Egret and Reeds

Cleveland Museum of Art

Egret and Reeds

Yang Ki-hun

Date
late 1800s
Medium
hanging scroll; ink on paper
Culture
Korea, Joseon dynasty (1392–1910)
Department
Korean Art
Institution
Cleveland Museum of Art

In this hanging scroll, an egret walks along the shores of a salt marsh where reeds abundantly grow. Native to Pyongyang, the artist Yang Ki-hun had no rival in bird-and-flower themes. The Taedong River estuary, one of Pyongyang’s beloved natural sites, may have been Yang’s favorite spot to observe and sketch various water birds. Yang treated his subjects of flora and fauna with an observant naturalist’s view, yet his choice of subjects—an egret and reeds—is deeply rooted in traditional symbolic language: the egret stands for the scholarly reclusive life, while reeds indicate humility and modesty. Yang Ki-hun was one of the most commercially successful painters known for decorative bird-and-flower subjects.

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