his own survival cunningly subverts authority in order to satisfy his needs.
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Provenance & credit
As published by the source institution. Coverage varies — not every institution's open-data feed includes ownership history.
- Credit line
- Bequest of Noah L. Butkin
- Provenance
- Jay Gould. J. Rougeron, New York, NY | Arthur Tooth & Sons, London, United Kingdom | A. Saloman | December 3, 1976: (Christie's, London, December 3, 1976, lot 105) | by 1977–1980: Mr. and Mrs. Noah L. Butkin, Cleveland, OH bequeathed to the Cleveland Museum of Art | 1980–: The Cleveland Museum of Art, Cleveland, OH
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