Su Shi (So Shoku)

Cleveland Museum of Art

Su Shi (So Shoku)

Unkoku TōganLinkedCulture matchlcp-9fe502fcb02e

Date
early 1600s
Medium
one of a pair of six-panel folding screens; ink, light color, and gold on paper
Culture
Japan, Momoyama period (1573–1615)
Department
Japanese Art
Institution
Cleveland Museum of Art
Object ID
164625

From the Cleveland Museum of Art record

This pair of screens depicts episodes from the stories of famed Song-dynasty poets Su Shi of the 1000s and Zhou-dynasty official Pan Lang of the 900s. Both men were banished by their rulers for their perceived missteps. Su Shi’s comments on a series of economic reforms were seen as criticism of the emperor. Pan Lang composed an ill-advised verse about one of the king’s horses. In the left screen Pan rides backward on his donkey as he returns from exile so that he may have a last look at his now beloved Mount Hua. Su Shi, in the right screen, is shown embarking on his journey into exile. The artist of these screens, Unkoku Tōgan, was the founder of the Unkoku school of painting, which emulated the style of renowned ink painter Sesshū Tōyō (1420–1506). Tōgan was the official painter of the Mori family of what is now Yamaguchi prefecture in the south of Japan.

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Provenance & credit

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Credit line
John L. Severance Fund
Provenance
Mr. Shinkichiro Ishimitsu, Hagi City, Yamaguchi Prefecture; Mr. Mitsuru Tajima

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