
Cleveland Museum of Art
Mountain View and Blue Water
Tanomura Chikuden
- Date
- early 1800s
- Medium
- hanging scroll; ink, color, and gold on paper
- Culture
- Japan, Edo period (1615–1868)
- Department
- Japanese Art
- Institution
- Cleveland Museum of Art
Tanomura Chikuden was an eminent painter whose adopted son, Tanomura Chokunyū (1814–1907), was Seifū Yohei III’s painting teacher. This work was displayed at a gathering commemorating the 10th anniversary of Chokunyū’s death, something we know only because its custom-made box and archival documents have been carefully kept together. The box inscription also confirms that Chikuden was emulating the style of the Mi family of painters, active during China’s Southern Song dynasty (1127–1279). The painting’s Chinese-style silk wrapper is inscribed and sealed on its interior by members of Chokunyū’s community. The mountain shapes are built up with multiple small wet strokes.
The authoritative record is held by Cleveland Museum of Art. LinkedCulture surfaces this object and its connections; it does not alter institutional metadata.
Related across collections
Semantically similar works from Cleveland Museum of Art and other institutions.

Cloudy Mountains
Cleveland Museum of Art

Calligraphy
Cleveland Museum of Art

Buddhist Retreat by Stream and Mountains
Cleveland Museum of Art

Shakyamuni Emerging from the Mountains
Cleveland Museum of Art

Cloud-Climbing Pavilion, from Twelve Views of Tiger Hill, Suzhou
Cleveland Museum of Art

Tokiwa-gozen fleeing in winter with her sons (from The Tale of Heiji)
Minneapolis Institute of Art

Clearing Autumn Mists in the Chu Mountains
Cleveland Museum of Art

Snowy Landscape
Minneapolis Institute of Art

Streams and Mountains without End
Cleveland Museum of Art

Winter Landscape, after a Yuan Master
Minneapolis Institute of Art

The Thousand Buddha Hall and the Pagoda of the "Cloudy Cliff" Monastery, from Twelve Views of Tiger Hill, Suzhou
Cleveland Museum of Art

The Minister Toru Daijin Standing by a Lake Beneath a Crescent Moon, from the series A True Mirror of Chinese and Japanese Poetry
Cleveland Museum of Art