
Cleveland Museum of Art
Palanquin Hook
- Date
- 1175–1230
- Medium
- bronze
- Culture
- Cambodia, probably Angkor
- Department
- Indian and Southeast Asian Art
- Institution
- Cleveland Museum of Art
When members of the royal family or priesthood traveled in a public festival procession or to a temple to make offerings or participate in a ceremony, they would be carried in a palanquin, or a covered litter. Portable objects of veneration, such as bronze images or a sacred fire, were also carried on palanquins. The palanquins had wooden poles, hanging seats or raised platforms, and bronze fittings cast in intricate forms and gilt, lending the palanquins a sumptuous quality. This hook once supported a bronze ring from which hung a seat, like a hammock or swing. A wooden pole would have passed through the hollow socket at the top and was carried on the shoulders of bearers. The hook segment ends in the face of a garuda , a man-eagle with a prominent beak, stylized wings, and feathers. Figures indicative of devotion and success, including pairs of elephants, crown the fitting. In the middle of the hook, a figure holding a sword in one hand and his extended leg in the other is in a dance pose expressing vigorous attack.
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